https://tidsskrift.dk/peripeti/issue/feed Peripeti 2018-10-10T18:07:52+02:00 Laura Luise Schultz laura@hum.ku.dk Open Journal Systems <p>Tidsskrift for dramaturgiske studier</p> https://tidsskrift.dk/peripeti/article/view/109642 Læsevejledning/Reading Guide for Peripeti no. 29/30 2018-10-01T18:19:52+02:00 Peripeti Redaktion peripetiskrift@gmail.com 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109615 Forord 2018-10-01T18:26:35+02:00 Karen Vedel peripetiskrift@gmail.com Jeuno JE Kim peripetiskrift@gmail.com Storm Møller Madsen peripetiskrift@gmail.com Nina Cramer peripetiskrift@gmail.com 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109616 Preface 2018-10-01T18:26:36+02:00 Karen Vedel peripetiskrift@gmail.com Jeuno JE Kim peripetiskrift@gmail.com Storm Møller Madsen peripetiskrift@gmail.com Nina Cramer peripetiskrift@gmail.com 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109621 Mindeord for Jørn Langsted 2018-10-01T16:43:38+02:00 Louise Ejgod Hansen peripetiskrift@gmail.com 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109625 * På fremmed grund – om degenerationsteorier i dansk kunst og kultur 1880-1945 2018-10-01T16:50:43+02:00 Jens Tang Kristensen peripetiskrift@gmail.com <p>With particular focus on prominent Danish medical doctors and psychologists like Frederik Lange (1842-1907), Knud Pontoppidan (1853-1916), Eilert Adam Tscherning (1851-1919) and Carl Jul. Salomonsen (1847-1924) and their definitions of concepts like otherness, dysmorphism and degeneration, this article illustrates how they all had a strong political impact on the avant-garde movements in pre-war Denmark.</p> 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109627 The Discourse of the Drinkers – The Laughing Body 2018-10-01T17:35:44+02:00 Annika Larsson peripetiskrift@gmail.com 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109628 * dunst 2001-07 2018-10-01T16:57:46+02:00 Peter Vadim peripetiskrift@gmail.com <p>“dunst 2001-07 Aesthetics of Abjection” is an article that discusses the significance of artistic experimentation in the gender political association dunst motivated by a rebelliousness that creates a dilemma of both rejecting and allowing heteronormativity to demonize the association itself. The discussion of dunst is based on theories of abjection, the semiotic and disidentification.</p> 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109630 Everything You Know About Queerness You Learnt From Blackness 2018-10-01T17:01:40+02:00 Mojisola Adebayo peripetiskrift@gmail.com 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109631 * ‘Det her skal alle da opleve’ 2018-10-10T18:07:52+02:00 Mathias Danbolt peripetiskrift@gmail.com Lene Myong peripetiskrift@gmail.com <p>The article analyzes the self-declared anti-racist performance project Med Andre Øjne (MAØ) [Through Different Eyes], which since 2011 has served as a sought-after diversity tool in Denmark. The purpose of MAØ is, through the use of racial and gendered transformations, to allow participants to ‘put themselves in the other’s place’ in order to produce empathy and compassion. Through a critical analysis of MAØ’s invitation to embody and appropriate the experience of racialized minorities in order to engage questions of everyday racism, the article highlights the limits of empathy as an anti-racist methodology, while arguing that MAØ reproduces a depoliticized understanding of racism that reduces anti-racism to individualized self-transformation.</p> 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109632 grateful 2018-10-01T17:12:53+02:00 Maja Lee Langvad peripetiskrift@gmail.com 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109633 * Forskydninger i repræsentation 2018-10-01T17:26:12+02:00 Emma Sofie Klint Wandahl peripetiskrift@gmail.com <p>This article seeks to facilitate an understanding, of how representational strategies of bodies produced as abnormal can operate within performance contexts. Informed by José Esteban Muñoz’ theory on disidentification and Robert McRuers theory on compulsory able-bodiedness the paper examines how the play Anatomi uses and can be read through the concept of disidentificationas a mode of relocating the contingency of identification possibilities.The strategy of the play offers a critical awareness that enables the audience to see more subtle subversions in stereotyped representation and therefore ultimately creates a context for norm criticism.</p> 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109634 * Trans(ing) Body Art 2018-10-01T17:26:37+02:00 Storm Møller Madsen peripetiskrift@gmail.com <p>This article engages with a number of trans artists who have turned to the genre of body art, using their explicit body as the focal point of their work. The article engages the subgenre of trans body art and reads the performances Ritual (Marriage) by Leah James and Mars Hobrecker and Homage by Kris Grey through the notion of the cut to examine the disciplining of corporeality and trans embodied labor and how these are/can be challenged and (re)imagined through performance.</p> 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109635 * Spasticitet er en kropslig variation 2018-10-01T17:25:38+02:00 Ellen Flyvbjerg Kornerup peripetiskrift@gmail.com Signe Flyvbjerg Hesthaven peripetiskrift@gmail.com <p>The dance performance SPLASTIC celebrates the potential of spastic movement. This article asks if the performance also avoids reproducing normative narratives about the norm-challenging body. The answer is: Not entirely. But the curious, ugly and unproductive movements allow the dancers to counter bodily normativity and efficiency demands and makes visible the potential.</p> 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109636 Den performative modstand 2018-10-01T17:35:08+02:00 Yong Sun Gullach peripetiskrift@gmail.com 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109637 * ’Flygtninge’ på scenen - dilemmaer og potentialer 2018-10-01T17:34:01+02:00 Sabrina Vitting-Seerup peripetiskrift@gmail.com <p>Through a reparative reading and by ‘staying with the trouble’, this article looks into four Danish performances from 2016-2017 that have worked with inclusion of people with refugee-experience. The text thereby identifies some of the dilemmas, questions and hopes that the different approaches to inclusion bring about.</p> 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109638 Darkrooms: Retracing Childhood Memories by Abdullah Qureshi 2018-10-01T17:38:06+02:00 Abdullah Qureshi peripetiskrift@gmail.com 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109639 I Am Queen Mary: An Avatar in the Making 2018-10-01T17:42:17+02:00 Nina Cramer peripetiskrift@gmail.com 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109640 * ROBOT & THE END 2018-10-01T17:46:55+02:00 Stina Hasse Jørgensen peripetiskrift@gmail.com <p>In this article, I present a critical comparative reading of the experiences of gender promoted by media performances that make use of synthesized voices in relation to the 3D animated vocaloid performance THE END (2012) and the multimedia dance performance ROBOT (2013). I argue that the staging of synthesized voices in THE END promotes a gender performativity of the heteronormative gender binary, creating a sexualized fetishization of the technological body. ROBOT, on the other hand, as a media performance utilizes the audio-visual bsody of a little robot to subvert gender stereotypes, demonstrating that the visual contextualization and framing of the synthesized voice matters in the representation of identities in digital media performances.</p> 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109611 Ikke noget safe space: Madame Nielsen i Sort/Hvid 2018-10-01T18:26:37+02:00 Laura Luise Schultz peripetiskrift@gmail.com 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109613 Macho Dancer af Eisa Jocson 2018-10-01T18:26:38+02:00 Lotte Løvholm peripetiskrift@gmail.com 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109612 69 Positions af Mette Ingvartsen 2018-10-01T18:26:39+02:00 Betina Rex peripetiskrift@gmail.com 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement## https://tidsskrift.dk/peripeti/article/view/109614 English Summaries 2018-10-01T18:26:39+02:00 Peripeti Redaktion peripetiskrift@gmail.com 2018-10-01T00:00:00+02:00 ##submission.copyrightStatement##