Att se bortom seendets gränser
DOI:
https://doi.org/10.7146/kok.v50i133.132741Nøgleord:
Seende, bild, representation, krigsfotografi, fotografisk situationResumé
This article begins and ends in the question of seeing beyond a mere representation. Drawing on the history of image representations of war, I ask what we can see in images that show very little. The question of seeing stems from Georges Didi-Huberman’s contemplation on the bark from Birkenau and I suggest that his view on seeing could be employed in a wider context. I argue that an alternative view of representations of war and suffering is possible when the motif does not show much since images are far more complex than a superficial deciphering reveals.
Referencer
Albano, Caterina. Memory, Forgetting and the Moving Image. London: Palgrave Macmillan, 2016.
Azoulay, Ariella. Civil Contract of Photography. New York: Zone Books, 2008.
Azoulay, Ariella. “What is a photograph? What is photography?” Philosophy of Photography 1 1 (2010): 9-13.
Bernard-Donals, Michael and Richard Glejzer. Between the Witness and Testimony: The Holocaust and the Limits of Representation. New York: State University of New York Press, 2001.
Butler, Judith. Frames of War: When Is Life Grievable? London: Verso, 2009.
Didi-Huberman, Georges. Confronting Images: Questioning the Ends of a Certain History of Art. University Park, Pennsylvania: Pennsylvania State University Press, 2005.
Didi-Huberman, Georges. Images in Spite of All. Chicago: University of Chicago Press, 2008.
Didi-Huberman, Georges. Näver. Stockholm: Faethon, 2017.
Farocki, Harun. Nicht löschbares Feuer (Inextinguishable Fire). 16 mm. Instruktion Harun Farocki. Köln: Harun Farocki, 1968/69.
Farocki, Harun. Bilder der Welt und Inschrift des Krieges (Images of the World and the Inscription of War). 16mm. Instruktion Harun Farocki. Berlin: Harun Farocki Filmproduktion, 1988.
Felman, Shohana and Dori Laub. Testimony: Crises of Witnessing in Literature, Psychoanalysis and History. New York: Routledge, 1991.
Hilberg, Raul. Sources of Holocaust Research. Chicago: Ivan R. Dee Publishers, 2001.
Keenan, Thomas. ”Light Weapons.” Harun Farocki: Working on the Sight- Lines, Red. Thomas Elsaesser, Amsterdam: Amsterdam University Press, 2004. 203–10.
Keenan, Thomas and Eyal Weizman. Mengele’s Skull. Berlin: Sternberg Press, 2012.
Koch, Gertrud. ”The Aesthetic Transformations of the Image of the Unimaginable.” Claude Lanzmann’s Shoah: Key Essays. Red. Stuart Liebman. Oxford and New York: Oxford University Press, 2007. 125-134.
Lanzmann, Claude. Shoah. 35 mm film. Instruktion Claude Lanzmann. Paris: Les Films Aleph, Historia Films, WNET, 1985.
Lanzmann, Claude. ”Site and Speech: An interview with Claude Lanzmann about Shoah.” Claude Lanzmann’s Shoah: Key Essays. Red. Stuart Liebman. Oxford and New York: Oxford University Press, 2007. 37-51.
Linfield, Susie. The Cruel Radiance: Photography and Political Violence. Chicago: University of Chicago Press, 2010.
Saxton, Libby. ”Anamnesis and Bearing Witness: Godard/Lanzmann.” For Ever Godard. Red. Michel Temple, James S. Williams, and Michael Witt. London: Black Dog Publishing, 2007. 364–79.
Saxton, Libby. Haunted Images: Film, Ethics, Testimony and the Holocaust. New York: Wallflower Press, 2008.
Siebel, Volker. ”Painting Pavements.” Harun Farocki: Working on the Sight-Lines. Red. Thomas Elsaesser. Amsterdam: Amsterdam University Press, 2004. 43–54.
Sliwinski, Sharon. Human Rights in Camera. Chicago: University of Chicago Press, 2011.
Sontag, Susan. On Photography. London: Penguin, 1979.
Sontag, Susan. Regarding the Pain of Others. New York: Picador, 2004.
Sontag, Susan. ”Looking at War – Photography’s view of devastation and death”. The New Yorker, 1 December 2002.
https://www.newyorker.com/magazine/2002/12/09/looking-at-war
Torchin, Leshu. Creating the Witness. Documenting Genocide on Film, Video, and the Internet. Minnesota: University of Minnesota Press, 2012.
Woolf, Virginia. Three Guineas. Oxford: Published for the Shakespeare Head Press by Blackwell Publishers, 2001.
Wieviorka, Annette. The Era of the Witness. Ithaca: Cornell University Press, 2006.
Downloads
Publiceret
Citation/Eksport
Nummer
Sektion
Licens
Tidsskriftet følger dansk ophavsret.
