Peripeti https://tidsskrift.dk/peripeti <p>Tidsskrift for dramaturgiske studier</p> da-DK <p>Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.</p> thomas.rosendal@cc.au.dk (Thomas Rosendal Nielsen) thomas.rosendal@cc.au.dk (Thomas Rosendal Nielsen) Mon, 12 Jun 2023 18:33:31 +0200 OJS 3.3.0.13 http://blogs.law.harvard.edu/tech/rss 60 Pretty Woman Ltd. in a container at Halmtorvet https://tidsskrift.dk/peripeti/article/view/137848 <p class="p1"><strong>Pretty Woman Ltd.:</strong></p> <p class="p2">Text: Jeppe Kristensen.</p> <p class="p2">Staging: Tue Biering.</p> <p class="p2">Scenography: Christian Friedländer.</p> Monna Dithmer Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137848 Mon, 12 Jun 2023 00:00:00 +0200 Parsifal from Copenhagen Central Station, tracks 11 & 12 to Brøndby https://tidsskrift.dk/peripeti/article/view/137849 Monna Dithmer Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137849 Mon, 12 Jun 2023 00:00:00 +0200 Gold Rush. NyAveny https://tidsskrift.dk/peripeti/article/view/137850 <p class="p1"><strong>Concept and staging</strong>: Tue Biering and Jeppe Kristensen.</p> <p class="p1"><strong>Scenography</strong>: Sigurdur Oli Palmason.</p> Monna Dithmer Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137850 Mon, 12 Jun 2023 00:00:00 +0200 Rocky! The Left-Wing Theatre Ghetto’s Auto-Knock-Out https://tidsskrift.dk/peripeti/article/view/137851 <p class="p1"><strong>Text and direction:</strong> Tue Biering.</p> <p class="p1"><strong>Scenography:</strong> Peter Schultz.</p> <p class="p1"><strong>Sound design:</strong> Ditlev Brinth.</p> <p class="p1"><strong>Lighting design, realisation:</strong> Mathilde Niemann Hüttel.</p> <p class="p1"><strong>Cast:</strong> Morten Burian Cheanne Nielsen and Kasper Frederik Mortensen.</p> Solveig Daugaard Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137851 Mon, 12 Jun 2023 00:00:00 +0200 Land without Dreams, 2018 https://tidsskrift.dk/peripeti/article/view/137852 <p class="p1"><em>Land without Dreams</em> is produced by FIX&amp;FOXY in collaboration with Eventministeriet at The Royal Danish Theatre.</p> <p class="p2"><strong>Actor:</strong> Lise Lauenblad.</p> <p class="p2"><strong>Director and writer:</strong> Tue Biering.</p> <p class="p2"><strong>Dramaturge: </strong>Tanja Diers.</p> Erik Exe Christoffersen Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137852 Mon, 12 Jun 2023 00:00:00 +0200 AVATAR ME, 2020 https://tidsskrift.dk/peripeti/article/view/137853 <p class="p1">The festival is produced by Wildtopia and presented in collaboration with theatre partners, Teater Nordkraft in Aalborg and Teater Viirus in Helsinki.</p> <p class="p2"><strong>Cast:</strong> Marcela Nistor, Robin Khor Yong Kuan, Bertwin Ravi D’souza, Lalisa Costa and Lillian Tshabalala.</p> <p class="p2"><strong>Director: </strong>Tue Biering.</p> <p class="p2"><strong>Producer:</strong> Annette Max Hansen.</p> <p class="p2"><strong>Dramaturg and co-director:</strong> Linn Haldrup Lorenzen.</p> <p class="p2"><strong>Coordinator and co-director:</strong> Camilla Gürtler.</p> Kathrine Winkelhorn Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137853 Mon, 12 Jun 2023 00:00:00 +0200 Dark Noon https://tidsskrift.dk/peripeti/article/view/137854 <p class="p1"><em>Dark Noon</em> premiered in 2019 at Revolverscenen, Teater Republique.</p> <p class="p2"><strong>Director and script:</strong> Ture Biering.</p> <p class="p2"><strong>Choreographer and co-director:</strong> Nhlanhla Mahlangu,</p> <p class="p2"><strong>Scenography:</strong> Johan Kølkjær.</p> <p class="p3"><strong>Cast:</strong> Bongani Bennedict Masango, Joe Young, Lillian Tshabalala, Mandla Gaduka, Siyambonga Alfred Mdubeki, Katlego Kaygee Letsholonyana and Thulani Zwane.</p> Thomas Rosendal Nielsen Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137854 Mon, 12 Jun 2023 00:00:00 +0200 The European Slaughterhouse https://tidsskrift.dk/peripeti/article/view/137855 <p class="p1"><strong>Script: </strong>William Shakespeare.</p> <p class="p1"><strong>Staging and adaptation:</strong> Tue Biering.</p> <p class="p1"><strong>Dramaturg:</strong> Mathias Rosenkrands Bech.</p> <p class="p1"><strong>Set and costume design:</strong> Nicolaj Spangaa and Marie Rosendahl Chemnitz. Composer: Daniel Fogh.</p> <p class="p1"><strong>Sound design:</strong> Kim Malmose.</p> <p class="p1"><strong>Lighting design:</strong> Simon Holmgren.</p> <p class="p1"><strong>Cast: </strong>Frank Thiel, Kristoffer Helmuth, Benjamin Kitter, Klaus T. Søndergaard, Freja Klint Sandberg, Natalí Vallespir Sand, Anders Gjellerup Koch, Nicolai Jandorf, Louise Davidsen, Malene Melsen, Mikkel Bay Mortensen, Githa Lehrmann, Niels Skovgaard Andersen, Cecilie Gerberg and others.</p> <p class="p1">https://iscene.dk/2022/09/01/tue-biering-det-er-er-mit-personlige-waterloo/</p> Erik Exe Christoffersen Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137855 Mon, 12 Jun 2023 00:00:00 +0200 Preface https://tidsskrift.dk/peripeti/article/view/137723 Tue Biering, Erik Exe Christoffersen, Solveig Daugaard, Monna Dithmer, Solveig Gade, Anne Liisberg, Jeppe Kristensen, Ida Krøgholt, Thomas Rosendal Nielsen, Laura Luise Schultz, Mads Thygesen, Kathrine Winkelhorn Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137723 Mon, 12 Jun 2023 00:00:00 +0200 Hostages of Me https://tidsskrift.dk/peripeti/article/view/137734 <p class="p1"><strong>Hostages of Me </strong>by <em>Tue Biering</em> and<strong> Hvad har vi egentlig haft gang i? Etiske, sociale og kunst­neriske undersøgelser </strong>by Jeppe Kristensen<em>: </em>In two articles, the founders of FIX&amp;FOXY are reflecting on how the production company can develop theater and performances, in order to make the audience reflect on societal dilemmas.</p> Tue Biering Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137734 Mon, 12 Jun 2023 00:00:00 +0200 What Have We Really been Up To? Ethical, Social and Artistic Enquiries https://tidsskrift.dk/peripeti/article/view/137736 <p>Hostages of Me by Tue Biering and Hvad har vi egentlig haft gang i? Etiske, sociale og kunst­neriske undersøgelser by Jeppe Kristensen: In two articles, the founders of FIX&amp;FOXY are reflecting on how the production company can develop theater and performances, in order to make the audience reflect on societal dilemmas.</p> Jeppe Kristensen Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137736 Mon, 12 Jun 2023 00:00:00 +0200 Pretty Woman Walking Down the Street https://tidsskrift.dk/peripeti/article/view/137737 <p class="p1">Pretty Woman Walking Down the Street. Interview with Biering and Kristensen by Gade. The interview explores the artistic strategy around the performance Pretty Woman A/S (2008), performed by female prostitutes, which triggered a strong public debate.</p> Solveig Gade Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137737 Mon, 12 Jun 2023 00:00:00 +0200 Encounters, Relations, Popular Culture and Representation https://tidsskrift.dk/peripeti/article/view/137738 <p class="p1">Interview with Bering by Gade. In this conversation, Gade draws a portrait of FIX&amp;FOXY’s practices, and identifies some fundamental themes in contemporary theatre.</p> Solveig Gade Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137738 Mon, 12 Jun 2023 00:00:00 +0200 Excursion to Youth Land with Jeppe Kristensen https://tidsskrift.dk/peripeti/article/view/137740 <p class="p1">Interview with Kristensen by Christoffersen and Krøgholt. Kristensen reflects on the process of Youth (Ungdom) focusing and on how the company created ownership for the young participants, to give agency as co-developers of the performance’s various spaces.</p> Ida Krøgholt, Erik Exe Christoffersen Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137740 Mon, 12 Jun 2023 00:00:00 +0200 My Deer Hunter https://tidsskrift.dk/peripeti/article/view/137741 <p>Interview with participants from&nbsp;<em>My Deer Hunter</em>&nbsp;by Christoffersen, Krøgholt og Winkelhorn. In dialouge with four participating veterans and the artistic team behind&nbsp;<em>My Deer Hunter</em>, the interview explores, how the performance and rehearsal process functioned for a group of PTSD affected veterans, and how their histories and participation in war was challenged.</p> Erik Exe Christoffersen, Ida Krøgholt, Kathrine Winkelhorn Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137741 Mon, 12 Jun 2023 00:00:00 +0200 FIX&FOXY’s Poetics, Method and Organisation https://tidsskrift.dk/peripeti/article/view/137742 <p>Interview with Biering by Christoffersen, Krøgholt and Winkelhorn. Biering tells about the principles and the theatre view that have been guiding for FIX&amp;FOXY’s creative and theatrical strategies throughout the theatre’s work.</p> Erik Exe Christoffersen, Ida Krøgholt, Kathrine Winkelhorn Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137742 Mon, 12 Jun 2023 00:00:00 +0200 The Europeans https://tidsskrift.dk/peripeti/article/view/137743 <p class="p1">How did the staging of The Europeans exploit classics as a tool to intervene and mix in a current historical and political context? The common denominator for the work was European wars as a dramatic focal point. The article discusses how this performance illuminates the seed of FIX&amp;FOXY’s poetics and conceptual thinking from 2005.</p> Mads Thygesen Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137743 Mon, 12 Jun 2023 00:00:00 +0200 Against All Odds https://tidsskrift.dk/peripeti/article/view/137745 <p class="p1">Against All Odds (2019) are based on identity, representation, and statistics, which portrays how today’s young persons’ lives would statistically look in the future. The question raised by Christoffersen is, how the dramaturgy of the performance creates communication.</p> Erik Exe Christoffersen Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137745 Mon, 12 Jun 2023 00:00:00 +0200 The Management of Audience Discomfort https://tidsskrift.dk/peripeti/article/view/137744 <p>Laura Luise Schultz describes the approach to the audience in various of performances and highlights, that a central feature of FIX&amp;FOXY's political remediation is their sophisticated engagement with the audience and managing of the audience's discomfort.</p> Laura Luise Schultz Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137744 Mon, 12 Jun 2023 00:00:00 +0200 Love Theater: Intangible Conflicts https://tidsskrift.dk/peripeti/article/view/137746 <p>Kristensen went to Bangkok to cast a prostitute who should play the leading character in&nbsp;<em>Love Theater</em>. The performance was based on her own life-experiences as prostitute, and the article is reflecting on intangible conflicts, regarding the prejudices of an audience.</p> Jeppe Kristensen Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137746 Mon, 12 Jun 2023 00:00:00 +0200 Contemporary Art, Representation and Remediation https://tidsskrift.dk/peripeti/article/view/137788 <p>Christoffersen emphasizes FIX&amp;FOXY’s way of doing remediation, perceived as a way of ‘overpainting’ a work like a palimpsest.</p> Erik Exe Christoffersen Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137788 Mon, 12 Jun 2023 00:00:00 +0200 World Theatre and Theatre of the Moment https://tidsskrift.dk/peripeti/article/view/137789 <p>Kristensen gives an overall artistic discussion of FIX&amp;FOXY and draws a thread from the company’s beginning as a theatrical variant of contemporary art, to Peter Osborne's analysis of what contemporary art is today.</p> Jeppe Kristensen Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137789 Mon, 12 Jun 2023 00:00:00 +0200 FIX&FOXY’s Distribution of Management https://tidsskrift.dk/peripeti/article/view/137747 <p>Krøgholt is unfolding FIX&amp;FOXY’s way of working as distributed facilitation, where the participants facilitate each other, and thus through the theatre process develop an awareness of communication and observation.</p> Ida Krøgholt Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137747 Mon, 12 Jun 2023 00:00:00 +0200 FIX&FOXY’s Representation Strategies https://tidsskrift.dk/peripeti/article/view/137790 <p>Liisberg raises the important questions: Who and how can we represent? And who will never be represented?</p> Anne Liisberg Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/137790 Mon, 12 Jun 2023 00:00:00 +0200