Live Experiences in the Theater Gardens of Contemporary Art
Affective Curating and Exhibition Experiments with Theatricality
DOI:
https://doi.org/10.7146/peri.v19i35.130635Resumé
Theatre has been a model for curatorial experiments throughout the history of experimental exhibitions. This article will look into contemporary experiments with curating exhibition formats that come alive as virtual, ‘lucid dreams’ through the uses of theatrical tropes such as Narrator, Stage, Backdrop – and through the integration of affect, living matter, organic form and worldlike backdrops into the formats, as in the historic Theater Gardens.
Referencer
Barthes, Roland, 1977. ‘Death of the Author’. In Image/Music/Text. New York: Hill & Yang.
Bishop, Claire, 2012. Artificial Hells. Participatory Art and the politics of Spectatorship. New York: Verso.
Brugerolle, Marie de, 2018. ‘Post-performance Future’ Mousse Magazine No. 66, p. 206-215
Cheetham, Mark A. and Harvey, Elizabeth D. 2002. ‘Obscure imaginings: visual culture and the anatomy of caves’ Journal of Visual Culture. Vol 1(1): 105-126
Couder, Giles, 2017. Jardin-Théâtre Bestiarium documentary film. Apres.
Deleuze, Gilles and Guattari, Felix, 1987. Thousand Plateaus- Capitalism and Schizophrenia. University of Minnesota Press.
Dercon, Chris, Schöttle, Rüdiger, Graham; Dan, Heiss, Alana 1990 Theatergarden Bestiarium: The Garden as Theater as Museum. Institute of Contemporary Art PS1 Museum, The MIT Press.
Dercon, Chris: ‘30 Years of Theatergarden Bestiarium’ held at the conference related to ‘Theater, Garden Bestiary’ Ecal on 14.12.2016 available at http://theatergardenbestiary.com/program/#event3.
Ferguson, Bruce W., 1996. ‘Exhibition Rhetorics’ in Greenberg, Reesa, Ferguson, Bruce W. and Nairne, Sandy (ed.) Thinking about exhibitions London. New York: Routledge.
Fried, Michael: “Art and Objecthood” Art and Objecthood: Essays and Reviews, 1998, The University of Chicago Press
Hantlemann, Dorthea: ‘Art Institutions as Ritual Spaces. A genealogy of Gatherings’´. In Theater, Garden, Bestiary A Materialist History of Exhibitions. Sternberg press and ECAL/University of Art and Design Lausanne.
Hoffmann, Jens, 2015. Theater of Exhibitions. Berlin, Sternberg Press.
Hooper, Claire and Richards, Paul, 2019. Volcano Extravaganza 2019 – Death, teaser. Fiorucci Art Trust Available at: https://vimeo.com/338264098.
Kouligas, Bill, 2019. ‘Anne Imhof’, Kaleidoscope Magazine no 35, 2019 p. 110-129
Loiseau, Benoit: Inside the experimental art gathering on a volcanic island ID Aug 1 2019. Available at https://i-d.vice.com/en_us/article/43jk9p/inside-the-volcano-extravaganza-art-fair
Massumi, Brian, 1987: ‘Forword’, Thousand Plateaus Capitalism and Schizophrenia. University of Minnesota press
Massumi, Brian, 2002: ‘Parables for the Virtual – Movement, Affect, Sensation’. Duke University Press
Norman, Vincent, Garcia, Tristan, Rebentisch, Juliane in Norman, Vincent and Garcia, Tristan (ed.) 2019 ‘Theatricality, Autonomy, Negativity´. In Theater, Garden, Bestiary A Materialist History of Exhibitions. Sternberg press and ECAL/University of Art and Design Lausanne.
O’Doherty, Brian, 1976. Inside the White Cube. San Francisco: Lapis Press.
O’Neill, Paul, Sheikh, Simon, Steeds, Lucy, Wilson, Mick (ed., 2019 Curating After the Global: Roadmaps for the Present The MIT Press
Ramos, Filippa, 2018. ‘Theater, Garden, Bestiary’. Mousse Magazine No 55, 2016 p. 160-171
Rebentisch, Juliane, 2012. The Aesthetics of Installation Art. Berlin, Sternberg Press.
Rebentisch, Juliane, 2017. ‘Dark Play’ in Pfeffer, Susanne (ed.) Anne Imhof. Faust, Köening Books.
Somers, Thierry ‘Jens Hoffmann, part 2’ 200% Magazine Available at https://200-percent.com/jens-hoffmann-part-2/.
Downloads
Publiceret
Citation/Eksport
Nummer
Sektion
Licens
Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
