https://tidsskrift.dk/peripeti/issue/feed Peripeti 2022-11-29T22:47:14+01:00 Thomas Rosendal Nielsen thomas.rosendal@cc.au.dk Open Journal Systems <p>Tidsskrift for dramaturgiske studier</p> https://tidsskrift.dk/peripeti/article/view/134856 Europæerne 2022-11-29T19:41:37+01:00 Mads Thygesen aekexe@cc.au.dk <p>Europæerne. En postdramatisk tilgang til klassikerne by Mads Thygesen. How did the staging<br>of The Europeans exploit classics as a tool to intervene and mix in a current historical and political<br>context? The common denominator for the work was European wars as a dramatic focal point. The<br>article discusses how this performance illuminates the seed of FIX&amp;FOXY’s poetics and conceptual<br>thinking from 2005.</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134857 Mod alle Odds 2022-11-29T19:48:38+01:00 Erik Exe Christoffersen aekexe@cc.au.dk <p>Mod alle Odds. Tragedie og statistik by Erik Exe Christoffersen. Against All Odds (2019) are based<br>on identity, representation, and statistics, which portrays how today’s young persons’ lives would<br>statistically look in the future. The question raised by Christoffersen is, how the dramaturgy of the<br>performance creates communication.</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134858 Forvaltningen af publikums ubehag 2022-11-29T19:56:49+01:00 Laura Luise Schultz aekexe@cc.au.dk <p><strong>Forvaltningen af publikums ubehag. FIX&amp;FOXY som politisk konfrontationskunst </strong>by Laura Luise Schultz. She describes the approach to the audience in various of performances and highlights, that a central feature of FIX&amp;FOXY's political remediation is their sophisticated engagement with the audience and managing of the audience's discomfort.</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134859 Love Theater: Uhåndgribelige konflikter 2022-11-29T20:05:33+01:00 Jeppe Kristensen aekexe@cc.au.dk <p><strong>Love Theater. Uhåndgribelige konflikter</strong> by Jeppe Kristensen. Kristensen went to Bangkok to cast a prostitute who should play the leading character in <em>Love Theater</em>. The performance was based on her own life-experiences as prostitute, and the article is reflecting on intangible conflicts, regarding the prejudices of an audience.</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134860 Samtidskunst, repræsentation og remediering 2022-11-29T20:09:00+01:00 Erik Exe Christoffersen aekexe@cc.au.dk <p><strong>Samtidskunst, repræsentation og remediering </strong>by Erik Exe Christoffersen. Christoffersen emphasizes FIX&amp;FOXY’s way of doing remediation, perceived as a way of ‘overpainting’ a work like a palimpsest.</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134861 Verdensteater og øjebliksteater 2022-11-29T20:16:28+01:00 Jeppe Kristensen aekexe@cc.au.dk <p><strong>Verdensteater og øjebliksteater </strong>by Jeppe Kristensen. Kristensen gives an overall artistic discussion of FIX&amp;FOXY and draws a thread from the company’s beginning as a theatrical variant of contemporary art, to Peter Osborne's analysis of what contemporary art is today.</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134862 FIX&FOXYs distribuering af ledelse 2022-11-29T20:20:26+01:00 Ida Krøgholt aekexe@cc.au.dk <p><strong>FIX&amp;FOXYs distribuering af ledelse </strong>by Ida Krøgholt. Krøgholt is unfolding FIX&amp;FOXY’s way of working as distributed facilitation, where the participants facilitate each other, and thus through the theatre process develop an awareness of communication and observation.</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134863 FIX&FOXYs repræsentationsstrategier 2022-11-29T20:25:38+01:00 Anne Liisberg aekexe@cc.au.dk <p><strong>FIX&amp;FOXY's representation strategies</strong> by Anne Liisberg. Liisberg raises the important questions: Who and how can we represent? And who will never be represented?</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134864 Pretty Woman A/S i en container på Halmtorvet 2022-11-29T20:30:04+01:00 Monna Dithmer aekexe@cc.au.dk <p>Pretty Woman A/S: <br>Tekst: Jeppe Kristensen. <br>Iscenesættelse: Tue Biering. <br>Scenografi: Christian Friedländer.</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134865 Parsifal fra Københavns Hovedbanegård, spor 11 & 12 til Brøndby 2022-11-29T21:00:28+01:00 Monna Dithmer aekexe@cc.au.dk 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134866 Guldfeber 2022-11-29T21:09:25+01:00 Monna Dithmer aekexe@cc.au.dk <p>Koncept og iscenesættelse: Tue Biering og Jeppe Kristensen. <br>Scenografi: Sigurdur Oli Palmason.</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134867 Rocky! Den venstredrejede teaterghettos auto-knock-out. 2022-11-29T21:12:23+01:00 Solveig Daugaard aekexe@cc.au.dk <p>Tekst og instruktion: Tue Biering.&nbsp;<br>Scenografi: Peter Schultz.<br>Lyddesign: Ditlev Brinth. Lysdesign, <br>Afvikling: Mathilde Niemann Hüttel.&nbsp;<br>Medvirkende: Morten Burian Cheanne Nielsen og Kasper Frederik Mortensen</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134868 Landet uden drømme, 2018 2022-11-29T21:15:33+01:00 Erik Exe Christoffersen aekexe@cc.au.dk <p>Landet uden drømme er produceret af Fix &amp; Foxy i samarbejde med Eventministeriet ved Det Kgl.Teater. <br>Skuespiller: Lise Lauenblad. <br>Instruktør og forfatter: Tue Biering. <br>Dramaturg: Tanja Diers.</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134869 Avatar me, 2020 2022-11-29T21:18:45+01:00 Kathrine Winkelhorn aekexe@cc.au.dk <p>Medvirkende:&nbsp;Marcela Nistor, Robin Khor Yong Kuan, Bertwin Ravi D’souza, Lalisa Costa og Lillian Tshabalala. <br>Instruktør:&nbsp;Tue Biering, <br>Producer:&nbsp;Annette Max Hansen, <br>Dramaturg og medinstruktør:&nbsp;Linn Haldrup Lorenzen, <br>Koordinator og medinstruktør:&nbsp;Camilla Gürtler.<br>Festivalen er produceret af Wildtopia og præsenteres sammen med teaterpartnerne, Teater Nordkraft i Aalborg og Teater Viirus i Helsinki.</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134870 Dark Noon 2022-11-29T21:21:44+01:00 Thomas Rosendal Nielsen thomas.rosendal@cc.au.dk <p>Dark Noon havde premiere i 2019 på Revolverscenen, Teater Republique.<br>Instruktør og manuskript: Ture Biering.<br>Koreograf og medinstruktør: Nhlanhla Mahlangu,<br>Scenografi: Johan Kølkjær.<br>Medvirkende: Bongani Bennedict Masango, Joe Young, Lillian Tshabalala, Mandla Gaduka, Siyambonga Alfred Mdubeki, Katlego Kaygee Letsholonyana og Thulani Zwane. </p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134871 Det Europæiske Slagtehus 2022-11-29T21:24:54+01:00 Erik Exe Christoffersen aekexe@cc.au.dk <p>Manuskript: William Shakespeare. <br>Iscenesættelse og bearbejdning: Tue Biering. <br>Dramaturg: Mathias Rosenkrands Bech. <br>Scenografi og kostumer: Nicolaj Spangaa og Marie Rosendahl Chemnitz. <br>Komponist: Daniel Fogh. <br>Lyddesign: Kim Malmose. <br>Lysdesign: Simon Holmgren.<br>Medvirkende: Frank Thiel, Kristoffer Helmuth, Benjamin Kitter, Klaus T. Søndergaard, Freja Klint Sandberg, Natalí Vallespir Sand, Anders Gjellerup Koch, Nicolai Jandorf, Louise Davidsen, Malene Melsen, Mikkel Bay Mortensen, Githa Lehrmann, Niels Skovgaard Andersen, Cecilie Gerberg m.fl.<br>https://iscene.dk/2022/09/01/tue-biering-det-er-er-mit-personlige-waterloo/</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134872 English Summaries 2022-11-29T21:43:20+01:00 Erik Exe Christoffersen aekexe@cc.au.dk <p>Hostages of Me by Tue Biering and Hvad har vi egentlig haft gang i? Etiske, sociale og kunst­neriske undersøgelser by Jeppe Kristensen: In two articles, the founders of FIX&amp;FOXY are reflecting on how the production company can develop theater and performances, in order to make the audience reflect on societal dilemmas.</p> <p><br /><strong>Interviews</strong><br />Pretty Woman Walking Down the Street. Interview with Biering and Kristensen by Gade. The interview explores the artistic strategy around the performance Pretty Woman A/S (2008), performed by female prostitutes, which triggered a strong public debate.</p> <p><br />Møder, relationer, populærkultur og repræsentation. Interview with Bering by Gade. In this conversation, Gade draws a portrait of FIX&amp;FOXY’s practices, and identifies some fundamental themes in contemporary theatre.</p> <p><br />Udflugt til ungdomsland. Interview with Kristensen by Christoffersen and Krøgholt. Kristensen reflects on the process of Youth (Ungdom) focusing and on how the company created ownership for the young participants, to give agency as co-developers of the performance’s various spaces.</p> <p><br />My Deer Hunter. Interview af de medvirkende og det kreative team. Interview with participants from My Deer Hunter by Christoffersen, Krøgholt og Winkelhorn. In dialouge with four participating veterans and the artistic team behind My Deer Hunter, the interview explores, how the performance and rehearsal process functioned for a group of PTSD affected veterans, and how their histories and participation in war was challenged.</p> <p><br />FIX&amp;FOXY’s poetik, metode og organisering. Interview with Biering by Christoffersen, Krøgholt and Winkelhorn. Biering tells about the principles and the theatre view that have been guiding for FIX&amp;FOXY’s creative and theatrical strategies throughout the theatre’s work.</p> <p><br /><strong>Articles </strong><br />Europæerne. En postdramatisk tilgang til klassikerne by Mads Thygesen. How did the staging of The Europeans exploit classics as a tool to intervene and mix in a current historical and political context? The common denominator for the work was European wars as a dramatic focal point. The article discusses how this performance illuminates the seed of FIX&amp;FOXY’s poetics and conceptual thinking from 2005.</p> <p><br />Mod alle Odds. Tragedie og statistik by Erik Exe Christoffersen. Against All Odds (2019) are based on identity, representation, and statistics, which portrays how today’s young persons’ lives would statistically look in the future. The question raised by Christoffersen is, how the dramaturgy of the performance creates communication.</p> <p><br />Forvaltningen af publikums ubehag. FIX&amp;FOXY som politisk konfrontationskunst by Laura Luise Schultz. She describes the approach to the audience in various of performances and highlights, that a central feature of FIX&amp;FOXY’s political remediation is their sophisticated engagement with the audience and managing of the audience’s discomfort.</p> <p><br />Love Theater. Uhåndgribelige konflikter by Jeppe Kristensen. Kristensen went to Bangkok to cast a prostitute who should play the leading character in Love Theater. The performance was based on her own life-experiences as prostitute, and the article is reflecting on intangible conflicts, regarding the prejudices of an audience.</p> <p><br />Samtidskunst, repræsentation og remediering by Erik Exe Christoffersen. Christoffersen empha­sizes FIX&amp;FOXY’s way of doing remediation, perceived as a way of ‘overpainting’ a work like a palimpsest.</p> <p><br />Verdensteater og øjebliksteater by Jeppe Kristensen. Kristensen gives an overall artistic discussion of FIX&amp;FOXY and draws a thread from the company’s beginning as a theatrical variant of con­temporary art, to Peter Osborne’s analysis of what contemporary art is today.</p> <p><br /><strong>Essays</strong><br />FIX&amp;FOXYs distribuering af ledelse by Ida Krøgholt. Krøgholt is unfolding FIX&amp;FOXY’s way of working as distributed facilitation, where the participants facilitate each other, and thus through the theatre process develop an awareness of communication and observation.</p> <p><br />FIX&amp;FOXY’s representation strategies by Anne Liisberg. Liisberg raises the important questions: Who and how can we represent? And who will never be represented?</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134843 Forord af redaktionen 2022-11-29T09:03:04+01:00 Erik Exe Christoffersen aekexe@cc.au.dk Ida Krøgholt aekexe@cc.au.dk Kathrine Winkelhorn aekexe@cc.au.dk <p>Peripeti<br />© Peripeti og forfatterne</p> <p><br />Temaredaktion<br />Erik Exe Christoffersen, Ida Krøgholt og Kathrine Winkelhorn</p> <p><br />Redaktion<br />Janicke Branth, Erik Exe Christoffersen, Solveig Daugaard, Michael Eigtved, Solveig Gade, Storm Møller<br />Madsen, Thomas Rosendal Nielsen (ansv.), Signe Nygaard, Cecilie Ullerup Schmidt, Laura Luise<br />Schultz, Josefine Brink Siem.<br />Layout: Ivan Micic<br />Omslagsfoto: Søren Meisner</p> <p><br />Udgivelsen er støttet af:<br />SKUESPILLERFORBUND og<br />SPORTGOODSFONDEN<br />ISSN: 1604-0325</p> <p><br />Peripeti udgives af Afdeling for Dramaturgi (Aarhus Universitet) i samarbejde med Teater- og<br />Performancestudier (Københavns Universitet) og Den Danske Scenekunstskole. Peripeti er støttet af<br />Statens Kunstfond og Danmarks Frie Forskningsfond.</p> <p><br />Redaktionsadresse<br />www.peripeti.dk<br />Peripeti<br />Afdeling for Dramaturgi<br />Institut for Kommunikation og Kultur, Aarhus Universitet<br />Langelandsgade 139.<br />DK 8000 Århus C<br />Redaktion: thomas.rosendal@cc.au.dk</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134844 Hostages of Me 2022-11-29T09:19:57+01:00 Tue Biering aekexe@cc.au.dk <p>Hostages of Me by Tue Biering and Hvad har vi egentlig haft gang i? Etiske, sociale og kunst­neriske undersøgelser by Jeppe Kristensen: In two articles, the founders of FIX&amp;FOXY are reflecting on how the production company can develop theater and performances, in order to make the audience reflect on societal dilemmas.</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134849 Hvad har vi egentlig haft gang i? 2022-11-29T16:28:50+01:00 Jeppe Kristensen aekexe@cc.au.dk <p>Hostages of Me by Tue Biering and Hvad har vi egentlig haft gang i? Etiske, sociale og kunst­neriske undersøgelser by Jeppe Kristensen: In two articles, the founders of FIX&amp;FOXY are reflecting on how the production company can develop theater and performances, in order to make the audience reflect on societal dilemmas.</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134850 Pretty Woman Walking Down the Street 2022-11-29T16:35:09+01:00 Solveig Gade aekexe@cc.au.dk <p>Pretty Woman Walking Down the Street. Interview with Biering and Kristensen by Gade. The<br>interview explores the artistic strategy around the performance Pretty Woman A/S (2008), performed<br>by female prostitutes, which triggered a strong public debate.</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134851 Møder, relationer, populærkultur og repræsentation 2022-11-29T16:48:12+01:00 Solveig Gade aekexe@cc.au.dk <p>Møder, relationer, populærkultur og repræsentation. Interview with Bering by Gade. In this<br>conversation, Gade draws a portrait of FIX&amp;FOXY’s practices, and identifies some fundamental themes<br>in contemporary theatre.</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134852 Udflugt til ungdomland med Jeppe Kristensen 2022-11-29T16:54:09+01:00 Ida Krøgholt aekexe@cc.au.dk Erik Exe Christoffersen aekexe@cc.au.dk <p>Udflugt til ungdomsland. Interview with Kristensen by Christoffersen and Krøgholt. Kristensen reflects<br>on the process of Youth (Ungdom) focusing and on how the company created ownership for the young<br>participants, to give agency as co-developers of the performance’s various spaces.</p> 2022-11-30T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134855 My Deer Hunter 2022-11-29T18:31:50+01:00 Erik Exe Christoffersen aekexe@cc.au.dk Ida Krøgholt aekexe@cc.au.dk Kathrine Winkelhorn aekexe@cc.au.dk <p><strong>My Deer Hunter.</strong> <strong>Interview af de medvirkende og det kreative team. </strong>Interview with participants from <em>My Deer Hunter</em> by Christoffersen, Krøgholt og Winkelhorn. In dialouge with four participating veterans and the artistic team behind <em>My Deer Hunter</em>, the interview explores, how the performance and rehearsal process functioned for a group of PTSD affected veterans, and how their histories and participation in war was challenged.</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. https://tidsskrift.dk/peripeti/article/view/134854 FIX&FOXY’s poetik, metode og organisering 2022-11-29T17:07:05+01:00 Erik Exe Christoffersen aekexe@cc.au.dk Kathrine Winkelhorn aekexe@cc.au.dk Ida Krøgholt aekexe@cc.au.dk <p><strong>FIX&amp;FOXY's poetik, metode og organisering. </strong>Interview with Biering by Christoffersen, Krøgholt and Winkelhorn. Biering tells about the principles and the theatre view that have been guiding for FIX&amp;FOXY’s creative and theatrical strategies throughout the theatre’s work.</p> 2022-11-29T00:00:00+01:00 Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.