Hvad er Hecuba for dig?
Om en teaterkritisk forskel
DOI:
https://doi.org/10.7146/peri.v13i24.109521Nøgleord:
teaterkritik, Frederik Schyberg, Hamlet, Hecuba, Sam Besekov, teaterhistorie, kritisk metode, forestillingsanalyse, William Shakespeare, kritik, kunstkritik, dramaturgi, AITCResumé
In Danish history of theatre, especially shortly after World War II, the theatre critic, Frederik Schyberg (1905-50), and the theatre director, Sam Besekow (1911-2001), were both focused on cultural-ethical sides of criticism in theatre. They were occupied by the critical imperative to theatre professionals in order to offer a renewed consciousness to the spectators about the function of theatre art in Danish post war society. Both Besekow and Schyberg had a theatrical gaze on the impact of their profession. When dealing with the ethical side of critical aspects of theatre they took their point of departure from a reading of Shakespeare’s Hamlet, where the play in the play is preceded with Hamlet asking the actor about what Hecuba is to him, and he to Hecuba.
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