Om integrationen af videnskabelige og kunstneriske metoder
DOI:
https://doi.org/10.7146/peri.v10i19.109086Resumé
The paper relects upon the integration of academic-scientiic methods and artistic strategies for art and technology projects that address user participation in a socially deined domain. he paper proposes Luhmann’s relative diference between medium (loosely coupled elements) and form (tightly coupled constituents) as a theoretical and heuristic tool for productive interferences between artistic and scientiic methods. The paper elaborates upon and exemplifies the proposed heuristic through various art and technology projects. (A first (English) version of this paper has been presented at the Art of Research conference in Helsinki 2012 and can be downloaded from the conference website).
Referencer
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McNif, Shaun, 1998. Art-Based Research. London: Jessica Kingsley Publishers.
McNif, Shaun, 2008. “Art-Based Research” in Knowles, Gary J & Cole, Andra L. (eds). Handbook of the Arts in Qualitative Research. Los Angeles and London: SAGE. 29-40.
Schön, Donald, 2001. Den relekterende praktikker:Hvordan professionelle tænker, når de arbejder. Aarhus: Klim.
Shusterman, Richard, “Somaesthetics and Care of the Self: he Case of Foucault”, Monist, 83, 2000, p. 532-533.
Singerman, Howard, 1999. Art Subject. Berkley: University of California Press.
Stephensen, Jan Løhmann, 2010. Kapitalismens ånd og den kreative etik. Aarhus: Digital Aesthetics ResearchCentre/he Aesthetics of Interface Culture.
Wilson, Stephen, 2002. Information Arts: Intersections of Art, Science, and Technology. Boston Mass., MIT Press.
Borgdorf, Henk, 2006. “he Debate on Research in the Arts” in Sensuous Knowledge. Bergen: Kunst- og Designhøgskolen i Bergen.
Bürger, Peter, 1974. heorie der Avantgarde. Frankfurt a.M.: Suhrkamp.
Dixon, Steve, 2007. Digital Performance. London, Cambridge: MIT Press.
Eisner, Elliot, 1981. “On the diferences between scientiic and artistic approaches to qualitative research” in Review of Research in Visual Arts Education, Vol. 7, No. 1(13), pp. 1-8.
Eisner, Elliot, 2008. “Art and Knowledge” in Knowles, Gary; Cole, Ardra: Handbook of the Arts in Qualitative Research. housand Oaks: Sage Publication.
Finley, Susan, 2008. “Art-based research” in Knowles, Gary; Cole, Ardra: Handbook of the Arts in Qualitative Research. housand Oaks: Sage Publication.
Foster, Hal, 1996. he Return of the Real. London, Cambridge: MIT Press.
Frayling, Christofer, 1993. Research in Art and Design. London: Royal College of Art Research Paper.
Gadamer, Hans-Georg, 1973. “he Play of Art” in Neill, Alex; Ridley, Aaron (eds.): he Philosophy of Art. Boston: McCraw-Hill.
Gaver, W, Dunne, A., & Pacenti, E., 1999, “Design: Cultural probes”, Interactions, Vol. 6, Issue 1, Jan/Feb .
Knowles, Gary J & Cole, Andra L., 2008. Handbook of the Arts in Qualitative Research. Los Angeles and London: SAGE. 29-40
Latour, Bruno, 1999. Pandora’s Hope. Cambridge, London: Havard University Press
Leavy Patricia, 2009. Method meets Art. New York: he Guilford Press
Lincol og Denzin, 2003. “he Revolution Presentation” in Lincol & Denzin (eds.): Turning Points in Qualitative Research: Tying Knots in a Handkerchief. Walnut Creek: AltaMira Press.
Luhmann, Niklas, 1987. “he Medium of Art” in hesis Eleven 18-19. Sage Publication.
Luhmann, Niklas, 1990. Die Wissenschaft der Gesellschaft. Frankfurt a. M.: Suhrkamp.Luhmann, Niklas, 1995. Die Kunst der Gesellschaft. Frankfurt: Suhrkamp.
Luhmann; Niklas, 1997. Iagttagelse og paradoks. København: Gyldendal
McNif, Shaun, 1998. Art-Based Research. London: Jessica Kingsley Publishers.
McNif, Shaun, 2008. “Art-Based Research” in Knowles, Gary J & Cole, Andra L. (eds). Handbook of the Arts in Qualitative Research. Los Angeles and London: SAGE. 29-40.
Schön, Donald, 2001. Den relekterende praktikker:Hvordan professionelle tænker, når de arbejder. Aarhus: Klim.
Shusterman, Richard, “Somaesthetics and Care of the Self: he Case of Foucault”, Monist, 83, 2000, p. 532-533.
Singerman, Howard, 1999. Art Subject. Berkley: University of California Press.
Stephensen, Jan Løhmann, 2010. Kapitalismens ånd og den kreative etik. Aarhus: Digital Aesthetics ResearchCentre/he Aesthetics of Interface Culture.
Wilson, Stephen, 2002. Information Arts: Intersections of Art, Science, and Technology. Boston Mass., MIT Press.
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2021-12-02
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Heinrich, F. (2021). Om integrationen af videnskabelige og kunstneriske metoder. Peripeti, 10(19), 49–64. https://doi.org/10.7146/peri.v10i19.109086
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