Peripeti

Pretty Woman Ltd. in a container at Halmtorvet

2023-06-07T13:03:42+02:00

Pretty Woman Ltd.:

Text: Jeppe Kristensen.

Staging: Tue Biering.

Scenography: Christian Friedländer.

Parsifal from Copenhagen Central Station, tracks 11 & 12 to Brøndby

2023-06-07T13:10:41+02:00

Gold Rush. NyAveny

2023-06-07T13:16:06+02:00

Concept and staging: Tue Biering and Jeppe Kristensen.

Scenography: Sigurdur Oli Palmason.

Rocky! The Left-Wing Theatre Ghetto’s Auto-Knock-Out

2023-06-07T13:19:51+02:00

Text and direction: Tue Biering.

Scenography: Peter Schultz.

Sound design: Ditlev Brinth.

Lighting design, realisation: Mathilde Niemann Hüttel.

Cast: Morten Burian Cheanne Nielsen and Kasper Frederik Mortensen.

Land without Dreams, 2018

2023-06-07T13:45:51+02:00

Land without Dreams is produced by FIX&FOXY in collaboration with Eventministeriet at The Royal Danish Theatre.

Actor: Lise Lauenblad.

Director and writer: Tue Biering.

Dramaturge: Tanja Diers.

AVATAR ME, 2020

2023-06-07T13:49:23+02:00

The festival is produced by Wildtopia and presented in collaboration with theatre partners, Teater Nordkraft in Aalborg and Teater Viirus in Helsinki.

Cast: Marcela Nistor, Robin Khor Yong Kuan, Bertwin Ravi D’souza, Lalisa Costa and Lillian Tshabalala.

Director: Tue Biering.

Producer: Annette Max Hansen.

Dramaturg and co-director: Linn Haldrup Lorenzen.

Coordinator and co-director: Camilla Gürtler.

Dark Noon

2023-06-07T13:54:02+02:00

Dark Noon premiered in 2019 at Revolverscenen, Teater Republique.

Director and script: Ture Biering.

Choreographer and co-director: Nhlanhla Mahlangu,

Scenography: Johan Kølkjær.

Cast: Bongani Bennedict Masango, Joe Young, Lillian Tshabalala, Mandla Gaduka, Siyambonga Alfred Mdubeki, Katlego Kaygee Letsholonyana and Thulani Zwane.

The European Slaughterhouse

2023-06-07T13:57:09+02:00

Script: William Shakespeare.

Staging and adaptation: Tue Biering.

Dramaturg: Mathias Rosenkrands Bech.

Set and costume design: Nicolaj Spangaa and Marie Rosendahl Chemnitz. Composer: Daniel Fogh.

Sound design: Kim Malmose.

Lighting design: Simon Holmgren.

Cast: Frank Thiel, Kristoffer Helmuth, Benjamin Kitter, Klaus T. Søndergaard, Freja Klint Sandberg, Natalí Vallespir Sand, Anders Gjellerup Koch, Nicolai Jandorf, Louise Davidsen, Malene Melsen, Mikkel Bay Mortensen, Githa Lehrmann, Niels Skovgaard Andersen, Cecilie Gerberg and others.

https://iscene.dk/2022/09/01/tue-biering-det-er-er-mit-personlige-waterloo/

Preface

2023-06-04T11:37:30+02:00

Hostages of Me

2023-06-06T10:52:25+02:00

Hostages of Me by Tue Biering and Hvad har vi egentlig haft gang i? Etiske, sociale og kunstneriske undersøgelser by Jeppe Kristensen: In two articles, the founders of FIX&FOXY are reflecting on how the production company can develop theater and performances, in order to make the audience reflect on societal dilemmas.

What Have We Really been Up To? Ethical, Social and Artistic Enquiries

2023-06-06T11:05:01+02:00

Hostages of Me by Tue Biering and Hvad har vi egentlig haft gang i? Etiske, sociale og kunstneriske undersøgelser by Jeppe Kristensen: In two articles, the founders of FIX&FOXY are reflecting on how the production company can develop theater and performances, in order to make the audience reflect on societal dilemmas.

Pretty Woman Walking Down the Street

2023-06-06T11:16:43+02:00

Pretty Woman Walking Down the Street. Interview with Biering and Kristensen by Gade. The interview explores the artistic strategy around the performance Pretty Woman A/S (2008), performed by female prostitutes, which triggered a strong public debate.

Encounters, Relations, Popular Culture and Representation

2023-06-06T11:21:52+02:00

Interview with Bering by Gade. In this conversation, Gade draws a portrait of FIX&FOXY’s practices, and identifies some fundamental themes in contemporary theatre.

Excursion to Youth Land with Jeppe Kristensen

2023-06-06T11:41:13+02:00

Interview with Kristensen by Christoffersen and Krøgholt. Kristensen reflects on the process of Youth (Ungdom) focusing and on how the company created ownership for the young participants, to give agency as co-developers of the performance’s various spaces.

My Deer Hunter

2023-06-06T11:47:17+02:00

Interview with participants from My Deer Hunter by Christoffersen, Krøgholt og Winkelhorn. In dialouge with four participating veterans and the artistic team behind My Deer Hunter, the interview explores, how the performance and rehearsal process functioned for a group of PTSD affected veterans, and how their histories and participation in war was challenged.

FIX&FOXY’s Poetics, Method and Organisation

2023-06-06T11:59:17+02:00

Interview with Biering by Christoffersen, Krøgholt and Winkelhorn. Biering tells about the principles and the theatre view that have been guiding for FIX&FOXY’s creative and theatrical strategies throughout the theatre’s work.

The Europeans

2023-06-06T12:06:43+02:00

How did the staging of The Europeans exploit classics as a tool to intervene and mix in a current historical and political context? The common denominator for the work was European wars as a dramatic focal point. The article discusses how this performance illuminates the seed of FIX&FOXY’s poetics and conceptual thinking from 2005.

Against All Odds

2023-06-06T12:27:12+02:00

Against All Odds (2019) are based on identity, representation, and statistics, which portrays how today’s young persons’ lives would statistically look in the future. The question raised by Christoffersen is, how the dramaturgy of the performance creates communication.

The Management of Audience Discomfort

2023-06-06T12:12:23+02:00

Laura Luise Schultz describes the approach to the audience in various of performances and highlights, that a central feature of FIX&FOXY's political remediation is their sophisticated engagement with the audience and managing of the audience's discomfort.

Love Theater: Intangible Conflicts

2023-06-06T12:31:08+02:00

Kristensen went to Bangkok to cast a prostitute who should play the leading character in Love Theater. The performance was based on her own life-experiences as prostitute, and the article is reflecting on intangible conflicts, regarding the prejudices of an audience.

Contemporary Art, Representation and Remediation

2023-06-06T17:03:59+02:00

Christoffersen emphasizes FIX&FOXY’s way of doing remediation, perceived as a way of ‘overpainting’ a work like a palimpsest.

World Theatre and Theatre of the Moment

2023-06-06T17:10:02+02:00

Kristensen gives an overall artistic discussion of FIX&FOXY and draws a thread from the company’s beginning as a theatrical variant of contemporary art, to Peter Osborne's analysis of what contemporary art is today.

FIX&FOXY’s Distribution of Management

2023-06-06T12:35:29+02:00

Krøgholt is unfolding FIX&FOXY’s way of working as distributed facilitation, where the participants facilitate each other, and thus through the theatre process develop an awareness of communication and observation.

FIX&FOXY’s Representation Strategies

2023-06-06T17:13:46+02:00

Liisberg raises the important questions: Who and how can we represent? And who will never be represented?