Constitution of agency in a Danish prison choir

EN ANALYSE AF AGENS OG UNDERKASTELSE I FANGEKORET

Authors

  • Oliver Sander
  • Gustav Egede
  • Morten Nissen

DOI:

https://doi.org/10.7146/pl.v46i1.157779

Keywords:

resocialization, prison, agency, aesthetic communities, utopia, subjectivity, power

Abstract

Fangekoret (The Prison Choir) is an idiosyncratic community of prisoners and ex-prisoners in Danish prisons. Despite criminal policy trends of harsher and longer sentences, the common discourse about Fangekoret is that it resocialises its participants and is, therefore, a positive initiative. The purpose of this article is to illuminate the possibility of establishing a prison community of practice whose purpose is not resocialisation but rather the formation of its participants as agentic subjects. To elucidate this, we use
theoretical analysis and interviews within a utopian methodological framework. We begin by using German-Nordic Critical Psychology’s concept of practice in the work of Ole Dreier and Klaus Holzkamp, among others, to understand how participation in Fangekoret changes the way the choir singers can participate in prison and community life during and after serving their sentence. We then critically analyse Fangekoret as an initiative through the critique of ideology and power as proposed by Louis Althusser and
Michel Foucault. Finally, we conclude that Fangekoret, paradoxically, can increase the agency of its participants through their submission to a general sociality in a collective, aesthetic practice.

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Published

2025-06-25

How to Cite

Sander, O., Egede, G., & Nissen, M. (2025). Constitution of agency in a Danish prison choir: EN ANALYSE AF AGENS OG UNDERKASTELSE I FANGEKORET. Psyke & Logos, 46(1), 117–138. https://doi.org/10.7146/pl.v46i1.157779