The Workshop
A Format and Promise Between Collectivity and Individualism
DOI:
https://doi.org/10.7146/peri.v17i31.119035Nøgleord:
Collectivity, Michel Foucault, Performance Studies, Richard Schechner, WorkshopResumé
This essay investigates how far the contemporary phenomenon of the workshop in the dance field can be contrasted to the historical emergence of the workshop format in the context of the Neo-Avantgardes during the 1960s. It suggests that contemporary ways of hanging out together should be situated in the area of conflict between the group and the self.
Referencer
Bishop, C., 2012. Artificial Hells – Participatory Art and the Politics of Spectatorship, New York: Verso.
Chiapello, E. and Boltanski, L., 2007. The New Spirit of Capitalism. New York: Verso.
Cvejić, B., Notes for a Society of Performance: On Dance, Sports, Museums, and Their Users, https://www.academia.edu/14880800/Notes_for_a_Society_of_Performance, Accessed: 05-10-2019.
Foucault, M., 2005. The Hermeneutics of the Subject. New York: Palgrave Macmillan.
Foucault, M., 1982. The Subject and Power. In: Hubert L. Dreyfus and Paul Rabinow (eds.). Beyond Structuralism and Hermeneutics. Chicago: The University of Chicago Press.
Foucault, M., 1997. What is Enlightenment?. In: Paul Rabinow (ed.). Michel Foucault – Ethics, Subjectivity, and Truth. New York: The New Press.
Janevski, A. and Lax, T.J. (eds.), 2018. Judson Church Theatre – The Work is Never Done. New York: MoMA
Kunst, B., 2015. Artist at Work – Proximity of Art and Capitalism. New York: Zero Books.
Lyotard, J.-F., 2009. Enthusiasm – he Kantian Critique of History, Stanford: Stanford University Press.
Martin, C., 2006. The Open Theatre´s The Serpent, Terminal, and the Mutation Show. In: James Harding and Cindy Rosenthal (eds.). Restaging the Sixties: Radical Theatres and their Legacies. Ann Arbor: University of Michigan Press.
Mckenzie, J., 2001. Perform or Else. From Discipline to Performance, London and New York: Routledge.
Palladini, G., 2017. The Scene of Foreplay – Theater, Labor, and Leisure in 1960s New York. Evanston: Northwestern University Press.
Hupp Ramsey, M., 1991. The Grand Union (1970-1977). An Improvisational Performance Group. New York: Peter Lang.
Sarasin, P., 2010. Foucault zur Einführung. Hamburg: Junius.
Schechner, R., 1988. Actuals. In: Schechner, R. Performance Theory. London and New York: Routledge.
Schechner, R., 1988. Drama, Script, Theater, and Performance. In: Schechner, R. Performance Theory. London and New York: Routledge.
Schechner, R., 1988. From ritual to theater and back: The efficacy–entertainment braid. In: Schechner, R. Performance Theory. London and New York: Routledge.
Chiapello, E. and Boltanski, L., 2007. The New Spirit of Capitalism. New York: Verso.
Cvejić, B., Notes for a Society of Performance: On Dance, Sports, Museums, and Their Users, https://www.academia.edu/14880800/Notes_for_a_Society_of_Performance, Accessed: 05-10-2019.
Foucault, M., 2005. The Hermeneutics of the Subject. New York: Palgrave Macmillan.
Foucault, M., 1982. The Subject and Power. In: Hubert L. Dreyfus and Paul Rabinow (eds.). Beyond Structuralism and Hermeneutics. Chicago: The University of Chicago Press.
Foucault, M., 1997. What is Enlightenment?. In: Paul Rabinow (ed.). Michel Foucault – Ethics, Subjectivity, and Truth. New York: The New Press.
Janevski, A. and Lax, T.J. (eds.), 2018. Judson Church Theatre – The Work is Never Done. New York: MoMA
Kunst, B., 2015. Artist at Work – Proximity of Art and Capitalism. New York: Zero Books.
Lyotard, J.-F., 2009. Enthusiasm – he Kantian Critique of History, Stanford: Stanford University Press.
Martin, C., 2006. The Open Theatre´s The Serpent, Terminal, and the Mutation Show. In: James Harding and Cindy Rosenthal (eds.). Restaging the Sixties: Radical Theatres and their Legacies. Ann Arbor: University of Michigan Press.
Mckenzie, J., 2001. Perform or Else. From Discipline to Performance, London and New York: Routledge.
Palladini, G., 2017. The Scene of Foreplay – Theater, Labor, and Leisure in 1960s New York. Evanston: Northwestern University Press.
Hupp Ramsey, M., 1991. The Grand Union (1970-1977). An Improvisational Performance Group. New York: Peter Lang.
Sarasin, P., 2010. Foucault zur Einführung. Hamburg: Junius.
Schechner, R., 1988. Actuals. In: Schechner, R. Performance Theory. London and New York: Routledge.
Schechner, R., 1988. Drama, Script, Theater, and Performance. In: Schechner, R. Performance Theory. London and New York: Routledge.
Schechner, R., 1988. From ritual to theater and back: The efficacy–entertainment braid. In: Schechner, R. Performance Theory. London and New York: Routledge.
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Publiceret
2020-03-08
Citation/Eksport
Hölscher, S. (2020). The Workshop: A Format and Promise Between Collectivity and Individualism. Peripeti, 17(31), 113–128. https://doi.org/10.7146/peri.v17i31.119035
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