I Am Queen Mary: An Avatar in the Making

Forfattere

  • Nina Cramer

DOI:

https://doi.org/10.7146/peri.v15i29/30.109639

Nøgleord:

Jeanette Ehlers, La Vaughn Belle, I Am Queen Mary, Avatar, 3D scanning, skitse, sketch

Referencer

Ahmed, Sara, 2002, “Racialised Bodies.” In: Mary Evans and Ellie Lee (ed.) Real Bodies. London: Palgrave: 46-63.
Albæk-Falk, Matias and Rikke Luna Filipsen. (2018). “Who is That? And How Come I Don’t Know?” I DO ART. Available at: https://static1.squarespace.com/static/57867c3203596edb2dc8e554/t/5ad9088b70a6ad07d745b5ec/1524172939729/I+Am+Queen+Mary+%28English%29++IDOART.DK.pdf [Accessed 15 May 2018].
Bordowitz, Gregg, 2018, Glenn Ligon: Untitled (I Am A Man). London: Afterall.
Brody, Jennifer DeVere. (2017). “The Repeating Body: Slavery’s Visual Resonance in the Contemporary by Kimberly Juanita Brown; Wandering: Philosophical Performances of Racial and Sexual Freedom by Sarah Jane Cervenak; Embodied Avatars: Genealogies of Black Feminist Art and Performance by Uri McMillan.” Signs: Journal of Women in Culture and Society 42, no. 3: 801-805.
Brown, Hallie Q., 1926, Homespun Heroines and Other Women of Distinction. Xenia, Ohio: Aldine Pub. Co.
Brown, Simone. (2009). “Digital Epidermalization: Race, Identity and Biometrics.” Critical Sociology vol. 36, no. 1: 131-150.
Brown, Vincent, 2011, “A Vapor of Dread: Observations on Racial Terror and Vengeance in the Age of Revolution”. In: Thomas Bender, Laurent Dubois and Richard Rabinowitz (ed.) Revolution! The Atlantic World Reborn. London: Giles.
Campt, Tina, 2017, Listening to Images. Durham: Duke University Press.
Coleman, B., 2011, Hello Avatar: Rise of the Networked Generation. Cambridge, Mass.: MIT Press.
Jones, Amelia, 2000, “Survey”. In: Tracey Warr (ed.) The Artist’s Body. London: Phaidon: 16-47.
Joselit, David. (2005). “Navigating the New Terrain: Art, Avatars, and the Contemporary Mediascape.” Artforum. Available at: https://www.artforum.com/print/200506/navigating-the-new-terrain-art-avatarsand-the-contemporary-mediascape-9005 [Accessed 15 May 2018].
Knight Jr., David. (2018). “Artist Duo from St. Croix, Denmark, Create Monument to V.I. Heroine in Copenhagen.” St. Thomas Source. Available at: https://stthomassource.com/content/2018/04/05/artistduo-from-st-croix-denmark-create-monument-to-v-i-heroine-in-copenhagen/ [Accessed 15 May 2018].
LaVon, Alma, 2015, “The Future is Dark: Entering the Afroraculum by Night.” In: Rasheedah Philips (ed.) Black Quantum Futurism: Theory and Practice. Philadelphia: Afrofuturist Affair: 73-75.
Marsh, Clifton E. (1981). “A Socio-Historical Analysis of the Labor Revolt of 1878 in the Danish West Indies.” Phylon vol. 42, no. 4: 335-345.
McMillan, Uri, 2015, Embodied Avatars: Genealogies of Black Feminist Art and Performance. New York and London: New York University Press.
Nyong’o, Tavia, 2009, The Amalgamation Waltz: Race, Performance, and the Ruses of Memory. Minneapolis: University of Minnesota Press.
Odumosu, Temi. (2015). “Open Images or Open Wounds? Colonial Past and Present in the City of Copenhagen.” Medium. Available at: https://medium.com/the-politics-practices-and-poetics-of-openness/open-images-or-open-wounds-colonial-past-and-present-in-the-city-of-copenhagen-66d901f5f4e1 [Accessed 15 May 2018].
Oliver, M. Cynthia, 2009, Queen of the Virgins: Pageants and Black Womanhood in the Caribbean. Jackson: University Press of Mississippi.
Schröter, Jens, 2014. 3D: History, Theory and Aesthetics of the Transplane Image. New York: Bloomsbury.
Spillers, Hortense, 2003. Black White and in Color: Essays on American Literature and Culture. Chicago: Chicago University Press.
Taylor, Charles Edwin, 1888. Leaflets from the Danish West Indies: Descriptive of the Social, Political, and Commercial Condition of These Islands. St. Thomas: Charles Edwin Taylor.
Weinstone, Ann, 2004. Avatar Bodies: A Tantra for Posthumanism. Minneapolis: University of Minnesota Press.

Downloads

Publiceret

2018-10-01

Citation/Eksport

Cramer, N. (2018). I Am Queen Mary: An Avatar in the Making. Peripeti, 15(29/30), 146–155. https://doi.org/10.7146/peri.v15i29/30.109639