Arkivet som mødested

Odin Teatrets arkiv som teaterhistoriografisk model

Forfattere

  • Annelis Kuhlmann

DOI:

https://doi.org/10.7146/peri.v7i14.108091

Nøgleord:

Centre for Theatre Laboratory Studies Odin Teatret Repertoire og arkiv Arkiv som reaktivering Teaterhistoriografi

Resumé

Annelis Kuhlmann discusses the newly established archive of Odin Teatret. She finds, however, that the archive of Odin Teatret includes Odin Teatret’s well-known practice of re-circulating artistic material from one performance to another. In this practice one might find a truly new understanding of historiography as directed not only towards preservation, but also towards re-activating preserved historical material, for example through the living theatre’s transmission of archival knowledge.

Referencer

Barba, Eugenio. ‘Four Spectators’, Theatre Drama Review, 34, no. 1, Spring 1990, pp. 96-101.
Barba, Eugenio. ’Eftermaele, “that which will be said afterwards”’, The Drama Review, 36, no. 2 (T134), Summer 1992, pp. 77-80.
Bleeker, Maike. (2004), ‘Look who’s Looking!: Perspective and the Paradox of Postdramatic Subjectivity’, Theatre Research International, 29: 1, pp. 29-41.
Derrida, Jacques. Le Mal d’Archive. Galilée: Paris 1995.
Foucault, Michel. The Order of Things. An Archeology of the Human Sciences. Tavistock: London [1966] 1970.
Lehmann, Hans-Thies. Postdramatisches Theater. Verlag der Autoren: Frankfurt am Main 1999.
Taylor, Diana. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham and London: Duke University Press 2003.

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Publiceret

2010-01-01

Citation/Eksport

Kuhlmann, A. (2010). Arkivet som mødested: Odin Teatrets arkiv som teaterhistoriografisk model. Peripeti, 7(14), 39–45. https://doi.org/10.7146/peri.v7i14.108091

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Temaartikler