Peripeti

Redaktionelt forord

2018-10-25T07:56:41+02:00

Just a word on a page and there is the drama

2018-10-25T08:30:49+02:00

Taking Sarah Kane’s last play 4:48 Psychosis (1999) as a point of departure, Hans-Thies Lehmann presents his thoughts and reflections on the use of text in the postdramatic theatre.

Karakterens opløsning i diskursen: fra Gertrude Stein til René Pollesch

2018-10-25T08:31:17+02:00

In her reflections on the status of the subject in the postdramatic theatre, Laura Luise Schultz aims to show how the experimental writing of Gertrude Stein can be traced to the practice of contemporary playwrights such as René Pollesch.

‚Jeg’ (det) er en anekdote

2018-10-25T08:31:45+02:00

In his analysis of Ohad Naharins Virus (Batsheva Dance Company, 2001), Bloody Mess (Forced Entertainment, 2004), and Stadt als Beute (René Pollesch, Volksbühne im Prater, 2001), Matthias Naumann writes about the gesture of speech in contemporary theatre.

Une flamme si noir

2018-10-25T08:32:07+02:00

Janek Szatkowski methodically examines the relationship between Euripides’ Hippolytos and Racine’s Phèdre, and unearths a significant difference in the principle of rationality that governs the works.

Teaterteksten som metaforisk struktur

2018-10-25T08:32:28+02:00

In his analysis of four different modern playwrights, Peter Elung-Jensen writes about the metaphorical structure. In doing so, he brings the question of poetics to the foreground.

Dit hjem er et minefelt!

2018-10-25T08:32:49+02:00

Taking the vocabulary of French philosopher Gilles Deleuze as a methodological point of departure, Mads Thygesen writes about political satire in Advice to Iraqi Women (2003) by Martin Crimp.

Hvilken virkelighed? Hvis virkelighed?

2018-10-25T08:33:06+02:00

In this short article about the seminar on research and drama held at the Theatre of Aarhus in september 2007, Janicke Branth presents a series of thoughts on the relationship between art and reality in contemporary theatre.

Den nøgne skrift

2018-10-25T08:33:22+02:00

In this article Nirav Christophe presents a critical reflection on the many myths of playwriting, leading the reader from systematic reflections on playwriting to concrete examples.

Nutidige dramatikeres skriveproces

2018-10-25T08:20:51+02:00

Daniela Moorman develops a conceptual tool for understanding the process of writing a play. She draws on the work of several contemporary playwrights, including Arne Sierens, Gerardjan Rijnders and René Pollesch.

Per Flys Forestillinger

2018-10-25T08:24:48+02:00

In his analysis of Danish film director Per Fly's tv-series "Forestillinger" ("Performances") Erik Exe Christoffersen demonstrates how the series unfolds en paratactic dramaturgy. Each episode presents a different and highly subjective perspective on the events around a production of Shakespeare's Venus and Adonis.

At vove virkeligheden

2018-10-25T08:26:08+02:00

In this short essay, Henriette Vedel examines the use of documentary material in the Danish theatre Mungo Park's Sandholm (2006).

Samtale med Daniel Wetzel fra Rimini Protokoll

2018-11-08T08:16:00+01:00

A conversation with Daniel Wetzel about Rimini Protokoll and their productions.

Kosmisk frygt

2018-10-25T08:29:43+02:00

A new play by Danish playwright Christian Lollike dealing with global warming.

English Summaries

2018-10-25T08:34:38+02:00