Peripeti

Europæerne

2022-11-29T19:41:37+01:00

Europæerne. En postdramatisk tilgang til klassikerne by Mads Thygesen. How did the staging
of The Europeans exploit classics as a tool to intervene and mix in a current historical and political
context? The common denominator for the work was European wars as a dramatic focal point. The
article discusses how this performance illuminates the seed of FIX&FOXY’s poetics and conceptual
thinking from 2005.

Mod alle Odds

2022-11-29T19:48:38+01:00

Mod alle Odds. Tragedie og statistik by Erik Exe Christoffersen. Against All Odds (2019) are based
on identity, representation, and statistics, which portrays how today’s young persons’ lives would
statistically look in the future. The question raised by Christoffersen is, how the dramaturgy of the
performance creates communication.

Forvaltningen af publikums ubehag

2022-11-29T19:56:49+01:00

Forvaltningen af publikums ubehag. FIX&FOXY som politisk konfrontationskunst by Laura Luise Schultz. She describes the approach to the audience in various of performances and highlights, that a central feature of FIX&FOXY's political remediation is their sophisticated engagement with the audience and managing of the audience's discomfort.

Love Theater: Uhåndgribelige konflikter

2022-11-29T20:05:33+01:00

Love Theater. Uhåndgribelige konflikter by Jeppe Kristensen. Kristensen went to Bangkok to cast a prostitute who should play the leading character in Love Theater. The performance was based on her own life-experiences as prostitute, and the article is reflecting on intangible conflicts, regarding the prejudices of an audience.

Samtidskunst, repræsentation og remediering

2022-11-29T20:09:00+01:00

Samtidskunst, repræsentation og remediering by Erik Exe Christoffersen. Christoffersen emphasizes FIX&FOXY’s way of doing remediation, perceived as a way of ‘overpainting’ a work like a palimpsest.

Verdensteater og øjebliksteater

2022-11-29T20:16:28+01:00

Verdensteater og øjebliksteater by Jeppe Kristensen. Kristensen gives an overall artistic discussion of FIX&FOXY and draws a thread from the company’s beginning as a theatrical variant of contemporary art, to Peter Osborne's analysis of what contemporary art is today.

FIX&FOXYs distribuering af ledelse

2022-11-29T20:20:26+01:00

FIX&FOXYs distribuering af ledelse by Ida Krøgholt. Krøgholt is unfolding FIX&FOXY’s way of working as distributed facilitation, where the participants facilitate each other, and thus through the theatre process develop an awareness of communication and observation.

FIX&FOXYs repræsentationsstrategier

2022-11-29T20:25:38+01:00

FIX&FOXY's representation strategies by Anne Liisberg. Liisberg raises the important questions: Who and how can we represent? And who will never be represented?

Pretty Woman A/S i en container på Halmtorvet

2022-11-29T20:30:04+01:00

Pretty Woman A/S:
Tekst: Jeppe Kristensen.
Iscenesættelse: Tue Biering.
Scenografi: Christian Friedländer.

Parsifal fra Københavns Hovedbanegård, spor 11 & 12 til Brøndby

2022-11-29T21:00:28+01:00

Guldfeber

2022-11-29T21:09:25+01:00

Koncept og iscenesættelse: Tue Biering og Jeppe Kristensen.
Scenografi: Sigurdur Oli Palmason.

Rocky! Den venstredrejede teaterghettos auto-knock-out.

2022-11-29T21:12:23+01:00

Tekst og instruktion: Tue Biering.
Scenografi: Peter Schultz.
Lyddesign: Ditlev Brinth. Lysdesign,
Afvikling: Mathilde Niemann Hüttel.
Medvirkende: Morten Burian Cheanne Nielsen og Kasper Frederik Mortensen

Landet uden drømme, 2018

2022-11-29T21:15:33+01:00

Landet uden drømme er produceret af Fix & Foxy i samarbejde med Eventministeriet ved Det Kgl.Teater.
Skuespiller: Lise Lauenblad.
Instruktør og forfatter: Tue Biering.
Dramaturg: Tanja Diers.

Avatar me, 2020

2022-11-29T21:18:45+01:00

Medvirkende: Marcela Nistor, Robin Khor Yong Kuan, Bertwin Ravi D’souza, Lalisa Costa og Lillian Tshabalala.
Instruktør: Tue Biering,
Producer: Annette Max Hansen,
Dramaturg og medinstruktør: Linn Haldrup Lorenzen,
Koordinator og medinstruktør: Camilla Gürtler.
Festivalen er produceret af Wildtopia og præsenteres sammen med teaterpartnerne, Teater Nordkraft i Aalborg og Teater Viirus i Helsinki.

Dark Noon

2022-11-29T21:21:44+01:00

Dark Noon havde premiere i 2019 på Revolverscenen, Teater Republique.
Instruktør og manuskript: Ture Biering.
Koreograf og medinstruktør: Nhlanhla Mahlangu,
Scenografi: Johan Kølkjær.
Medvirkende: Bongani Bennedict Masango, Joe Young, Lillian Tshabalala, Mandla Gaduka, Siyambonga Alfred Mdubeki, Katlego Kaygee Letsholonyana og Thulani Zwane.

Det Europæiske Slagtehus

2022-11-29T21:24:54+01:00

Manuskript: William Shakespeare.
Iscenesættelse og bearbejdning: Tue Biering.
Dramaturg: Mathias Rosenkrands Bech.
Scenografi og kostumer: Nicolaj Spangaa og Marie Rosendahl Chemnitz.
Komponist: Daniel Fogh.
Lyddesign: Kim Malmose.
Lysdesign: Simon Holmgren.
Medvirkende: Frank Thiel, Kristoffer Helmuth, Benjamin Kitter, Klaus T. Søndergaard, Freja Klint Sandberg, Natalí Vallespir Sand, Anders Gjellerup Koch, Nicolai Jandorf, Louise Davidsen, Malene Melsen, Mikkel Bay Mortensen, Githa Lehrmann, Niels Skovgaard Andersen, Cecilie Gerberg m.fl.
https://iscene.dk/2022/09/01/tue-biering-det-er-er-mit-personlige-waterloo/

English Summaries

2022-11-29T21:43:20+01:00

Hostages of Me by Tue Biering and Hvad har vi egentlig haft gang i? Etiske, sociale og kunstneriske undersøgelser by Jeppe Kristensen: In two articles, the founders of FIX&FOXY are reflecting on how the production company can develop theater and performances, in order to make the audience reflect on societal dilemmas.

Interviews
Pretty Woman Walking Down the Street. Interview with Biering and Kristensen by Gade. The interview explores the artistic strategy around the performance Pretty Woman A/S (2008), performed by female prostitutes, which triggered a strong public debate.

Møder, relationer, populærkultur og repræsentation. Interview with Bering by Gade. In this conversation, Gade draws a portrait of FIX&FOXY’s practices, and identifies some fundamental themes in contemporary theatre.

Udflugt til ungdomsland. Interview with Kristensen by Christoffersen and Krøgholt. Kristensen reflects on the process of Youth (Ungdom) focusing and on how the company created ownership for the young participants, to give agency as co-developers of the performance’s various spaces.

My Deer Hunter. Interview af de medvirkende og det kreative team. Interview with participants from My Deer Hunter by Christoffersen, Krøgholt og Winkelhorn. In dialouge with four participating veterans and the artistic team behind My Deer Hunter, the interview explores, how the performance and rehearsal process functioned for a group of PTSD affected veterans, and how their histories and participation in war was challenged.

FIX&FOXY’s poetik, metode og organisering. Interview with Biering by Christoffersen, Krøgholt and Winkelhorn. Biering tells about the principles and the theatre view that have been guiding for FIX&FOXY’s creative and theatrical strategies throughout the theatre’s work.

Articles
Europæerne. En postdramatisk tilgang til klassikerne by Mads Thygesen. How did the staging of The Europeans exploit classics as a tool to intervene and mix in a current historical and political context? The common denominator for the work was European wars as a dramatic focal point. The article discusses how this performance illuminates the seed of FIX&FOXY’s poetics and conceptual thinking from 2005.

Mod alle Odds. Tragedie og statistik by Erik Exe Christoffersen. Against All Odds (2019) are based on identity, representation, and statistics, which portrays how today’s young persons’ lives would statistically look in the future. The question raised by Christoffersen is, how the dramaturgy of the performance creates communication.

Forvaltningen af publikums ubehag. FIX&FOXY som politisk konfrontationskunst by Laura Luise Schultz. She describes the approach to the audience in various of performances and highlights, that a central feature of FIX&FOXY’s political remediation is their sophisticated engagement with the audience and managing of the audience’s discomfort.

Love Theater. Uhåndgribelige konflikter by Jeppe Kristensen. Kristensen went to Bangkok to cast a prostitute who should play the leading character in Love Theater. The performance was based on her own life-experiences as prostitute, and the article is reflecting on intangible conflicts, regarding the prejudices of an audience.

Samtidskunst, repræsentation og remediering by Erik Exe Christoffersen. Christoffersen emphasizes FIX&FOXY’s way of doing remediation, perceived as a way of ‘overpainting’ a work like a palimpsest.

Verdensteater og øjebliksteater by Jeppe Kristensen. Kristensen gives an overall artistic discussion of FIX&FOXY and draws a thread from the company’s beginning as a theatrical variant of contemporary art, to Peter Osborne’s analysis of what contemporary art is today.

Essays
FIX&FOXYs distribuering af ledelse by Ida Krøgholt. Krøgholt is unfolding FIX&FOXY’s way of working as distributed facilitation, where the participants facilitate each other, and thus through the theatre process develop an awareness of communication and observation.

FIX&FOXY’s representation strategies by Anne Liisberg. Liisberg raises the important questions: Who and how can we represent? And who will never be represented?

Forord af redaktionen

2022-11-29T09:03:04+01:00

Temaredaktion
Erik Exe Christoffersen, Ida Krøgholt og Kathrine Winkelhorn

Redaktion
Janicke Branth, Erik Exe Christoffersen, Solveig Daugaard, Michael Eigtved, Solveig Gade, Storm Møller
Madsen, Thomas Rosendal Nielsen (ansv.), Signe Nygaard, Cecilie Ullerup Schmidt, Laura Luise
Schultz, Josefine Brink Siem.
Layout: Ivan Micic
Omslagsfoto: Søren Meisner

Udgivelsen er støttet af:
SKUESPILLERFORBUND og
SPORTGOODSFONDEN
ISSN: 1604-0325

Peripeti udgives af Afdeling for Dramaturgi (Aarhus Universitet) i samarbejde med Teater- og
Performancestudier (Københavns Universitet) og Den Danske Scenekunstskole. Peripeti er støttet af
Statens Kunstfond og Danmarks Frie Forskningsfond.

Redaktionsadresse
www.peripeti.dk
Peripeti
Afdeling for Dramaturgi
Institut for Kommunikation og Kultur, Aarhus Universitet
Langelandsgade 139.
DK 8000 Århus C
Redaktion: thomas.rosendal@cc.au.dk

Hostages of Me

2022-11-29T09:19:57+01:00

Hvad har vi egentlig haft gang i?

2022-11-29T16:28:50+01:00

Pretty Woman Walking Down the Street

2022-11-29T16:35:09+01:00

Pretty Woman Walking Down the Street. Interview with Biering and Kristensen by Gade. The
interview explores the artistic strategy around the performance Pretty Woman A/S (2008), performed
by female prostitutes, which triggered a strong public debate.

Møder, relationer, populærkultur og repræsentation

2022-11-29T16:48:12+01:00

Møder, relationer, populærkultur og repræsentation. Interview with Bering by Gade. In this
conversation, Gade draws a portrait of FIX&FOXY’s practices, and identifies some fundamental themes
in contemporary theatre.

Udflugt til ungdomland med Jeppe Kristensen

2022-11-29T16:54:09+01:00

Udflugt til ungdomsland. Interview with Kristensen by Christoffersen and Krøgholt. Kristensen reflects
on the process of Youth (Ungdom) focusing and on how the company created ownership for the young
participants, to give agency as co-developers of the performance’s various spaces.

My Deer Hunter

2022-11-29T18:31:50+01:00

My Deer Hunter. Interview af de medvirkende og det kreative team. Interview with participants from My Deer Hunter by Christoffersen, Krøgholt og Winkelhorn. In dialouge with four participating veterans and the artistic team behind My Deer Hunter, the interview explores, how the performance and rehearsal process functioned for a group of PTSD affected veterans, and how their histories and participation in war was challenged.

FIX&FOXY’s poetik, metode og organisering

2022-11-29T17:07:05+01:00

FIX&FOXY's poetik, metode og organisering. Interview with Biering by Christoffersen, Krøgholt and Winkelhorn. Biering tells about the principles and the theatre view that have been guiding for FIX&FOXY’s creative and theatrical strategies throughout the theatre’s work.