Peripeti https://tidsskrift.dk/peripeti <p>Tidsskrift for dramaturgiske studier</p> Aarhus Universitet, Den Danske Scenekunstskole, Københavns Universitet da-DK Peripeti 1604-0325 <p>Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.</p> Europæerne https://tidsskrift.dk/peripeti/article/view/134856 <p>Europæerne. En postdramatisk tilgang til klassikerne by Mads Thygesen. How did the staging<br>of The Europeans exploit classics as a tool to intervene and mix in a current historical and political<br>context? The common denominator for the work was European wars as a dramatic focal point. The<br>article discusses how this performance illuminates the seed of FIX&amp;FOXY’s poetics and conceptual<br>thinking from 2005.</p> Mads Thygesen Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 116 125 10.7146/peri.v19iS11.134856 Mod alle Odds https://tidsskrift.dk/peripeti/article/view/134857 <p>Mod alle Odds. Tragedie og statistik by Erik Exe Christoffersen. Against All Odds (2019) are based<br>on identity, representation, and statistics, which portrays how today’s young persons’ lives would<br>statistically look in the future. The question raised by Christoffersen is, how the dramaturgy of the<br>performance creates communication.</p> Erik Exe Christoffersen Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 126 133 10.7146/peri.v19iS11.134857 Forvaltningen af publikums ubehag https://tidsskrift.dk/peripeti/article/view/134858 <p><strong>Forvaltningen af publikums ubehag. FIX&amp;FOXY som politisk konfrontationskunst </strong>by Laura Luise Schultz. She describes the approach to the audience in various of performances and highlights, that a central feature of FIX&amp;FOXY's political remediation is their sophisticated engagement with the audience and managing of the audience's discomfort.</p> Laura Luise Schultz Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 134 149 10.7146/peri.v19iS11.134858 Love Theater: Uhåndgribelige konflikter https://tidsskrift.dk/peripeti/article/view/134859 <p><strong>Love Theater. Uhåndgribelige konflikter</strong> by Jeppe Kristensen. Kristensen went to Bangkok to cast a prostitute who should play the leading character in <em>Love Theater</em>. The performance was based on her own life-experiences as prostitute, and the article is reflecting on intangible conflicts, regarding the prejudices of an audience.</p> Jeppe Kristensen Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 150 165 10.7146/peri.v19iS11.134859 Samtidskunst, repræsentation og remediering https://tidsskrift.dk/peripeti/article/view/134860 <p><strong>Samtidskunst, repræsentation og remediering </strong>by Erik Exe Christoffersen. Christoffersen emphasizes FIX&amp;FOXY’s way of doing remediation, perceived as a way of ‘overpainting’ a work like a palimpsest.</p> Erik Exe Christoffersen Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 166 181 10.7146/peri.v19iS11.134860 Verdensteater og øjebliksteater https://tidsskrift.dk/peripeti/article/view/134861 <p><strong>Verdensteater og øjebliksteater </strong>by Jeppe Kristensen. Kristensen gives an overall artistic discussion of FIX&amp;FOXY and draws a thread from the company’s beginning as a theatrical variant of contemporary art, to Peter Osborne's analysis of what contemporary art is today.</p> Jeppe Kristensen Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 182 189 10.7146/peri.v19iS11.134861 FIX&FOXYs distribuering af ledelse https://tidsskrift.dk/peripeti/article/view/134862 <p><strong>FIX&amp;FOXYs distribuering af ledelse </strong>by Ida Krøgholt. Krøgholt is unfolding FIX&amp;FOXY’s way of working as distributed facilitation, where the participants facilitate each other, and thus through the theatre process develop an awareness of communication and observation.</p> Ida Krøgholt Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 190 197 10.7146/peri.v19iS11.134862 FIX&FOXYs repræsentationsstrategier https://tidsskrift.dk/peripeti/article/view/134863 <p><strong>FIX&amp;FOXY's representation strategies</strong> by Anne Liisberg. Liisberg raises the important questions: Who and how can we represent? And who will never be represented?</p> Anne Liisberg Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 204 231 10.7146/peri.v19iS11.134863 Pretty Woman A/S i en container på Halmtorvet https://tidsskrift.dk/peripeti/article/view/134864 <p>Pretty Woman A/S: <br>Tekst: Jeppe Kristensen. <br>Iscenesættelse: Tue Biering. <br>Scenografi: Christian Friedländer.</p> Monna Dithmer Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 204 206 10.7146/peri.v19iS11.134864 Parsifal fra Københavns Hovedbanegård, spor 11 & 12 til Brøndby https://tidsskrift.dk/peripeti/article/view/134865 Monna Dithmer Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 207 208 10.7146/peri.v19iS11.134865 Guldfeber https://tidsskrift.dk/peripeti/article/view/134866 <p>Koncept og iscenesættelse: Tue Biering og Jeppe Kristensen. <br>Scenografi: Sigurdur Oli Palmason.</p> Monna Dithmer Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 209 210 10.7146/peri.v19iS11.134866 Rocky! Den venstredrejede teaterghettos auto-knock-out. https://tidsskrift.dk/peripeti/article/view/134867 <p>Tekst og instruktion: Tue Biering.&nbsp;<br>Scenografi: Peter Schultz.<br>Lyddesign: Ditlev Brinth. Lysdesign, <br>Afvikling: Mathilde Niemann Hüttel.&nbsp;<br>Medvirkende: Morten Burian Cheanne Nielsen og Kasper Frederik Mortensen</p> Solveig Daugaard Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 211 215 10.7146/peri.v19iS11.134867 Landet uden drømme, 2018 https://tidsskrift.dk/peripeti/article/view/134868 <p>Landet uden drømme er produceret af Fix &amp; Foxy i samarbejde med Eventministeriet ved Det Kgl.Teater. <br>Skuespiller: Lise Lauenblad. <br>Instruktør og forfatter: Tue Biering. <br>Dramaturg: Tanja Diers.</p> Erik Exe Christoffersen Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 216 220 10.7146/peri.v19iS11.134868 Avatar me, 2020 https://tidsskrift.dk/peripeti/article/view/134869 <p>Medvirkende:&nbsp;Marcela Nistor, Robin Khor Yong Kuan, Bertwin Ravi D’souza, Lalisa Costa og Lillian Tshabalala. <br>Instruktør:&nbsp;Tue Biering, <br>Producer:&nbsp;Annette Max Hansen, <br>Dramaturg og medinstruktør:&nbsp;Linn Haldrup Lorenzen, <br>Koordinator og medinstruktør:&nbsp;Camilla Gürtler.<br>Festivalen er produceret af Wildtopia og præsenteres sammen med teaterpartnerne, Teater Nordkraft i Aalborg og Teater Viirus i Helsinki.</p> Kathrine Winkelhorn Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 221 224 10.7146/peri.v19iS11.134869 Dark Noon https://tidsskrift.dk/peripeti/article/view/134870 <p>Dark Noon havde premiere i 2019 på Revolverscenen, Teater Republique.<br>Instruktør og manuskript: Ture Biering.<br>Koreograf og medinstruktør: Nhlanhla Mahlangu,<br>Scenografi: Johan Kølkjær.<br>Medvirkende: Bongani Bennedict Masango, Joe Young, Lillian Tshabalala, Mandla Gaduka, Siyambonga Alfred Mdubeki, Katlego Kaygee Letsholonyana og Thulani Zwane. </p> Thomas Rosendal Nielsen Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 225 229 10.7146/peri.v19iS11.134870 Det Europæiske Slagtehus https://tidsskrift.dk/peripeti/article/view/134871 <p>Manuskript: William Shakespeare. <br>Iscenesættelse og bearbejdning: Tue Biering. <br>Dramaturg: Mathias Rosenkrands Bech. <br>Scenografi og kostumer: Nicolaj Spangaa og Marie Rosendahl Chemnitz. <br>Komponist: Daniel Fogh. <br>Lyddesign: Kim Malmose. <br>Lysdesign: Simon Holmgren.<br>Medvirkende: Frank Thiel, Kristoffer Helmuth, Benjamin Kitter, Klaus T. Søndergaard, Freja Klint Sandberg, Natalí Vallespir Sand, Anders Gjellerup Koch, Nicolai Jandorf, Louise Davidsen, Malene Melsen, Mikkel Bay Mortensen, Githa Lehrmann, Niels Skovgaard Andersen, Cecilie Gerberg m.fl.<br>https://iscene.dk/2022/09/01/tue-biering-det-er-er-mit-personlige-waterloo/</p> Erik Exe Christoffersen Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 230 233 10.7146/peri.v19iS11.134871 English Summaries https://tidsskrift.dk/peripeti/article/view/134872 <p>Hostages of Me by Tue Biering and Hvad har vi egentlig haft gang i? Etiske, sociale og kunst­neriske undersøgelser by Jeppe Kristensen: In two articles, the founders of FIX&amp;FOXY are reflecting on how the production company can develop theater and performances, in order to make the audience reflect on societal dilemmas.</p> <p><br /><strong>Interviews</strong><br />Pretty Woman Walking Down the Street. Interview with Biering and Kristensen by Gade. The interview explores the artistic strategy around the performance Pretty Woman A/S (2008), performed by female prostitutes, which triggered a strong public debate.</p> <p><br />Møder, relationer, populærkultur og repræsentation. Interview with Bering by Gade. In this conversation, Gade draws a portrait of FIX&amp;FOXY’s practices, and identifies some fundamental themes in contemporary theatre.</p> <p><br />Udflugt til ungdomsland. Interview with Kristensen by Christoffersen and Krøgholt. Kristensen reflects on the process of Youth (Ungdom) focusing and on how the company created ownership for the young participants, to give agency as co-developers of the performance’s various spaces.</p> <p><br />My Deer Hunter. Interview af de medvirkende og det kreative team. Interview with participants from My Deer Hunter by Christoffersen, Krøgholt og Winkelhorn. In dialouge with four participating veterans and the artistic team behind My Deer Hunter, the interview explores, how the performance and rehearsal process functioned for a group of PTSD affected veterans, and how their histories and participation in war was challenged.</p> <p><br />FIX&amp;FOXY’s poetik, metode og organisering. Interview with Biering by Christoffersen, Krøgholt and Winkelhorn. Biering tells about the principles and the theatre view that have been guiding for FIX&amp;FOXY’s creative and theatrical strategies throughout the theatre’s work.</p> <p><br /><strong>Articles </strong><br />Europæerne. En postdramatisk tilgang til klassikerne by Mads Thygesen. How did the staging of The Europeans exploit classics as a tool to intervene and mix in a current historical and political context? The common denominator for the work was European wars as a dramatic focal point. The article discusses how this performance illuminates the seed of FIX&amp;FOXY’s poetics and conceptual thinking from 2005.</p> <p><br />Mod alle Odds. Tragedie og statistik by Erik Exe Christoffersen. Against All Odds (2019) are based on identity, representation, and statistics, which portrays how today’s young persons’ lives would statistically look in the future. The question raised by Christoffersen is, how the dramaturgy of the performance creates communication.</p> <p><br />Forvaltningen af publikums ubehag. FIX&amp;FOXY som politisk konfrontationskunst by Laura Luise Schultz. She describes the approach to the audience in various of performances and highlights, that a central feature of FIX&amp;FOXY’s political remediation is their sophisticated engagement with the audience and managing of the audience’s discomfort.</p> <p><br />Love Theater. Uhåndgribelige konflikter by Jeppe Kristensen. Kristensen went to Bangkok to cast a prostitute who should play the leading character in Love Theater. The performance was based on her own life-experiences as prostitute, and the article is reflecting on intangible conflicts, regarding the prejudices of an audience.</p> <p><br />Samtidskunst, repræsentation og remediering by Erik Exe Christoffersen. Christoffersen empha­sizes FIX&amp;FOXY’s way of doing remediation, perceived as a way of ‘overpainting’ a work like a palimpsest.</p> <p><br />Verdensteater og øjebliksteater by Jeppe Kristensen. Kristensen gives an overall artistic discussion of FIX&amp;FOXY and draws a thread from the company’s beginning as a theatrical variant of con­temporary art, to Peter Osborne’s analysis of what contemporary art is today.</p> <p><br /><strong>Essays</strong><br />FIX&amp;FOXYs distribuering af ledelse by Ida Krøgholt. Krøgholt is unfolding FIX&amp;FOXY’s way of working as distributed facilitation, where the participants facilitate each other, and thus through the theatre process develop an awareness of communication and observation.</p> <p><br />FIX&amp;FOXY’s representation strategies by Anne Liisberg. Liisberg raises the important questions: Who and how can we represent? And who will never be represented?</p> Erik Exe Christoffersen Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 10.7146/peri.v19iS11.134872 Forord af redaktionen https://tidsskrift.dk/peripeti/article/view/134843 <p>Peripeti<br />© Peripeti og forfatterne</p> <p><br />Temaredaktion<br />Erik Exe Christoffersen, Ida Krøgholt og Kathrine Winkelhorn</p> <p><br />Redaktion<br />Janicke Branth, Erik Exe Christoffersen, Solveig Daugaard, Michael Eigtved, Solveig Gade, Storm Møller<br />Madsen, Thomas Rosendal Nielsen (ansv.), Signe Nygaard, Cecilie Ullerup Schmidt, Laura Luise<br />Schultz, Josefine Brink Siem.<br />Layout: Ivan Micic<br />Omslagsfoto: Søren Meisner</p> <p><br />Udgivelsen er støttet af:<br />SKUESPILLERFORBUND og<br />SPORTGOODSFONDEN<br />ISSN: 1604-0325</p> <p><br />Peripeti udgives af Afdeling for Dramaturgi (Aarhus Universitet) i samarbejde med Teater- og<br />Performancestudier (Københavns Universitet) og Den Danske Scenekunstskole. Peripeti er støttet af<br />Statens Kunstfond og Danmarks Frie Forskningsfond.</p> <p><br />Redaktionsadresse<br />www.peripeti.dk<br />Peripeti<br />Afdeling for Dramaturgi<br />Institut for Kommunikation og Kultur, Aarhus Universitet<br />Langelandsgade 139.<br />DK 8000 Århus C<br />Redaktion: thomas.rosendal@cc.au.dk</p> Erik Exe Christoffersen Ida Krøgholt Kathrine Winkelhorn Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 6 21 10.7146/peri.v19iS11.134843 Hostages of Me https://tidsskrift.dk/peripeti/article/view/134844 <p>Hostages of Me by Tue Biering and Hvad har vi egentlig haft gang i? Etiske, sociale og kunst­neriske undersøgelser by Jeppe Kristensen: In two articles, the founders of FIX&amp;FOXY are reflecting on how the production company can develop theater and performances, in order to make the audience reflect on societal dilemmas.</p> Tue Biering Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 22 35 10.7146/peri.v19iS11.134844 Hvad har vi egentlig haft gang i? https://tidsskrift.dk/peripeti/article/view/134849 <p>Hostages of Me by Tue Biering and Hvad har vi egentlig haft gang i? Etiske, sociale og kunst­neriske undersøgelser by Jeppe Kristensen: In two articles, the founders of FIX&amp;FOXY are reflecting on how the production company can develop theater and performances, in order to make the audience reflect on societal dilemmas.</p> Jeppe Kristensen Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 36 41 10.7146/peri.v19iS11.134849 Pretty Woman Walking Down the Street https://tidsskrift.dk/peripeti/article/view/134850 <p>Pretty Woman Walking Down the Street. Interview with Biering and Kristensen by Gade. The<br>interview explores the artistic strategy around the performance Pretty Woman A/S (2008), performed<br>by female prostitutes, which triggered a strong public debate.</p> Solveig Gade Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 42 51 10.7146/peri.v19iS11.134850 Møder, relationer, populærkultur og repræsentation https://tidsskrift.dk/peripeti/article/view/134851 <p>Møder, relationer, populærkultur og repræsentation. Interview with Bering by Gade. In this<br>conversation, Gade draws a portrait of FIX&amp;FOXY’s practices, and identifies some fundamental themes<br>in contemporary theatre.</p> Solveig Gade Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 52 57 10.7146/peri.v19iS11.134851 Udflugt til ungdomland med Jeppe Kristensen https://tidsskrift.dk/peripeti/article/view/134852 <p>Udflugt til ungdomsland. Interview with Kristensen by Christoffersen and Krøgholt. Kristensen reflects<br>on the process of Youth (Ungdom) focusing and on how the company created ownership for the young<br>participants, to give agency as co-developers of the performance’s various spaces.</p> Ida Krøgholt Erik Exe Christoffersen Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-30 2022-11-30 19 S11 58 65 10.7146/peri.v19iS11.134852 My Deer Hunter https://tidsskrift.dk/peripeti/article/view/134855 <p><strong>My Deer Hunter.</strong> <strong>Interview af de medvirkende og det kreative team. </strong>Interview with participants from <em>My Deer Hunter</em> by Christoffersen, Krøgholt og Winkelhorn. In dialouge with four participating veterans and the artistic team behind <em>My Deer Hunter</em>, the interview explores, how the performance and rehearsal process functioned for a group of PTSD affected veterans, and how their histories and participation in war was challenged.</p> Erik Exe Christoffersen Ida Krøgholt Kathrine Winkelhorn Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 66 101 10.7146/peri.v19iS11.134855 FIX&FOXY’s poetik, metode og organisering https://tidsskrift.dk/peripeti/article/view/134854 <p><strong>FIX&amp;FOXY's poetik, metode og organisering. </strong>Interview with Biering by Christoffersen, Krøgholt and Winkelhorn. Biering tells about the principles and the theatre view that have been guiding for FIX&amp;FOXY’s creative and theatrical strategies throughout the theatre’s work.</p> Erik Exe Christoffersen Kathrine Winkelhorn Ida Krøgholt Copyright (c) 2022 Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links. 2022-11-29 2022-11-29 19 S11 102 115 10.7146/peri.v19iS11.134854