Rockkoncerten

Authors

  • Charlotte Rørdam

DOI:

https://doi.org/10.7146/pl.v13i2.134181

Abstract

The article deals with the rockconcert and the rockculture as a historie and contemporary phenomenia. In the light of the contrast between technology and rockmusic it explains how the rockconcert offers faces and bodies in a generally anonymous world and how technology defeats this anonymity again and again. The development of the rockconcert is seen in generel as a continous line in which each period has its own characteristics: 50's and 60's rockconcerts are considered fields of social authenticity, 70's performance-concerts are seen as culturel/reflecsive authentucity and 90's raves as subjective authenticity.

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Published

2022-10-07

How to Cite

Rørdam, C. (2022). Rockkoncerten. Psyke & Logos, 13(2). https://doi.org/10.7146/pl.v13i2.134181

Issue

Vol. 13 No. 2 (1992): Massepsykologi

Section

Articles

License

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