Årg. 20 Nr. 38 (2023): The 1930s today – Political and aesthetic legacies

Kolofon P38

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Reading guide for Peripeti #38 This issue consists of research articles as well as essays, interviews, and artistic contributions. Peer reviewed articles are marked with an *.

Introduction: A historical analogy and its derived effects

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Neither fascism nor democracy* Contre-Attaque redux

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Calling Heard over a Great Distance 1-8

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Conspiracy hippies and Holocaust denial The exposure of some contemporary faces of fascism by Center for Political Beauty and Frankfurter Hauptschule

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Activist theatre and the agitprop legacy*

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Staying with the trouble Collective forms and methods in performing arts in the 1920s and today

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Wem gehört Lauratibor? Eine Protest-Oper über den Ausverkauf der Stadt / Who owns Lauratibor? A protest opera about the sell-out of the city

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Forming a circle* The practice of Forsøgsscenen (the Experimental Stage) in the self-organised political-artistic milieu of 1930s Denmark

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The rematerialisation of trauma: a dialogue on love

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New World remakes, Cold-War politics, and the legacy of the Bauhaus

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Sites and sights of tension: cultural memory of gender and colonial power in East Asia*

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Taboo and ignorance in Japanese war-time history

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Work Bitch – a contemporary Lehrstück or how to get from I to we*

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From sensation to fluent identity – Lili Elbe’s life narrative between historical case and contemporary re-enactment*

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Summaries

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