Peripeti

Peripeti https://tidsskrift.dk/peripeti Tidsskrift for dramaturgiske studier da-DK Det følgende vedrører alle Peripeti-udgivelser fra 2024, nr. 39, og senere: Peripeti er et Diamond Open Access-tidsskrift, der giver direkte open acces til publiceret indhold ud fra princippet om, at det at gøre forskning frit tilgængelig for offentligheden understøtter en større global udveksling af viden. Forfattere skal ikke betale for indsendelse, redigering eller offentliggørelse af artikler. Forfattere, der bidrager til Peripeti, bevarer ophavsretten til deres artikler. Forfattere accepterer at udgive artikler under en <a href="https://creativecommons.org/licenses/by-nc/4.0/">Creative Commons CC-BY-NC 4.0-licens</a>. Vilkårene for denne licens tillader brugere frit at kopiere og videredistribuere materialet i ethvert medie eller format og at tilpasse, transformere og bygge videre på materialet, så længe der gives passende kreditering, et link til licensen gives, og eventuelle ændringer angives. Brugere må ikke dele eller tilpasse materialet til kommercielle formål uden samtykke fra licensgiveren. Brugen af licensen må ikke på nogen måde antyde, at licensgiveren støtter tredjeparten eller dennes brug. Licensen kan ikke tilbagekaldes. Forfattere opfordres til at lægge deres artikler ud på personlige og/eller institutionelle hjemmesider for at sikre endnu større offentlig adgang efter udgivelsen. Forfattere har ret til at arkivere deres artikler i fondes og offentlige institutioners arkiver, men Peripeti anmoder om, at forfattere bruger et direkte link til den publicerede artikel på tidsskriftets hjemmeside, når det er muligt, da Peripeti som en ikke-kommerciel, offentligt finansieret udgiver er afhængig af niveauet af brugeraktivitet på tidsskriftets hjemmeside. Vedrørende tidligere udgivelser, indtil 2024, herunder nr. 38: Ophavsretten deles mellem Peripeti og forfatteren/forfatterne. Tidsskriftet er et open access-tidsskrift, der giver direkte adgang til alt indhold baseret på princippet om, at det at gøre forskning frit tilgængelig for offentligheden understøtter en større global udveksling af viden. Brugere kan frit kopiere og dele materiale i ethvert medie eller format, så længe der gives passende kreditering. Enhver anden brug kræver skriftligt samtykke fra indehaverne af ophavsretten. thomas.rosendal@cc.au.dk (Thomas Rosendal Nielsen) thomas.rosendal@cc.au.dk (Thomas Rosendal Nielsen) Wed, 15 Jan 2025 00:00:00 +0100 OJS 3.3.0.13 http://blogs.law.harvard.edu/tech/rss 60 Dancing necessities https://tidsskrift.dk/peripeti/article/view/152261 Summary Situating the vocabulary of infrastructure studies within the field of dance, theatre- and performance studies, the article provides a critical analysis of what has happened infrastructurally within the past 10 years in the Danish field of dance and choreography. Four aspects are taken into account: the landscape and economy of venues, the educational changes, an upsurge of self-organised spaces and cooperatives in the field, and finally the field of critique and self-archiving. Through an analysis across frames of production, presentation, and distribution, we suggest tendencies of how dance and choreography is currently moved by its material and immaterial infrastructures. The conclusion stresses how artistic self-organisation of both production platforms, festivals, and separatist collectives can be understood as infrastructural choreographies: artistic and self-maintaining ways of responding to institutional and educational instability, structural precarity, and normative representation in the Danish landscape of dance and choreography.   Resumé Ved brug af et vokabular fra infrastrukturstudier i konteksten af dansevidenskab og teater- og performancestudier giver artiklen en kritisk analyse af, hvad der er sket infrastrukturelt i de seneste 10 år i det danske danse- og koreografifelt. Fire aspekter tages i betragtning: et landskab over scener og tilhørende økonomi, forandringer i de nationale uddannelser indenfor dans og koreografi, en fremkomst af selvorganiserede studios og kooperativer, og endelig betingelserne for kritik og arkivering af dans. Ved at analysere på tværs af rammer for produktion, præsentation og distribution, beskriver vi hvordan dans og koreografi i vores historiske samtid formes af feltets materielle og immaterielle infrastrukturer. Konklusionen foreslår, at kunstnerisk selvorganisering af både produktionsplatforme, festivaler og separatistiske kollektiver kan forstås som infrastrukturelle koreografier: kunstneriske og omsorgsdragende måder at reagere på institutionel og uddannelsesmæssig ustabilitet, strukturel prekaritet og normativ repræsentation i det danske felt for dans og koreografi. Cecilie Ullerup Schmidt, Franziska Bork-Petersen, Jonas Schnor, Karen Vedel Copyright (c) 2024 Cecilie Ullerup Schmidt, Franziska Bork-Petersen, Jonas Schnor, Karen Vedel https://creativecommons.org/licenses/by-nc/4.0 https://tidsskrift.dk/peripeti/article/view/152261 Tue, 17 Dec 2024 00:00:00 +0100 About this issue https://tidsskrift.dk/peripeti/article/view/152280 Cecilie Ullerup Schmidt, Franziska Bork-Petersen, Jonas Schnor, Karen Vedel Copyright (c) 2024 Cecilie Ullerup Schmidt, Franziska Bork-Petersen, Jonas Schnor, Karen Vedel https://creativecommons.org/licenses/by-nc/4.0 https://tidsskrift.dk/peripeti/article/view/152280 Tue, 17 Dec 2024 00:00:00 +0100 “Herefter er jeg definitivt holdt op som danser…” https://tidsskrift.dk/peripeti/article/view/152286 Mindeord om danser, koreograf og filminstruktør Jytte Kjøbek Jorn (15.11.1943-04.07.2024) Karen Vedel Copyright (c) 2024 Karen Vedel, https://creativecommons.org/licenses/by-nc/4.0 https://tidsskrift.dk/peripeti/article/view/152286 Tue, 17 Dec 2024 00:00:00 +0100 Mindeord om Kirsten Dehlholm https://tidsskrift.dk/peripeti/article/view/152289 Erik Exe Christoffersen, Laura Luise Schultz Copyright (c) 2024 Erik Exe Christoffersen, Laura Luise Schultz https://creativecommons.org/licenses/by-nc/4.0 https://tidsskrift.dk/peripeti/article/view/152289 Tue, 17 Dec 2024 00:00:00 +0100 “Folkhemmet” and dance https://tidsskrift.dk/peripeti/article/view/152290 Ingrid Redbark-Wallander Copyright (c) 2024 Ingrid Redbark-Wallander https://creativecommons.org/licenses/by-nc/4.0 https://tidsskrift.dk/peripeti/article/view/152290 Tue, 17 Dec 2024 00:00:00 +0100 Virtuosity in the wings https://tidsskrift.dk/peripeti/article/view/152292 The article analyses artistic practices and institutional patterns that concern the collaborative creation, maintenance and transformation of dancing bodies at Royal Danish Ballet. Classical ballet conventionally relies on the myth of the solitary artistic genius who gives herself to the artform with extraordinary devotion and discipline. Yet, a series of interviews that I conducted with employees at the Royal Danish Ballet, highlight the outstanding individual on-stage performances as heavily reliant on the backstage expertise, care and commitment of many; the principal dancer’s body as collectively produced. Franziska Bork-Petersen Copyright (c) 2024 Franziska Bork-Petersen https://creativecommons.org/licenses/by-nc/4.0 https://tidsskrift.dk/peripeti/article/view/152292 Tue, 17 Dec 2024 00:00:00 +0100 Fra dansemiljø til pædagoguddannelse https://tidsskrift.dk/peripeti/article/view/152294 Med inspiration fra Bojana Kunsts beskrivelser af den ufuldstændige, foranderlige og flydende krop (Kunst 2023) og med udgangspunkt i min nyligt forsvarede ph.d.-afhandling Legende bevægelser i et koreografisk perspektiv undersøger jeg i denne artikel mulige sammenhænge mellem kunstneriske dansepraksisser og uddannelse af professionelle i pædagogisk praksis. Ved at gå samtidsdiagnostisk til værks sætter jeg fokus på tegn på forandring i uddannelse af pædagoger og knytter disse tegn til, hvordan dansens ufuldstændige, legende og flertydige udtryksformer praktiseres på – såvel som uden for – pædagoguddannelsen. Analysen udmunder i argumenter for mere kunstnerisk udvikling i dansemiljøet og dans som et selvstændigt fag på pædagoguddannelsen.   Inspired by Bojana Kunst’s descriptions of the incomplete, changeable, and fluid body (Kunst 2023) and based on my recently defended PhD thesis, Playful Movements in a Choreographic Perspective, in this article, I examine possible connections between artistic dance practices and the education of professionals in social education (pædagoguddannelsen in Danish). By taking a socio-analytic approach, I focus on signs of change in the education of social educators (pædagoger) and link these signs to how dance’s incomplete, playful, and ambiguous forms of expression are practiced in and outside of the pædagog education. The analysis results in arguments for more artistic research in the dance environment and dance as an independent subject in the pædagog degree program. Lars Dahl Pedersen Copyright (c) 2024 Lars Dahl Pedersen https://creativecommons.org/licenses/by-nc/4.0 https://tidsskrift.dk/peripeti/article/view/152294 Sat, 21 Dec 2024 00:00:00 +0100 Patience and perseverance https://tidsskrift.dk/peripeti/article/view/152298 An interview with Julienne Doko Julienne Doko, Karen Vedel Copyright (c) 2024 Julienne Doko https://creativecommons.org/licenses/by-nc/4.0 https://tidsskrift.dk/peripeti/article/view/152298 Tue, 17 Dec 2024 00:00:00 +0100 The most beautiful part of your body is where it’s headed https://tidsskrift.dk/peripeti/article/view/152304 This article analyses the performance and total installation Vanitas (the musical) (2022) by the Danish choreographer and visual artist Jules Fischer. Through a t4t methodology and anchored in my own embodied and affective experience as a trans person I argue that Vanitas offers a knowing trans togetherness we who are trans can experience and feel in different ways than those who do not have such experiences. Vanitas centers trans experience and togetherness not by explaining what transness is, but by offering a performative space filled with ambivalence, embodied practicing and an alongsided togetherness. A temporary t4t (trans-for-trans) togetherness shaped around the multiplicity of ways, we as trans people, together and alongside one another, move closer to each other and ourselves in an effort to heal, survive and even thrive.   Denne artikel analyserer performancen og totalinstallationen Vanitas (the musical) (2022) af den danske koreograf og billedkunstner Jules Fischer. Gennem en t4t-metodologi og forankret i min egen kropslige og affektive oplevelse som transperson argumenterer jeg for, at Vanitas tilbyder et vidende transfællesskab, vi, der er transpersoner, kan opleve og mærke på andre måder end dem, der ikke har disse erfaringer. Vanitas centrerer transoplevelse og -fællesskab, ikke ved at forklare, hvad transhed er, men ved at tilbyde et performativt rum fyldt med kropslig gøren og ambivalente fællesskaber. Vanitas skaber et midlertidigt t4t (trans-for-trans) fællesskab omkring den mangfoldighed af måder, hvorpå vi som transpersoner, sammen og side-om-side, bevæger os tættere på hinanden og os selv i et forsøg på at overleve og hele.   Storm Møller Madsen Copyright (c) 2024 Storm Møller Madsen https://creativecommons.org/licenses/by-nc/4.0 https://tidsskrift.dk/peripeti/article/view/152304 Tue, 17 Dec 2024 00:00:00 +0100 HOW TO BEGIN? https://tidsskrift.dk/peripeti/article/view/152305 Through a practice-near unfolding of the research project Imagining (the Imagination of) the Other, I advocate for renewed approaches when it comes to inviting people who are not (yet) professional dancers into choreographic processes; rather than adapting or simplifying the work for all to join, I suggest delving into the complexity of the artistic proposal, allowing unforeseen logics to surface. Laura Navndrup Black Copyright (c) 2024 Laura Navndrup Black https://creativecommons.org/licenses/by-nc/4.0 https://tidsskrift.dk/peripeti/article/view/152305 Tue, 17 Dec 2024 00:00:00 +0100 Hvor dramaturgien og koreografien mødes https://tidsskrift.dk/peripeti/article/view/152306 Interview med Ida-Elisabeth Larsen Ida-Elisabeth Larsen, Jonas Schnor Copyright (c) 2024 Ida-Elisabeth Larsen, Jonas Schnor https://creativecommons.org/licenses/by-nc/4.0 https://tidsskrift.dk/peripeti/article/view/152306 Tue, 17 Dec 2024 00:00:00 +0100 Getting together to forget, to re-member https://tidsskrift.dk/peripeti/article/view/152307 This article aims to unfold and contextualise a (felt) collective amnesia haunting the independent dance scene in a Danish context. By identifying potential reliefs for this condition, the authors delve into the participatory activities of the artistic initiative Danish Dance Stories, exploring and mapping out potentialities of gathering in practices of re-membering a (plural, embodied) history of dance. Taking on a wider perspective, they emphasise the need for an institutional, long-term responsibility of historicising-maintenance. Carolina Bäckman, Andrea Deres Copyright (c) 2024 Carolina Bäckman, Andrea Deres https://creativecommons.org/licenses/by-nc/4.0 https://tidsskrift.dk/peripeti/article/view/152307 Tue, 17 Dec 2024 00:00:00 +0100 Unforgetting as a choreographic practice https://tidsskrift.dk/peripeti/article/view/152308 Unforgetting as choreographic practice questions how artistic research can contribute to the remembering of dance histories and a re-contextualisation through performance. Opening the creation process of the performance Frå Form til Famling (2023), Holte shares experiences from the encounter with these dance historical archives, transforming a document into an artistic experience to create a space for a polyphonic remembering, an unforgetting that expands the initial narrative, and that creates a space for remembering several histories at once. Solveig Styve Holte Copyright (c) 2024 Solveig Styve Holte https://creativecommons.org/licenses/by-nc/4.0 https://tidsskrift.dk/peripeti/article/view/152308 Tue, 17 Dec 2024 00:00:00 +0100 An/archiving con/temporary dance/ing bodies https://tidsskrift.dk/peripeti/article/view/152309 How is dance history written on bodies in classrooms in the 21st century? This paper derives from four years of ethnochoreological research in contemporary dance education within Higher Private Professional Dance Schools in Athens, Greece. Elaborating on the necessity of multimodal ways of capturing the process of corporeal transmission. Marianna Panourgia Copyright (c) 2024 Marianna Panourgia https://creativecommons.org/licenses/by-nc/4.0 https://tidsskrift.dk/peripeti/article/view/152309 Tue, 17 Dec 2024 00:00:00 +0100 Abstracts https://tidsskrift.dk/peripeti/article/view/152310 Peripeti Copyright (c) 2024 Peripeti https://creativecommons.org/licenses/by-nc/4.0 https://tidsskrift.dk/peripeti/article/view/152310 Tue, 17 Dec 2024 00:00:00 +0100 Kolofon https://tidsskrift.dk/peripeti/article/view/152340 <div class="page" data-page-number="2" data-loaded="true"> <div class="textLayer"> Peripeti 39 © Peripeti og forfatterne Temaredaktion: Franziska Bork-Petersen, Cecilie Ullerup Schmidt, Jonas Schnor, and Karen Vedel. Redaktion: Erik Exe Christoffersen, Solveig Daugaard, Michael Eigtved, Solveig Gade, Mette Obling Høeg, Storm Møller Madsen, Thomas Rosendal Nielsen (ansv.), Cecilie Ullerup Schmidt, Laura Luise Schultz, Josefine Brink Siem, Mads Thygesen. Korrektur: Marianne Ølholm Omslag: Fra demonstrationen #keepdanceincph organiseret af Scenekunstskolens Dance Protest på Christiansborg Slotsplads den 16. maj 2022. Foto: Theo Baunsgaard Layout: Ivan Micic Peripeti ‒ Tidsskrift for dramaturgiske studier ISSN Online 2245-893X og Print 1604-0325 Peripeti udgives af Afdeling for Dramaturgi (Aarhus Universitet) i samarbejde med Teater- og Performancestudier (Københavns Universitet) og Den Danske Scenekunstskole. Peripeti er støttet af Statens Kunstfond og Danmarks Frie Forskningsfond. Redaktionsadresse www.peripeti.dk Peripeti Afdeling for Dramaturgi Institut for Kommunikation og Kultur, Aarhus Universitet Langelandsgade 139 DK 8000 Århus C </div> </div> Peripeti Copyright (c) 2024 Peripeti https://creativecommons.org/licenses/by-nc/4.0 https://tidsskrift.dk/peripeti/article/view/152340 Wed, 18 Dec 2024 00:00:00 +0100