Peripeti https://tidsskrift.dk/peripeti <p>Tidsskrift for dramaturgiske studier</p> Aarhus Universitet, Den Danske Scenekunstskole, Københavns Universitet da-DK Peripeti 1604-0325 <p>Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.</p> Redaktionelt forord https://tidsskrift.dk/peripeti/article/view/110152 Peripeti Redaktion Copyright (c) 2007 Copyright Peripeti og forfatterne 2007-01-01 2007-01-01 4 8 3 4 Just a word on a page and there is the drama https://tidsskrift.dk/peripeti/article/view/110153 <p>Taking Sarah Kane’s last play 4:48 Psychosis (1999) as a point of departure, Hans-Thies Lehmann presents his thoughts and reflections on the use of text in the postdramatic theatre.</p> Hans-Thies Lehmann Copyright (c) 2007 Copyright Peripeti og forfatterne 4 8 5 12 Karakterens opløsning i diskursen: fra Gertrude Stein til René Pollesch https://tidsskrift.dk/peripeti/article/view/110154 <p>In her reflections on the status of the subject in the postdramatic theatre, Laura Luise Schultz aims to show how the experimental writing of Gertrude Stein can be traced to the practice of contemporary playwrights such as René Pollesch.</p> Laura Luise Schultz Copyright (c) 2007 Copyright Peripeti og forfatterne 2021-06-08 2021-06-08 4 8 13 28 ‚Jeg’ (det) er en anekdote https://tidsskrift.dk/peripeti/article/view/110155 <p>In his analysis of Ohad Naharins Virus (Batsheva Dance Company, 2001), Bloody Mess (Forced Entertainment, 2004), and Stadt als Beute (René Pollesch, Volksbühne im Prater, 2001), Matthias Naumann writes about the gesture of speech in contemporary theatre.</p> Matthias Naumann Copyright (c) 2007 Copyright Peripeti og forfatterne 2021-06-08 2021-06-08 4 8 29 40 Une flamme si noir https://tidsskrift.dk/peripeti/article/view/110156 <p>Janek Szatkowski methodically examines the relationship between Euripides’ Hippolytos and Racine’s Phèdre, and unearths a significant difference in the principle of rationality that governs the works.</p> Janek Szatkowski Copyright (c) 2007 Copyright Peripeti og forfatterne 2021-06-08 2021-06-08 4 8 41 64 Teaterteksten som metaforisk struktur https://tidsskrift.dk/peripeti/article/view/110157 <p>In his analysis of four different modern playwrights, Peter Elung-Jensen writes about the metaphorical structure. In doing so, he brings the question of poetics to the foreground.</p> Peter Elung-Jensen Copyright (c) 2007 Copyright Peripeti og forfatterne 2021-06-08 2021-06-08 4 8 65 76 Dit hjem er et minefelt! https://tidsskrift.dk/peripeti/article/view/110158 <p>Taking the vocabulary of French philosopher Gilles Deleuze as a methodological point of departure, Mads Thygesen writes about political satire in Advice to Iraqi Women (2003) by Martin Crimp.</p> Mads Thygesen Copyright (c) 2007 Copyright Peripeti og forfatterne 2021-06-08 2021-06-08 4 8 77 88 Hvilken virkelighed? Hvis virkelighed? https://tidsskrift.dk/peripeti/article/view/110159 <p>In this short article about the seminar on research and drama held at the Theatre of Aarhus in september 2007, Janicke Branth presents a series of thoughts on the relationship between art and reality in contemporary theatre.</p> Janicke Branth Copyright (c) 2007 Copyright Peripeti og forfatterne 2021-06-08 2021-06-08 4 8 89 96 Den nøgne skrift https://tidsskrift.dk/peripeti/article/view/110160 <p>In this article Nirav Christophe presents a critical reflection on the many myths of playwriting, leading the reader from systematic reflections on playwriting to concrete examples.</p> Nirav Christophe Janicke Branth Copyright (c) 2007 Copyright Peripeti og forfatterne 2021-06-08 2021-06-08 4 8 97 106 Nutidige dramatikeres skriveproces https://tidsskrift.dk/peripeti/article/view/110161 <p>Daniela Moorman develops a conceptual tool for understanding the process of writing a play. She draws on the work of several contemporary playwrights, including Arne Sierens, Gerardjan Rijnders and René Pollesch.</p> Daniela Moosmann Louise Ejgod Hansen Copyright (c) 2007 Copyright Peripeti og forfatterne 2021-06-08 2021-06-08 4 8 107 116 Per Flys Forestillinger https://tidsskrift.dk/peripeti/article/view/110163 <p>In his analysis of Danish film director Per Fly's tv-series "Forestillinger" ("Performances") Erik Exe Christoffersen demonstrates how the series unfolds en paratactic dramaturgy. Each episode presents a different and highly subjective perspective on the events around a production of Shakespeare's <em>Venus and Adonis</em>.</p> Erik Exe Christoffersen Copyright (c) 2007 Copyright Peripeti og forfatterne 2021-06-08 2021-06-08 4 8 117 130 At vove virkeligheden https://tidsskrift.dk/peripeti/article/view/110164 <p>In this short essay, Henriette Vedel examines the use of documentary material in the Danish theatre Mungo Park's <em>Sandholm</em> (2006).</p> Henriette Vedel Copyright (c) 2007 Copyright Peripeti og forfatterne 2021-06-08 2021-06-08 4 8 131 137 Samtale med Daniel Wetzel fra Rimini Protokoll https://tidsskrift.dk/peripeti/article/view/110165 <p>A conversation with Daniel Wetzel about Rimini Protokoll and their productions.</p> Solveig Gade Tine Løvschall-Wedel Anne Myrup Munk Copyright (c) 2007 Copyright Peripeti og forfatterne 2021-06-08 2021-06-08 4 8 138 145 Kosmisk frygt https://tidsskrift.dk/peripeti/article/view/110166 <p>A new play by Danish playwright Christian Lollike dealing with global warming.</p> Christian Lollike Copyright (c) 2007 Copyright Peripeti og forfatterne 2021-06-08 2021-06-08 4 8 146 157 English Summaries https://tidsskrift.dk/peripeti/article/view/110167 Peripeti Redaktion Copyright (c) 2007 Copyright Peripeti og forfatterne 2007-01-01 2007-01-01 4 8 158 160