* ’Flygtninge’ på scenen - dilemmaer og potentialer
DOI:
https://doi.org/10.7146/peri.v15i29/30.109637Nøgleord:
cultural representation, refugees, participation, inclusion, postmigration, reparative reading, kulturel repræsentation, flytninge, deltagelse, inklusion, reparativ læsningResumé
Through a reparative reading and by ‘staying with the trouble’, this article looks into four Danish performances from 2016-2017 that have worked with inclusion of people with refugee-experience. The text thereby identifies some of the dilemmas, questions and hopes that the different approaches to inclusion bring about.
Referencer
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Gade, Solveig. (2018). “Turning the Refugee and Migrant Crisis into Social Work(s): Note on the Dance Performance Uropa” in: The Routledge Companion to Political Theatre and Performance, ed. Peter Eckersall & Helena Grehan. Routledge, forthcoming 2018.
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Jøndrup, Hanne. (2017). “Dem vi taler om” – Etniske minoriteter i danske nyhedsmedier. Center for Nyhedsforskning RUC, JP/Politikens Hus, Ansvarlig Presse, Februar 2017.
Langsted, Jørn, Karen Hannah og Charlotte Rørdam Larsen. (2003). Ønskekvist-modellen, kunstnerisk kvalitet i performativ kunst, Århus: Klim.
Malkki, Liisa. (1995). “Refugees and exile: From ‘refugee studies’ to the national order of things”. Annual Review of Anthropology, vol. 24 1995, s. 495-523.
Olsen, Mette. (2016). ”Asylballet ændret på grund af anmelderkritik”, Politiken, 6. februar 2016.
Ponzanesi, Sandra. (2002). “Diasporic Subjects and Migration.” In: ed. Gabriele Griffin and Rosi Bradotti.
Thinking Differently: A Reader in European Women’s Studies, London: Zed Books.
Rancière, Jacques. (2001). ”Ten Theses on Politics”. Theory and Event, Volume 5, Issue 3, 2001, sidetal ikke opgjort.
Rancière, Jacques. (2014). “Den frigjorte tilskuer”. KulturogKlasse, nr. 118, 2014, s. 21-34.
Ring Petersen, Anne og Moritz Schramm. (2016). “Postmigration - Mod et nyt kritisk perspektiv på migration og kultur”. Kultur og Klasse, nr. 122, 2017, s. 181-200.
Sedgwick, Eve. (2002). ”Paranoid Reading and Reparative Reading, or, you’re so paranoid, you probably think this essay is about you” in: Touching Feeling, Durham: Duke University Press.
Swan, Elaine. (2017). “What are White People to Do? Listening, Challenging Ignorance, Generous Encounters and the ‘Not Yet’ as Diversity Research Praxis”. Gender, Work and Organization, Vol. 24 No. 5, September 2017, s. 547-563.
Vitting-Seerup, Sabrina. (2017). “Working Towards Diversity with a Postmigrant Perspective : How to Examine Representation of Ethnic Minorities in Cultural Institutions”. Journal of Aesthetics and Culture, vol. 9, issue 2, 2017, s. 45-55.
Andreassen, Rikke. (2007). Der er et yndigt land. København: Tiderne Skifter.
Bishop, Claire. (2004). ”Antagonism and Relational Aesthetics”. October, Vol. 110, Autumn 2004, s. 51-79.
Chou, Mark, Jean-Paul Gagnon og Lesley Pruitt. (2015). “Putting participation on stage: examining
participatory theatre as an alternative site for political participation”. Policy Studies, vol. 36, no. 6, s. 607–622.
Dithmer, Monna. (2016). “Teaterstykke er et tiltrængt modbillede til den anonyme masse af flygtninge”, Politiken, 12. maj 2016.
Foroutan, Naika. (2015). ”Die Einheit der Verschiedenen: Integration in der postmigrantischen Gesellschaft”. Kurzdossier nr. 28: Focus Migration, 2015, s. 1-8.
Gade, Solveig. (2018). “Turning the Refugee and Migrant Crisis into Social Work(s): Note on the Dance Performance Uropa” in: The Routledge Companion to Political Theatre and Performance, ed. Peter Eckersall & Helena Grehan. Routledge, forthcoming 2018.
Haraway, Donna. (2016). Staying with the Trouble: Making Kin in the Chthulucene, Duke University Press.
Hannah, Karen, Jørn Langsted og Charlotte Rørdam Larsen. (2003). “Evaluation of Artistic Quality in the Performing Arts”, http://projekter.au.dk/en/grdummy/present/
Hazou, Rand. (2009). ”Refugee Advocacy and the Theatre of Inclusion”. About Performance, No.9 2009, s. 67- 85.
Hermansen, Katrine Ytzen og Lone Lindstrøm Stephansen. (2016). ”NGO i en brydningstid”, Speciale i Kommunikation 2016, Aalborg Universitet: http://www.kommunikationsforum.dk/artikler/Kommunikationsspeciale-NGO-i-en-brydningstid
Jøndrup, Hanne. (2017). “Dem vi taler om” – Etniske minoriteter i danske nyhedsmedier. Center for Nyhedsforskning RUC, JP/Politikens Hus, Ansvarlig Presse, Februar 2017.
Langsted, Jørn, Karen Hannah og Charlotte Rørdam Larsen. (2003). Ønskekvist-modellen, kunstnerisk kvalitet i performativ kunst, Århus: Klim.
Malkki, Liisa. (1995). “Refugees and exile: From ‘refugee studies’ to the national order of things”. Annual Review of Anthropology, vol. 24 1995, s. 495-523.
Olsen, Mette. (2016). ”Asylballet ændret på grund af anmelderkritik”, Politiken, 6. februar 2016.
Ponzanesi, Sandra. (2002). “Diasporic Subjects and Migration.” In: ed. Gabriele Griffin and Rosi Bradotti.
Thinking Differently: A Reader in European Women’s Studies, London: Zed Books.
Rancière, Jacques. (2001). ”Ten Theses on Politics”. Theory and Event, Volume 5, Issue 3, 2001, sidetal ikke opgjort.
Rancière, Jacques. (2014). “Den frigjorte tilskuer”. KulturogKlasse, nr. 118, 2014, s. 21-34.
Ring Petersen, Anne og Moritz Schramm. (2016). “Postmigration - Mod et nyt kritisk perspektiv på migration og kultur”. Kultur og Klasse, nr. 122, 2017, s. 181-200.
Sedgwick, Eve. (2002). ”Paranoid Reading and Reparative Reading, or, you’re so paranoid, you probably think this essay is about you” in: Touching Feeling, Durham: Duke University Press.
Swan, Elaine. (2017). “What are White People to Do? Listening, Challenging Ignorance, Generous Encounters and the ‘Not Yet’ as Diversity Research Praxis”. Gender, Work and Organization, Vol. 24 No. 5, September 2017, s. 547-563.
Vitting-Seerup, Sabrina. (2017). “Working Towards Diversity with a Postmigrant Perspective : How to Examine Representation of Ethnic Minorities in Cultural Institutions”. Journal of Aesthetics and Culture, vol. 9, issue 2, 2017, s. 45-55.
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2018-10-01
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Vitting-Seerup, S. (2018). * ’Flygtninge’ på scenen - dilemmaer og potentialer. Peripeti, 15(29/30), 127–137. https://doi.org/10.7146/peri.v15i29/30.109637
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