Tomme scener, tætpakkede lejligheder
Performativ kuratering af scenekunst
DOI:
https://doi.org/10.7146/peri.v19i35.130631Referencer
Arendt, Hannah, 1989. The Human Condition. Chicago: University of Chicago Press, 1989.
Bishop, Claire, 2012. Artificial Hells: Art and the Politics of Spectatorship. London og New York: Verso.
Bismarck, Beatrick von og Irit Rogoff, 2012. A conversation between Irit Rogoff and Beatrice von Bismark. I Breatrice v. Bismarck, Jörn Schafaff, Thomas Weski (red.): Cultures of the Curatorial. Sternberg Press: Berlin.
Lehmann, Hans-Thies, 2004. Shakespeare’s Grin. Remarks on World Theatre with Forced Entertainment. I Judith Helmer og Florian Malzacher (red.): Not Even A Game Anymore. The Theatre of Forced Entertainment. Berlin: Alexander Verlag.
Malzacher, Florian og Gesa Ziemer, 2006. Das Lachen der anderen. Doing theory. Herbst. Theorie zur Praxis, 1, 2006.
Malzacher, Florian, 2010. Cause & Result. About a job with an unclear profile, aim and future. I Florian Malzacher, Tea Tupajić og Petra Zanki (red.): Curating Performing Arts. Zagreb: Frakcija Performing Arts Journal: 2010, s. 10-19.
Obrist, Hans Ulrich, 2010. Diaghilev is the most important curator of the 20th century. I Florian Malzacher, Tea Tupajića og Petra Zanki (red.). Curating Performing Arts. Zagreb: Frakcija Performing Arts Journal: 2010.
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- 2022-03-05 (2)
- 2022-02-01 (1)
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