* Spasticitet er en kropslig variation

En cripteoretisk analyse af danseforestillingen SPLASTIC

Forfattere

  • Ellen Flyvbjerg Kornerup
  • Signe Flyvbjerg Hesthaven

DOI:

https://doi.org/10.7146/peri.v15i29/30.109635

Nøgleord:

contemporary dance, crip, butoh, neoliberalism, failing, moderne dans, neoliberalisme, at fejle

Resumé

The dance performance SPLASTIC celebrates the potential of spastic movement. This article asks if the performance also avoids reproducing normative narratives about the norm-challenging body. The answer is: Not entirely. But the curious, ugly and unproductive movements allow the dancers to counter bodily normativity and efficiency demands and makes visible the potential.

Referencer

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Garland-Thomson, Rosemarie, 1997. Extraordinary Bodies. Figuring Physical Disability in American Culture and Literature. New York: Columbia University Press.
Garland-Thomson, Rosemarie. (2011). “Misfit: A Feminist Materialist Disability Concept.” Hypatia: A Journal of Feminist Philosophy vol. 26, no 3. s. 591-609.
Halberstam, J., 2011. The Queer Art of Failure. Durham: Duke University Press.
McRuer, Robert. 2006. Crip Theory: Cultural Signs of Queerness and Disability. New York: New York University Press.
Rydström, Jens. (2012). “Introduction: Crip theory in Scandinavia” lambda nordica: The Crip Theory issue, 1-2/2012, s. 9- 20.

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Publiceret

2018-10-01

Citation/Eksport

Flyvbjerg Kornerup, E., & Flyvbjerg Hesthaven, S. (2018). * Spasticitet er en kropslig variation: En cripteoretisk analyse af danseforestillingen SPLASTIC. Peripeti, 15(29/30), 105–117. https://doi.org/10.7146/peri.v15i29/30.109635