Exhibiting the Present, Staging Contemporaneity

Museum of the Future and Theatre as a Site of Curatorial Research

Forfattere

  • Anders Thrue Djurslev

DOI:

https://doi.org/10.7146/peri.v19i35.130696

Resumé

Artiklen undersøger det kuratoriske som epistemologisk greb og dets relevans i dramaturgisk praksis. Med afsæt i et planlagt, tværdisciplinært samarbejde mellem Kunsthal Aarhus og Sort/Hvid og en situering af forfatterens funktion i dette indkredses og destabiliseres ontologiske skel mellem teater og billedkunst med fokus på tidslighed og vidensproduktion.

Referencer

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Bishop, Claire. (2018). “Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention.” TDR: The Drama Review, Vol. 62, Number 2, Summer 2018, pp. 22-42.

Bishop, Claire, 2014 [2013]. Radical Museology or: What’s ‘contemporary’ in museums of contemporary art? London: Koenig Books.

Bismark, Beatrice von. (2010). “Relations in Motion. The curatorial condition in the visual arts – and its possibilities for the neighbouring disciplines” Frakcija. No. 55, 2010, pp. 50-57.

Cox, Geoff and Lund, Jacob, 2016. The Contemporary Condition: Introductory Thoughts on Contemporaneity and Contemporary Art. Berlin: Sternberg Press.

Crone, Bridget, 2018. “Curating, Dramatization and the Diagram: Notes towards a Sensible Stage.” In: Jean-Paul Martinon and Irit Rogoff (eds.). The Curatorial: A Philosophy of Curating. Bloomsbury Publishing, pp. 207-213.

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Sheikh, Simon, 2019. “Curating and research – An uneasy alliance.” In: Malene Vest Hansen, Anne Folke Henningsen and Anne Gregersen (eds.). Curatorial Challenges – Interdisciplinary Perspectives on Contemporary Curating. London and New York: Routledge, pp. 97-107.

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Publiceret

2022-02-01

Citation/Eksport

Thrue Djurslev, A. (2022). Exhibiting the Present, Staging Contemporaneity: Museum of the Future and Theatre as a Site of Curatorial Research. Peripeti, 19(35), 59–70. https://doi.org/10.7146/peri.v19i35.130696

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