At kuratere en antropocæn sensibilitet
DOI:
https://doi.org/10.7146/peri.v19i35.130637Resumé
I denne artikel undersøger vi, hvordan det antropocæne som koncept kan bruges som en rammesætning for kuratering af stedsspecifik kunst. Med udgangspunkt i kurateringsprocessen under udstillingen Human/Non-human på Roskilde Festival 2017 fremlægger vi, hvordan begrebet det antropocæne ændrer kuratorens æstetiske og epistemologiske praksis gennem et fokus på det ikke-menneskelige og en omdefinering af skillet mellem natur og kultur.
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