Heksekunster på Instagram

Eller hvad er en artfluencer?

Forfattere

  • Solveig Daugaard

Nøgleord:

Platformisation, Olga Ravn, media ecology, infrastructure aesthetics, post-digital literature, digital cultural heritage, Instagram, unboxing videos, artfluencer

Resumé

Based on the practice of Danish writer, performance artist, and visual artist Olga Ravn who maintains an active presence on social media platforms such as Instagram, this article explores a new cross-aesthetic artistic figure it coins as the artfluencer. It uses Ravn’s practice as a tread stone for a broader exploration of this figure and the changing techno-aesthetic conditions of art production, it is a result of. Such post-digital media conditions stimulate artistic practices that, like Ravn’s, master the interplay between analog and digital materiality and can navigate platform synergies and changing structures of participation. By challenging a marketing-oriented vocabulary that has characterized research in the field, the article contributes with a new approach to the growing group of art and cultural producers who operate partly as digital media creators inscribed in the infrastructures of digital platforms, and partly as actors within more traditional, established institutions of art and culture. It also discusses the platform-dependent community of artists and cultural producers whose exchange and co-creation are part of their overall artistic expression and to which Ravn belongs. The art production in this cross-aesthetic and post-digital intersection draws on a cult of personality rooted in the Romantic notion of genius while also challenging the notion of the solo artist and the boundaries between art forms through co-creation and protest strategies known from the historical avant-gardes.

Forfatterbiografi

Solveig Daugaard

Oversætter og kritiker. Ph.D. i Litteratur, mediehistorie og informationskulturer fra Linköping Universitet. De seneste fire år tilknyttet forskningscentret Kunsten som Forum på Institut for Kunst- og Kulturvidenskab, Københavns Universitet. Har publiceret bøger og artikler om de historiske avantgarders poesi, samt litteraturens infrastrukturer i det postdigitale og sammen med Cecilie Ullerup Schmidt og Frederik Tygstrup redigeret antologien Infrastructure Aesthetics (Berlin: De Gruyter, 2024).

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Publiceret

2024-12-18

Citation/Eksport

Daugaard, S. (2024). Heksekunster på Instagram: Eller hvad er en artfluencer?. K&K - Kultur Og Klasse, 52(138), 155–186. Hentet fra https://tidsskrift.dk/kok/article/view/152332