Collective Performative Reading
DOI:
https://doi.org/10.7146/peri.v17i31.119194Nøgleord:
Kollektiv, For More Than One VoiceResumé
For More Than One Voice (2016–) is a collective reading that investigates how we might speak and listen in more than one voice by means of resonance, polyphony, dissonance, ambiguity, plurality, and embrace. The collective reading is centred around the politics and poetics of the multiplicity of voices in performance and text, where the complexities of voice as representation are investigated.
Referencer
Austin, J. L. 1976. How to Do Things with Words. Oxford: Clarendon Press.
Burgess, S.K., Murray S.J., 2006. For More than One Voice: Toward a Philosophy of Vocal Expression (review), Philosophy & Rhetoric, Vol. 39 (2), pp. 166–169.
Cavarero, A., 2003. A più voci: Per una filosofia dell’espressione vocale. Milano: Feltrinelli Editore.
Cavarero, A., 2005. For more than one voice: Toward a Philosophy of Vocal Expression. Stanford: Stanford University Press.
Abu Hamdan, L., 2012. Aural Contract: Forensic Listening and the Reorganization of the Speaking Subject, Cesura//Acceso.
Jørgensen, S. H., 2019. Stemmernes politik i samtidskunsten. In: eds. C. J. Jepsen, R. Kjærboe, S. Krogh og M. Søberg. Terræn. Veje ind i samtidskunsten. Aarhus: Aarhus Universitetsforlag, pp. 228–245.
LaBelle, B., 2014. Lexicon of The Mouth. London: Bloomsbury Publishing.
Lawy, J., 2017. Theorizing voice: Performativity, politics and listening. Anthropological Theory, Vol. 17 (2), pp.192–215.
Loxley, J., 2007. Performativity. London: Routledge.
Rogoff, I., 2002. ‘We - Mutualities, Collectivities, Participations. In: ed. I Promise its Political. Museum Ludwig: Cologne, pp.126–134.
Burgess, S.K., Murray S.J., 2006. For More than One Voice: Toward a Philosophy of Vocal Expression (review), Philosophy & Rhetoric, Vol. 39 (2), pp. 166–169.
Cavarero, A., 2003. A più voci: Per una filosofia dell’espressione vocale. Milano: Feltrinelli Editore.
Cavarero, A., 2005. For more than one voice: Toward a Philosophy of Vocal Expression. Stanford: Stanford University Press.
Abu Hamdan, L., 2012. Aural Contract: Forensic Listening and the Reorganization of the Speaking Subject, Cesura//Acceso.
Jørgensen, S. H., 2019. Stemmernes politik i samtidskunsten. In: eds. C. J. Jepsen, R. Kjærboe, S. Krogh og M. Søberg. Terræn. Veje ind i samtidskunsten. Aarhus: Aarhus Universitetsforlag, pp. 228–245.
LaBelle, B., 2014. Lexicon of The Mouth. London: Bloomsbury Publishing.
Lawy, J., 2017. Theorizing voice: Performativity, politics and listening. Anthropological Theory, Vol. 17 (2), pp.192–215.
Loxley, J., 2007. Performativity. London: Routledge.
Rogoff, I., 2002. ‘We - Mutualities, Collectivities, Participations. In: ed. I Promise its Political. Museum Ludwig: Cologne, pp.126–134.
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Publiceret
2020-03-08
Citation/Eksport
m/ Peripeti Redaktion, F. M. T. O. V. (2020). Collective Performative Reading. Peripeti, 17(31), 141–156. https://doi.org/10.7146/peri.v17i31.119194
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