At kuratere en antropocæn sensibilitet

Forfattere

  • Joachim Aagaard Friis
  • Ida Schyum

Resumé

I denne artikel undersøger vi, hvordan det antropocæne som koncept kan bruges som en rammesætning for kuratering af stedsspecifik kunst. Med udgangspunkt i kurateringsprocessen under udstillingen Human/Non-human på Roskilde Festival 2017 fremlægger vi, hvordan begrebet det antropocæne ændrer kuratorens æstetiske og epistemologiske praksis gennem et fokus på det ikke-menneskelige og en omdefinering af skillet mellem natur og kultur.

Referencer

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Arnfred, A. J., 2019. “Den forskende kunstudstilling: Kuratoriske greb og metoder i et tværvidenskabeligt felt”, Nordisk Museologi, bind 26, nr. 2, 1, s. 5-23. https://journals.uio.no/museolog/article/view/7493/6818. Tilgået 08.08.2021.

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Publiceret

2022-02-01

Citation/Eksport

Aagaard Friis , J. ., & Schyum, I. . (2022). At kuratere en antropocæn sensibilitet. Peripeti, 19(35), 125–138. Hentet fra https://tidsskrift.dk/peripeti/article/view/130637

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