* Forskydninger i repræsentation
Unormaliserede kroppe og disidentifikationsstrategier på scenen
DOI:
https://doi.org/10.7146/peri.v15i29/30.109633Nøgleord:
crip teori, crip theory, disidentifikation, disidentification, anatomi, anatomy, normkritik, norm criticism, queer performancestrategier, queer performance strategiesResumé
This article seeks to facilitate an understanding, of how representational strategies of bodies produced as abnormal can operate within performance contexts. Informed by José Esteban Muñoz’ theory on disidentification and Robert McRuers theory on compulsory able-bodiedness the paper examines how the play Anatomi uses and can be read through the concept of disidentificationas a mode of relocating the contingency of identification possibilities.The strategy of the play offers a critical awareness that enables the audience to see more subtle subversions in stereotyped representation and therefore ultimately creates a context for norm criticism.
Referencer
Butler, Judith, 1990. Gender Trouble – Feminism and the Subversion of Identity. Routledge.
Bissenbakker Frederiksen, M., 2005. Begreb om begær: Queeringer af nyere dansk litteratur. (1. udg.) Odense: Syddansk Universitetsforlag. University of Southern Denmark studies in Scandinavian languages and literatures, Bind. vol. 69
Clare, Eli, 1999. Exile and Pride. Disability, Queerness and Liberation. South End Press.
Fusco, Coco, 1994. “The Other History of Intercultural Performance.” The Drama Review, 38:1.
Garland-Thomson, Rosemarie, 1997. Extraordinary Bodies. Columbia University Press.
Heede, Dag, 2012. ”Queerteorien i Danmark – eller hvordan jeg blev mærkelig.” Kvinder, Køn og Forskning. Nr. 3.
McRuer, Robert, 2006. Crip Theory: Cultural Signs of Queerness and Disability. New York University Press.
Muñoz, José Esteban, 1999. Disidentifications – Queers of Color and the Performance of Politics. University of Minnesota Press.
Nyong’O, Tavia, 2013. “Between the Body and the Flesh: Sex and Gender in Black Performance Art.” Radical Presence: Black Performance in Contemporary Art. Contemporary Arts Museum Houston.
Schechner, Richard, 1988. Peformance Theory. Routledge.
Spivak, Gayatri Chakravorty, 1985. “Can the Subaltern Speak? Speculations on Widow Sacrifice.” Wedge. No. 7-8.
Bissenbakker Frederiksen, M., 2005. Begreb om begær: Queeringer af nyere dansk litteratur. (1. udg.) Odense: Syddansk Universitetsforlag. University of Southern Denmark studies in Scandinavian languages and literatures, Bind. vol. 69
Clare, Eli, 1999. Exile and Pride. Disability, Queerness and Liberation. South End Press.
Fusco, Coco, 1994. “The Other History of Intercultural Performance.” The Drama Review, 38:1.
Garland-Thomson, Rosemarie, 1997. Extraordinary Bodies. Columbia University Press.
Heede, Dag, 2012. ”Queerteorien i Danmark – eller hvordan jeg blev mærkelig.” Kvinder, Køn og Forskning. Nr. 3.
McRuer, Robert, 2006. Crip Theory: Cultural Signs of Queerness and Disability. New York University Press.
Muñoz, José Esteban, 1999. Disidentifications – Queers of Color and the Performance of Politics. University of Minnesota Press.
Nyong’O, Tavia, 2013. “Between the Body and the Flesh: Sex and Gender in Black Performance Art.” Radical Presence: Black Performance in Contemporary Art. Contemporary Arts Museum Houston.
Schechner, Richard, 1988. Peformance Theory. Routledge.
Spivak, Gayatri Chakravorty, 1985. “Can the Subaltern Speak? Speculations on Widow Sacrifice.” Wedge. No. 7-8.
Downloads
Publiceret
2018-10-01
Citation/Eksport
Klint Wandahl, E. S. (2018). * Forskydninger i repræsentation: Unormaliserede kroppe og disidentifikationsstrategier på scenen. Peripeti, 15(29/30), 78–88. https://doi.org/10.7146/peri.v15i29/30.109633
Nummer
Sektion
UNDERSØGELSER/INQUIRIES
Licens
Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
