Peripeti
https://tidsskrift.dk/peripeti
<p>Tidsskrift for dramaturgiske studier</p>Aarhus Universitet, Den Danske Scenekunstskole, Københavns Universitetda-DKPeripeti1604-0325<p>Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.</p>Pretty Woman Ltd. in a container at Halmtorvet
https://tidsskrift.dk/peripeti/article/view/137848
<p class="p1"><strong>Pretty Woman Ltd.:</strong></p> <p class="p2">Text: Jeppe Kristensen.</p> <p class="p2">Staging: Tue Biering.</p> <p class="p2">Scenography: Christian Friedländer.</p>Monna Dithmer
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI208210Parsifal from Copenhagen Central Station, tracks 11 & 12 to Brøndby
https://tidsskrift.dk/peripeti/article/view/137849
Monna Dithmer
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI211212Gold Rush. NyAveny
https://tidsskrift.dk/peripeti/article/view/137850
<p class="p1"><strong>Concept and staging</strong>: Tue Biering and Jeppe Kristensen.</p> <p class="p1"><strong>Scenography</strong>: Sigurdur Oli Palmason.</p>Monna Dithmer
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI213214Rocky! The Left-Wing Theatre Ghetto’s Auto-Knock-Out
https://tidsskrift.dk/peripeti/article/view/137851
<p class="p1"><strong>Text and direction:</strong> Tue Biering.</p> <p class="p1"><strong>Scenography:</strong> Peter Schultz.</p> <p class="p1"><strong>Sound design:</strong> Ditlev Brinth.</p> <p class="p1"><strong>Lighting design, realisation:</strong> Mathilde Niemann Hüttel.</p> <p class="p1"><strong>Cast:</strong> Morten Burian Cheanne Nielsen and Kasper Frederik Mortensen.</p>Solveig Daugaard
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI215218Land without Dreams, 2018
https://tidsskrift.dk/peripeti/article/view/137852
<p class="p1"><em>Land without Dreams</em> is produced by FIX&FOXY in collaboration with Eventministeriet at The Royal Danish Theatre.</p> <p class="p2"><strong>Actor:</strong> Lise Lauenblad.</p> <p class="p2"><strong>Director and writer:</strong> Tue Biering.</p> <p class="p2"><strong>Dramaturge: </strong>Tanja Diers.</p>Erik Exe Christoffersen
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI219223AVATAR ME, 2020
https://tidsskrift.dk/peripeti/article/view/137853
<p class="p1">The festival is produced by Wildtopia and presented in collaboration with theatre partners, Teater Nordkraft in Aalborg and Teater Viirus in Helsinki.</p> <p class="p2"><strong>Cast:</strong> Marcela Nistor, Robin Khor Yong Kuan, Bertwin Ravi D’souza, Lalisa Costa and Lillian Tshabalala.</p> <p class="p2"><strong>Director: </strong>Tue Biering.</p> <p class="p2"><strong>Producer:</strong> Annette Max Hansen.</p> <p class="p2"><strong>Dramaturg and co-director:</strong> Linn Haldrup Lorenzen.</p> <p class="p2"><strong>Coordinator and co-director:</strong> Camilla Gürtler.</p>Kathrine Winkelhorn
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI224227Dark Noon
https://tidsskrift.dk/peripeti/article/view/137854
<p class="p1"><em>Dark Noon</em> premiered in 2019 at Revolverscenen, Teater Republique.</p> <p class="p2"><strong>Director and script:</strong> Ture Biering.</p> <p class="p2"><strong>Choreographer and co-director:</strong> Nhlanhla Mahlangu,</p> <p class="p2"><strong>Scenography:</strong> Johan Kølkjær.</p> <p class="p3"><strong>Cast:</strong> Bongani Bennedict Masango, Joe Young, Lillian Tshabalala, Mandla Gaduka, Siyambonga Alfred Mdubeki, Katlego Kaygee Letsholonyana and Thulani Zwane.</p>Thomas Rosendal Nielsen
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI228232The European Slaughterhouse
https://tidsskrift.dk/peripeti/article/view/137855
<p class="p1"><strong>Script: </strong>William Shakespeare.</p> <p class="p1"><strong>Staging and adaptation:</strong> Tue Biering.</p> <p class="p1"><strong>Dramaturg:</strong> Mathias Rosenkrands Bech.</p> <p class="p1"><strong>Set and costume design:</strong> Nicolaj Spangaa and Marie Rosendahl Chemnitz. Composer: Daniel Fogh.</p> <p class="p1"><strong>Sound design:</strong> Kim Malmose.</p> <p class="p1"><strong>Lighting design:</strong> Simon Holmgren.</p> <p class="p1"><strong>Cast: </strong>Frank Thiel, Kristoffer Helmuth, Benjamin Kitter, Klaus T. Søndergaard, Freja Klint Sandberg, Natalí Vallespir Sand, Anders Gjellerup Koch, Nicolai Jandorf, Louise Davidsen, Malene Melsen, Mikkel Bay Mortensen, Githa Lehrmann, Niels Skovgaard Andersen, Cecilie Gerberg and others.</p> <p class="p1">https://iscene.dk/2022/09/01/tue-biering-det-er-er-mit-personlige-waterloo/</p>Erik Exe Christoffersen
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI233236Preface
https://tidsskrift.dk/peripeti/article/view/137723
Tue BieringErik Exe ChristoffersenSolveig DaugaardMonna DithmerSolveig GadeAnne LiisbergJeppe KristensenIda KrøgholtThomas Rosendal NielsenLaura Luise SchultzMads ThygesenKathrine Winkelhorn
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI623Hostages of Me
https://tidsskrift.dk/peripeti/article/view/137734
<p class="p1"><strong>Hostages of Me </strong>by <em>Tue Biering</em> and<strong> Hvad har vi egentlig haft gang i? Etiske, sociale og kunstneriske undersøgelser </strong>by Jeppe Kristensen<em>: </em>In two articles, the founders of FIX&FOXY are reflecting on how the production company can develop theater and performances, in order to make the audience reflect on societal dilemmas.</p>Tue Biering
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI2437What Have We Really been Up To? Ethical, Social and Artistic Enquiries
https://tidsskrift.dk/peripeti/article/view/137736
<p>Hostages of Me by Tue Biering and Hvad har vi egentlig haft gang i? Etiske, sociale og kunstneriske undersøgelser by Jeppe Kristensen: In two articles, the founders of FIX&FOXY are reflecting on how the production company can develop theater and performances, in order to make the audience reflect on societal dilemmas.</p>Jeppe Kristensen
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI3843Pretty Woman Walking Down the Street
https://tidsskrift.dk/peripeti/article/view/137737
<p class="p1">Pretty Woman Walking Down the Street. Interview with Biering and Kristensen by Gade. The interview explores the artistic strategy around the performance Pretty Woman A/S (2008), performed by female prostitutes, which triggered a strong public debate.</p>Solveig Gade
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI4453Encounters, Relations, Popular Culture and Representation
https://tidsskrift.dk/peripeti/article/view/137738
<p class="p1">Interview with Bering by Gade. In this conversation, Gade draws a portrait of FIX&FOXY’s practices, and identifies some fundamental themes in contemporary theatre.</p>Solveig Gade
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI5459Excursion to Youth Land with Jeppe Kristensen
https://tidsskrift.dk/peripeti/article/view/137740
<p class="p1">Interview with Kristensen by Christoffersen and Krøgholt. Kristensen reflects on the process of Youth (Ungdom) focusing and on how the company created ownership for the young participants, to give agency as co-developers of the performance’s various spaces.</p>Ida KrøgholtErik Exe Christoffersen
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI6067My Deer Hunter
https://tidsskrift.dk/peripeti/article/view/137741
<p>Interview with participants from <em>My Deer Hunter</em> by Christoffersen, Krøgholt og Winkelhorn. In dialouge with four participating veterans and the artistic team behind <em>My Deer Hunter</em>, the interview explores, how the performance and rehearsal process functioned for a group of PTSD affected veterans, and how their histories and participation in war was challenged.</p>Erik Exe ChristoffersenIda KrøgholtKathrine Winkelhorn
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI68105FIX&FOXY’s Poetics, Method and Organisation
https://tidsskrift.dk/peripeti/article/view/137742
<p>Interview with Biering by Christoffersen, Krøgholt and Winkelhorn. Biering tells about the principles and the theatre view that have been guiding for FIX&FOXY’s creative and theatrical strategies throughout the theatre’s work.</p>Erik Exe ChristoffersenIda KrøgholtKathrine Winkelhorn
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI106119The Europeans
https://tidsskrift.dk/peripeti/article/view/137743
<p class="p1">How did the staging of The Europeans exploit classics as a tool to intervene and mix in a current historical and political context? The common denominator for the work was European wars as a dramatic focal point. The article discusses how this performance illuminates the seed of FIX&FOXY’s poetics and conceptual thinking from 2005.</p>Mads Thygesen
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI120129Against All Odds
https://tidsskrift.dk/peripeti/article/view/137745
<p class="p1">Against All Odds (2019) are based on identity, representation, and statistics, which portrays how today’s young persons’ lives would statistically look in the future. The question raised by Christoffersen is, how the dramaturgy of the performance creates communication.</p>Erik Exe Christoffersen
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI130137The Management of Audience Discomfort
https://tidsskrift.dk/peripeti/article/view/137744
<p>Laura Luise Schultz describes the approach to the audience in various of performances and highlights, that a central feature of FIX&FOXY's political remediation is their sophisticated engagement with the audience and managing of the audience's discomfort.</p>Laura Luise Schultz
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI138153Love Theater: Intangible Conflicts
https://tidsskrift.dk/peripeti/article/view/137746
<p>Kristensen went to Bangkok to cast a prostitute who should play the leading character in <em>Love Theater</em>. The performance was based on her own life-experiences as prostitute, and the article is reflecting on intangible conflicts, regarding the prejudices of an audience.</p>Jeppe Kristensen
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI154169Contemporary Art, Representation and Remediation
https://tidsskrift.dk/peripeti/article/view/137788
<p>Christoffersen emphasizes FIX&FOXY’s way of doing remediation, perceived as a way of ‘overpainting’ a work like a palimpsest.</p>Erik Exe Christoffersen
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI170185World Theatre and Theatre of the Moment
https://tidsskrift.dk/peripeti/article/view/137789
<p>Kristensen gives an overall artistic discussion of FIX&FOXY and draws a thread from the company’s beginning as a theatrical variant of contemporary art, to Peter Osborne's analysis of what contemporary art is today.</p>Jeppe Kristensen
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI186193FIX&FOXY’s Distribution of Management
https://tidsskrift.dk/peripeti/article/view/137747
<p>Krøgholt is unfolding FIX&FOXY’s way of working as distributed facilitation, where the participants facilitate each other, and thus through the theatre process develop an awareness of communication and observation.</p>Ida Krøgholt
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SIFIX&FOXY’s Representation Strategies
https://tidsskrift.dk/peripeti/article/view/137790
<p>Liisberg raises the important questions: Who and how can we represent? And who will never be represented?</p>Anne Liisberg
Copyright (c) 2023 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
2023-06-122023-06-1219SI202207