Kostume-drevne performances
Kostumers generative og performative potentialer
DOI:
https://doi.org/10.7146/peri.v19iSaernummer2.134021Nøgleord:
Dansk teater 300 årResumé
Costume driven performances. Costumes generative and performative potentials
This article examines costume driven performances as a growing trend in international performing arts as well as in costume research. It also provides the more detailed analysis of a costume-driven dance performance from the author’s own practice and concludes with considerations about the potential in Danish performing arts.
Referencer
Bauhaus Ballet: A Dance of Geometry, https://www.youtube.com/watch?v=oo_BLRSuz7s
Barbieri, Donatella (2017), Costume in performance – materiality, culture, and the body, London, New York: Bloomsbury Academic
Barbieri, Donatella & Pantouvaki, Sofia (2016), “Towards a philosophy of costume”, Studies in
Costume & Performance, 1(1), s. 3–7.
Costume Agency, critical costume conference (2020), https://costumeagency.com
Costume Agency forskningsprojekt, https://costumeagency.khio.no
Critical Costume https://www.criticalcostume.com
Dean, Sally E. (2021), ”’Aware-Wearing’: A Somatic Costume Design Methodology for Performance”, In Pantouvaki, S. & Peter McNeil, P. (Eds.), Performance Costume: New Perspectives and Methods (2021), Kindle edition: Bloomsbury Publishing, s. 229–244.
Dillon B. (2014), “Serpentine Dancer”, Frieze Masters Art Fair, https://www.frieze.com/article/serpentine-dancer
Haraway, D. (1988), “Situated knowledge: the science question in feminism and the privilege if partial perspective”, Feminist Studies, 14(3), p. 575–599.
Karstens, Daphne (2021), ”PANG”, https://www.daphnekarstens.com/pang
Kaspersophie (2018), National Udstilling, https://www.kaspersophie.com/national-udstilling/
Kleida, Danae (2017), “Cinematographic motion & Serpentine Dance – towards a media archaeology of modern dance”, Junctions, 2(1), Graduate Journal of the Humanities, Utrecht University, s. 53-63.
Marshall, Susan (2021), Insubordinate costume (phd thesis), Goldsmiths, University of London.
Marshall, Susan (2020), Following the threads of scenographic costume at PQ19, Theatre and Performance Design, 6(1–2), s. 165–18.
Monks, Aoife (2010), The actor in costume, Hampshire and New York: Palgrave Macmillian.
Osmond Suzanne (2020), “Fitting Threads: Embodied Conversations in the Costume Design Process”, In (Eds.) Pantouvaki, P. & McNeil, P., Performance Costume: New Perspectives and Methods. Bloomsbury Publishing. Kindle Edition, p. 227–294.
Pantouvaki, Sofia (2019), “Extreme Costume: A conversation with Simona Rybáková”, Studies in costume & performance, 4(1), s. 85–108.
Pantouvaki, Sofia (2020), “‘Costume thinking’ as a strategy for critical thinking”, Paper presentation at Critical Costume 2020 conference (online), https://costumeagency.com/project/sofia-pantouvaki/
Pantouvaki, Sofia & McNeil, Peter (2021), “Introduction Activating Costume: A New Approach to Costume for Performance”, In (Eds.) Pantouvaki, P. & McNeil, P., Performance Costume: New Perspectives and Methods, Kindle Edition: Bloomsbury Publishing, s. 1–4.
Rostrup, Gøje (2019), Spetakelven, http://gojerostrup.dk/spektakelven-goje-rostrup-presents/
Sanders, E.B.-N., (2014), “Co-designing can seed the landscape for radical innovation and sustainable change”, In Christensen, P.R. & Junginger, S. (Eds.), The Highways and Byways to Radical Innovation – Design Perspectives, s. 131–150.
Studies in Costume & Performance, https://www.intellectbooks.com/studies-in-costume-performance
Smith, Lorraine (2018), “The costumographer: Revolutions in performance pedagogy”, Studies in Costume & Performance, 3(2), s 179–196.
‘Taboo collection’, https://catwalkconcert.com
Tanggard, L. (2013), “The sociomateriality of creativity in everyday life”, Culture & Psychology, 19(1), s. 20–32.
Trimingham, Melissa (2017), “Agency and empathy: artists touch the body”, Costume in performance – materiality, culture, and the body, Bloomsbury Academic, s. 137–166.
Østergaard, C. (2018), MASK: dialogue between an inside and an outside perspective of costume, Studies in Costume & Performance, 3(1), s. 61–80.
Østergaard, C. (2020-2024) forskningsprojekt: Crafting material bodies – radical co-creation in the field of costume design, https://portal.research.lu.se/sv/persons/charlotte-østergaard
Downloads
Publiceret
Citation/Eksport
Nummer
Sektion
Licens
Det følgende vedrører alle Peripeti-udgivelser fra 2024, nr. 39, og senere:
Peripeti er et Diamond Open Access-tidsskrift, der giver direkte open acces til publiceret indhold ud fra princippet om, at det at gøre forskning frit tilgængelig for offentligheden understøtter en større global udveksling af viden.
Forfattere skal ikke betale for indsendelse, redigering eller offentliggørelse af artikler.
Forfattere, der bidrager til Peripeti, bevarer ophavsretten til deres artikler.
Forfattere accepterer at udgive artikler under en Creative Commons CC-BY-NC 4.0-licens. Vilkårene for denne licens tillader brugere frit at kopiere og videredistribuere materialet i ethvert medie eller format og at tilpasse, transformere og bygge videre på materialet, så længe der gives passende kreditering, et link til licensen gives, og eventuelle ændringer angives. Brugere må ikke dele eller tilpasse materialet til kommercielle formål uden samtykke fra licensgiveren. Brugen af licensen må ikke på nogen måde antyde, at licensgiveren støtter tredjeparten eller dennes brug. Licensen kan ikke tilbagekaldes.
Forfattere opfordres til at lægge deres artikler ud på personlige og/eller institutionelle hjemmesider for at sikre endnu større offentlig adgang efter udgivelsen. Forfattere har ret til at arkivere deres artikler i fondes og offentlige institutioners arkiver, men Peripeti anmoder om, at forfattere bruger et direkte link til den publicerede artikel på tidsskriftets hjemmeside, når det er muligt, da Peripeti som en ikke-kommerciel, offentligt finansieret udgiver er afhængig af niveauet af brugeraktivitet på tidsskriftets hjemmeside.
Vedrørende tidligere udgivelser, indtil 2024, herunder nr. 38:
Ophavsretten deles mellem Peripeti og forfatteren/forfatterne. Tidsskriftet er et open access-tidsskrift, der giver direkte adgang til alt indhold baseret på princippet om, at det at gøre forskning frit tilgængelig for offentligheden understøtter en større global udveksling af viden. Brugere kan frit kopiere og dele materiale i ethvert medie eller format, så længe der gives passende kreditering. Enhver anden brug kræver skriftligt samtykke fra indehaverne af ophavsretten.
