Symbol og skema i neo-kantiansk semiotik
Peirces og Cassirers filosofier: bidrag til en semiotik, der indebærer en teori om erkendelsen
DOI:
https://doi.org/10.7146/pl.v16i1.134131Abstract
This paper presents the concepts of symbol and schema in Kant's work in order to follow their elaboration in two central neo-Kantians, Ernst Cassirer and Charles Peirce. In Kant, the schema united concepts and intuition and hence becomes the condition of possibility for objective science, while the symbol is an indirect schema - in the language of our days, a metaphor. In Cassirer, the symbol becomes a general concept covering all articulations of the human spirit, while the schema preserves its central place, now as the driving force in Cassirer's three-step vision of human civilization, ranging from Ausdriicke over Darstellung to reine Bedeutung. An important step in this process is the so-called »symbolic pregnance«, allowing schematism to make stable signs in the flux of Ausdriicke.
In Peirce, a similar schematic role is played by the diagram which unites the similarity-based sign-category of icons with the symbols which in Peirce's theory are general, thought-like signs. In his systems, diagrams are the very conditions of possibility for any thought, thought being always general but able to subsume under itself
a continuous range of individual iconic cases. Both neo-Kantians, it is argued, shares several interesting epistemological point of-views. On the one hand, they so to speak »phenomenologize« Kant: The object is no longer seen as a produet of the mind's ability to synthesize; rather, it is presented as an undifferentiated whole which can in tum be analyzed in various ways by use of schematisms. On the other hand, they aim at a semiotics which imply an epistemology
in so far the very Kantian concept of schematism entails an analysis of the intrinsic architecture of the sign's signified: It contains necessarily a schematism combining thought and imagination. In this respect, these neo-Kantian semioticians
transgress the Saussurian concept of the sign, in which the precise definition of the signified was always opaque, this leading to semiotic scepticism as a common consequence.
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