Nyheder og/eller falske nyheder?

Nyhedsformidling i Calderón og Coellos Underet i Tyskland

Forfattere

DOI:

https://doi.org/10.7146/kok.v47i128.118032

Nøgleord:

historiedrama, nyhedsformidling, faktualitet, historisk bevidsthed, Calderón

Resumé

Taking off from El prodigio de Alemania [The Wonder in Germany, 1634], a recently discovered collaborative play by Calderón and Coello about general Albrecht von Wallenstein, this article discusses the conception of factuality informing Golden Age dramatic representations of contemporaneous history. Vis-à-vis the recurrent critical disparagement of this type of drama as artistically inferior propaganda, I will demonstrate the dramatists’ delicate handling of the breaking news about Wallenstein’s death and their use of advanced aesthetic and performative devices to stimulate audience thinking about Wallenstein’s destiny: Why did he become a traitor? Highlighting the subtle doublespeak informing especially the epilogue and the protagonist’s great monologue, I will argue that the play is at once loyal and critical toward Habsburg policy: it follows the official explanation of the general’s murder — that he was planning high treason — yet at the same time demonstrates an essentially interrogatory conception of factuality that invites reflection on what is historical “truth”.

Forfatterbiografi

Sofie Kluge, Syddansk Universitet

Sofie Kluge, ph.d. og dr.phil., lektor i Litteraturvidenskab ved Institut for Kulturvidenskaber, Syddansk Universitet. Har bl.a. udgivet monografierne Baroque Allegory Comedia. The Transfiguration of Tragedy in Seventeenth-Century Spain (Kassel: Edition Reichenberger, 2010) og Diglossia. The Early Modern Reinvention of Mythological Literature (Kassel: Edition Reichenberger, 2014) om den spanske guldalderlitteratur. Den trykte artikel er en del af forfatterens forskning i forholdet mellem litteratur og historieskrivning, som aktuelt pågår inden for rammerne af Velux kernegruppeprojektet Histories. Assessing the Role of Aesthetics in the Historical Paradigm og vil munde ud i monografien Historical Drama and the Invention of History in Golden Age Spain (Routledge, 2023).

Referencer

Calderón de la Barca, Pedro. El sitio de Bredá. Barcelona: Linkgua, 2007.
Calderón de la Barca, Pedro og Antonio Coello. El prodigio de Alemania. Comedia famosa. Edición de Antonio M Rueda. Doral, Fl: Stockcero, 2013.
Černy, Václav. ”Un question à reprendre: Wallenstein, héros d’un drama de Calderón”. Revue de Littérature Comparée 36 (1962): 177-90.
Cubillo de Aragón, Álvaro. Auto sacramental de la muerte de Frislán. Introduction, texte et notes de Marie France Schmidt. Kassel: Edition Reichenberger, 1984.
Elliott, John H. The Count-Duke of Olivares: The Statesman in an Age of Decline. New Haven: Yale University Press, 1986.
Grafton, Anthony. What Was History? Cambridge: Cambridge University Press, 2006.
Greer, Margaret. The Play of Power. Mythological Court Dramas of Calderón de la Barca. Princeton: Princeton University Press, 1991.
Hasberg Zirak-Schmidt, David, Ulla Kallenbach og Sofie Kluge, Red. Staging History. Nordic Journal of Renaissance Studies [tidl. Renæssanceforum] 13, 2018 [temanummer om historiedrama].
Mann, Golo. Wallenstein. Sein Leben erzählt von Golo Mann. Frankfurt am Main: Fischer, 1971.
Maravall, José Antonio. La cultura del Barroco. Análisis de una estructura histórica. Barcelona: Ariel, 1975.
Maravall, José Antonio. Teatro y literatura en la sociedad barroca. Barcelona: Crítica, 1990.
Niefanger, Dirk. Geschichtsdrama der Frühen Neuzeit 1495–1773. Tübingen: Max Niemeyer Verlag, 2005.
Parker, Alexander A. The Approach to the Spanish Drama of the Golden Age. London: Hispanic and Luso-Brazilian Councils, 1957.
Pugliatti, Paola. ”The Strange Tongues of Henry V”. The Yearbook of English Studies 23 (1993), 235-53.
Rueda, Antonio M. ”Introducción”. Calderón de la Barca, Pedro og Antonio Coello. El prodigio de Alemania. Comedia famosa. Edición de Antonio M Rueda. Doral, Fl: Stockcero, 2013, vii-cxi.
Rueda, Antonio M. ”Albrecht von Wallenstein según Calderón y Coello: verdad y poesía en El prodigio de Alemania (1634). Bulletin of the Comediantes 64/1 (2012): 89-110.
Schiffman, Zachary S. The Birth of the Past. Baltimore: John Hopkins University Press, 2011.
Shakespeare, William. King Richard III. The Arden Shakespeare. Red. James R. Siemon. London: Bloomsbury, 2009.
Sullivan, Henry W. ”The Wallenstein Play of Calderón and Coello, Las proezas de Frislán, y muerte del Rey de Suecia [?] (1634): Conjectural Reconstruction”. Bulletin of the Comediantes 52/2 (2000): 93-111.
Sullivan, Henry W. ”Bohemia and the Thirty Year’s War on the Spanish Baroque Stage”. Bulletin of Spanish Studies 87.6 (2010): 723-778.
Tandoc, Edson, Zheng Wei Lim og Richard Ling. ”Defining ‘FakeNews’”. Digital Journalism 6.2 (2018): 137-153.
Vega García-Luengos, Germán. ”Calderón y la política internacional: las comedias sobre el héroe y traidor Wallenstein”. Calderón y la España del Barroco. Red. José Alcalá-Zamora og Ernest Belenguer. Madrid: Centro de Estudios Políticos y Constitucionales y Sociedad Estatal España Nuevo Milenio, 2001. 793-827.
Wilson, Peter H. The Thirty Years War. Europe’s Tragedy. Cambridge Mass.: Harvard University Press, 2009.

Downloads

Publiceret

2020-01-02

Citation/Eksport

Kluge, S. (2020). Nyheder og/eller falske nyheder? Nyhedsformidling i Calderón og Coellos Underet i Tyskland. K&K - Kultur Og Klasse, 47(128), 59–82. https://doi.org/10.7146/kok.v47i128.118032