Learning from Schauspiel Dortmund about Diversity and Inclusion in Theatre Production

Images for Towards an “Archipelagic Dramaturgy”

Forfattere

  • Peter M. Boenisch

DOI:

https://doi.org/10.7146/peri.v23i41.163891

Nøgleord:

archipelagic dramaturgy, production practices, post-representational dramaturgy, poetics of plurality

Resumé

Denne artikel undersøger Schauspiel Dortmund under Julia Wissert og sætter fokus på mangfoldighed og inklusion som del af en pluralistisk teaterpoetik. I artiklen analyseres ressourcefordeling med post-repræsentationelle begreber inspireret af Paul Carter, og en “arkipelagisk dramaturgi”, der skifter fokus fra identitet til værdier, rum og møder, diskuteres.

This article examines Schauspiel Dortmund under Julia Wissert, focusing on diversity and inclusion as part of a pluralistic theatre poetics. It analyzes resource distribution using post-representational concepts inspired by Paul Carter, and it considers an “archipelagic dramaturgy” shifting focus from identity to values, spaces, and encounters.

Forfatterbiografi

Peter M. Boenisch

originally from Germany and for many years teaching in the UK, is professor of dramaturgy at Aarhus University. His research focuses on theatre direction, dramaturgy as curation and communication, and on current institutional transformations within the public European theatre system.

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Publiceret

2026-01-07

Citation/Eksport

Boenisch, P. M. (2026). Learning from Schauspiel Dortmund about Diversity and Inclusion in Theatre Production: Images for Towards an “Archipelagic Dramaturgy”. Peripeti, 23(41), 18–31. https://doi.org/10.7146/peri.v23i41.163891