Peripeti
https://tidsskrift.dk/peripeti
<p>Tidsskrift for dramaturgiske studier</p>Aarhus Universitet, Den Danske Scenekunstskole, Københavns Universitetda-DKPeripeti1604-0325<p>Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.</p>Redaktionelt forord
https://tidsskrift.dk/peripeti/article/view/107584
<p>Kunst som handling og gøren, ikke som tegn og væren. Denne forståelse synes at være det, der knytter de eksisterende forestillinger om performativitet inden for kunstarterne sammen. I den forbindelse har man talt om »den performative vending« i kunsten – hvilket man også kunne betegne som en peripeti inden for kunstvidenskaberne. Det er denne vending, som dette nummer af Peripeti stiller skarpt på.</p>Peripeti Redaktion
Copyright (c) 2006 Copyright Peripeti og forfatterne
2024-03-142024-03-143634Begrundelse for det performatives æstetik
https://tidsskrift.dk/peripeti/article/view/107585
<p>The well-known German professor of Theatre Research, Erika Fischer-Lichte, argues for the necessity of developing a specific performative aesthetics capable of reflecting the transformative processes and physical reactions which the audience experiences in the face of the rise of performative art forms.</p>Erika Fischer-LichteJens Christian Lauenstein Led
Copyright (c) 2006 Copyright Peripeti og forfatterne
2024-03-142024-03-1436520»Nærvær« in absentia
https://tidsskrift.dk/peripeti/article/view/107587
<p>Focusing specifically on body art, art historian Amelia Jones questions the »ontology of presence« which informs much performance art and theory. Jones claims that a differentiated reception must involve the immediate performance experience as well as different forms of documentation and historical contextualisation.</p>Amelia JonesSolveig Daugaard
Copyright (c) 2006 Copyright Peripeti og forfatterne
2024-03-142024-03-14362136Performativitet, æstetik, udsigelse
https://tidsskrift.dk/peripeti/article/view/107588
<p>In this investigation into the notion and theories of performativity, especially as they have developed in Germany and Scandinavia over the last few years, Morten Kyndrup places performativity in a broader field of aesthetic theory and analysis in order to qualify its distinctive traits and possible resources for aesthetic thinking.</p>Morten Kyndrup
Copyright (c) 2006 Copyright Peripeti og forfatterne
2024-03-142024-03-14363746Kroppens tavshed
https://tidsskrift.dk/peripeti/article/view/107590
<p>The article critizises the tendency in performative theory to claim the body as an indeterminable zone of experience. Inspired by the system theory of Niklas Luhmann, Heinrich argues that it is necessary to analyze the interaction between communication, mind and body as a historically specific construct.</p>Falk Heinrich
Copyright (c) 2006 Copyright Peripeti og forfatterne
2024-03-142024-03-14364760Rammens udkrængning
https://tidsskrift.dk/peripeti/article/view/107591
<p>In his analysis of German choreographer Sasha Waltz’ dance performance Insideout, Mads Thygesen explores the relations between the intentions of the work and its actual, performative »doing«, specifically the way this performance draws attention to its own use of framing devices in the interaction with the audience.</p>Mads Thygesen
Copyright (c) 2006 Copyright Peripeti og forfatterne
2024-03-142024-03-14366170At performe eller ikke at performe
https://tidsskrift.dk/peripeti/article/view/107592
<p>Focusing on the experience of the audience, Kim Skjoldager-Nielsen analyzes two performances by Danish director Signa Sørensen in order to sum up some dramaturgical perspectives of this particular kind of interactive theater.</p>Kim Skjoldager-Nielsen
Copyright (c) 2006 Copyright Peripeti og forfatterne
2024-03-142024-03-14367182Kritiske refleksioner: I seng med Madonna
https://tidsskrift.dk/peripeti/article/view/107593
<p>In these very personal reflections on his own work as an art critic, Thierry de Duve describes the interaction between theory, involvement and intuition in his meeting with the work of art.</p>Thierry de DuveAnnette GregersenJacob Lund Pedersen
Copyright (c) 2006 Copyright Peripeti og forfatterne
2024-03-142024-03-14368392It’s fucking 80 years after Duchamp
https://tidsskrift.dk/peripeti/article/view/107594
<p>Through an analysis of Danish artist Jakob Boeskovs work »My Doomsday Weapon«, Lene Øster Larsen explores the implications and possibilities of political and interventionist artistic tactics.</p>Lene Øster Larsen
Copyright (c) 2006 Copyright Peripeti og forfatterne
2024-03-142024-03-143693101Performative Realism
https://tidsskrift.dk/peripeti/article/view/107595
<p>Anmeldelse af P<span dir="ltr" style="left: 108.661px; top: 491.762px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.903152);" role="presentation">erformative Realism – Interdisciplinary </span><span dir="ltr" style="left: 108.661px; top: 513.762px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.934563);" role="presentation">Studies in Art and Media</span> <br role="presentation" /><br role="presentation" /><span dir="ltr" style="left: 108.661px; top: 535.762px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.947024);" role="presentation">Eds. Rune Gade og Anne Jerslev</span><br role="presentation" /><br role="presentation" /><span dir="ltr" style="left: 108.661px; top: 557.762px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.961243);" role="presentation">Museum Tusculanum Press, 2005</span><br role="presentation" /><br role="presentation" /><span dir="ltr" style="left: 108.661px; top: 579.762px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.961008);" role="presentation">University of Copenh</span>agen</p>Lene Tortzen Bager
Copyright (c) 2006 Copyright Peripeti og forfatterne
2024-03-142024-03-1436102105Hvordan man taler med de døde
https://tidsskrift.dk/peripeti/article/view/107596
<p>Karen-Margrethe Simonsen leverer i »Hvordan man taler med de døde« en diskussion af oversættelsesproblematikker i anledning af Otte Steen Dues nyoversættelse af Sofokles’ tragedie Antigone(1995).</p>Karen-Margrethe Simonsen
Copyright (c) 2006 Copyright Peripeti og forfatterne
2024-03-142024-03-1436106116Performance som verdensskabelse
https://tidsskrift.dk/peripeti/article/view/107597
<p>Lars Qvortrup andmelder Hotel Pro Formas H. C. Andersen-forestilling: <em>Jeg er kun skindød</em> (2005).</p>Lars Qvortrup
Copyright (c) 2006 Copyright Peripeti og forfatterne
2024-03-142024-03-1436117121En tradition af opbrud
https://tidsskrift.dk/peripeti/article/view/107598
<p>Anmeldelse af <em>E<span dir="ltr" style="left: 411.576px; top: 315.763px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.931433);" role="presentation">n tradition af opbrud. Avantgardernes </span></em><br role="presentation" /><em><span dir="ltr" style="left: 411.576px; top: 337.763px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.924352);" role="presentation">tradition og politik</span></em><br role="presentation" /><span dir="ltr" style="left: 411.576px; top: 359.763px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.971786);" role="presentation">Redigeret af Tania Ørum, Marianne </span><span dir="ltr" style="left: 411.576px; top: 381.763px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.976347);" role="presentation">Ping Huang og Charlotte Engberg</span><br role="presentation" /><span dir="ltr" style="left: 411.576px; top: 403.763px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.961333);" role="presentation">Forlaget Spring, 2005</span></p>Jan Løhmann Stephensen
Copyright (c) 2006 Copyright Peripeti og forfatterne
2024-03-142024-03-1436122126Live(ts) Rollespil
https://tidsskrift.dk/peripeti/article/view/107599
<p>Anmeldelse af</p> <p><span dir="ltr" style="left: 411.583px; top: 431.427px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.845067);" role="presentation">Rollespil – i æstetisk, pædagogisk og kul</span><span dir="ltr" style="left: 411.583px; top: 453.427px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.932504);" role="presentation">turel </span><span dir="ltr" style="left: 463.521px; top: 453.427px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.881273);" role="presentation">sammenhæng</span><span dir="ltr" style="left: 552.383px; top: 453.427px; font-size: 18.3333px; font-family: serif; transform: scaleX(1);" role="presentation">, </span><span dir="ltr" style="left: 577.866px; top: 453.427px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.943027);" role="presentation">Kjetil </span><span dir="ltr" style="left: 637.908px; top: 453.427px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.945286);" role="presentation">Sandvik </span><span dir="ltr" style="left: 411.583px; top: 475.427px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.98505);" role="presentation">og Anne Marit Waade (red), Aarhus </span><span dir="ltr" style="left: 411.583px; top: 497.427px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.953086);" role="presentation">Universitetsforlag 2006</span></p>Thomas Rosendal Nielsen
Copyright (c) 2006 Copyright Peripeti og forfatterne
2024-03-142024-03-1436127129Kulturkanon og kulturkamp
https://tidsskrift.dk/peripeti/article/view/107600
<p>Erik Exe Christoffersen anmelder resultatet af en ministers initiativ og bestræbelser i »Kulturkanon og kulturkamp«,</p>Erik Exe Christoffersen
Copyright (c) 2006 Copyright Peripeti og forfatterne
2024-03-142024-03-1436130139Selvmordsaktionen
https://tidsskrift.dk/peripeti/article/view/107601
<p>Anmeldelse af</p> <p><span dir="ltr" style="left: 411.576px; top: 673.428px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.970602);" role="presentation">clausbeck-nielsen.net:</span><br role="presentation" /><span dir="ltr" style="left: 411.576px; top: 695.428px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.893186);" role="presentation">Selvmordsaktionen. Beretningen om forsø</span><span dir="ltr" style="left: 411.576px; top: 717.428px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.951755);" role="presentation">get på at indføre demokratiet i Irak i året </span><br role="presentation" /><span dir="ltr" style="left: 411.576px; top: 739.428px; font-size: 18.3333px; font-family: serif; transform: scaleX(1.005);" role="presentation">2004</span><span dir="ltr" style="left: 448.426px; top: 739.428px; font-size: 18.3333px; font-family: serif; transform: scaleX(0.973768);" role="presentation"> (Gyldendal, København 2005).</span></p>Jens Christian Lauenstein Led
Copyright (c) 2006 Copyright Peripeti og forfatterne
2024-03-142024-03-1436140145English Summaries
https://tidsskrift.dk/peripeti/article/view/107602
Peripeti Redaktion
Copyright (c) 2006 Copyright Peripeti og forfatterne
2024-03-142024-03-1436146146