Teatervitenskapen og det romlige
DOI:
https://doi.org/10.7146/peri.v16iS8.117588Resumé
Performativ scenografi forstått som romlig iscenesettelse utøvd innenfor teaterinstitusjoner og teaterarkitektur utfordrer teatervitenskapen til å inkludere perspektiver fra performance studies, og til å inngå i interdisiplinære samarbeid hvor den situerer seg tett på, men likevel i kritisk distanse til scenekunstpraksis. Bare slik kan den adressere en komplisert og presserende problemstilling som autonomikonvensjonen i scenografi og teaterarkitektur.
Performative scenography understood as spatial staging conducted within theatre institutions and theatre architecture challenges Theatre Studies to include perspectives from Performance Studies, to engage in interdisciplinary collaboration, and to situate itself close, yet within a critical distance to performing arts practice. From this position, Theatre Studies may fruitfully address complex questions such as the convention of autonomy in today’s scenography and theatre architecture.
Referencer
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Aronson, Arnold, 2018. The Routledge Companion to Scenography. London: Routledge.
Aronson, Arnold og Collins, Jane, (red.), 2015. Editors Introduction. In: Theatre and Performance Design, vol. 1, no. 1–2, side 2.
Bleeker, Maaike, 2008. Visuality in the Theatre. The Locus of Looking. Basingstoke and New York: Palgrave Macmillan.
Bourriaud, Nicolaus, 2002. Postproduction. Culture as Screenplay: How Art reprograms the World. New York: Lukas & Sternberg.
Brejzek, Thea, 2011. Expanding Scenography. Praha: The Arts and Theatre Institute.
Brejzek, Thea, 2018. The Model as Performance. Staging Space in Theatre and Architecture. London: Bloomsbury.
Carlson, Marvin, 1989. Places of Performance. The Semiotics of Theatre Architecture. Ithaca and London: Cornell University Press.
Carlson, Marvin, 2010. Space and Theatre History. In: Charlotte M. Channing & Thomas Postlewait, (red.). Representing the Past. Essays in Performance Historiography. Iowa: University of Iowa Press.
Chaudhuri, Una, 1995. Staging Place: The Geography of Modern Drama. Ann Arbor: The University of Michigan Press.
Crary, Jonathan, 1990. Techniques of the Observer. On Vision and Modernity in the Nineteenth Century. MIT: MIT Press.
Feuerstein, Marcia og Read, Gray, (red.), 2013. Architecture as a Performing Art. Fanrham: Ashgate.
Filmer, Andrew og Rufford, Juliet (red.), 2018. Performing Architectures: Projects, Practices, Pedagogies. London: Methuen Drama.
Fischer-Lichte, Erika, 2008. The Transformative Power of Performance. A New Aesthetics. London og New York: Routledge.
Foster, Hal, 1988. Vision and Visuality. New York: Dia Art Foundation.
Graffer, Sidsel, 2017. On Site. Behind Glass. In the Living. Performative Scenography and Production Axes. International Journal of Aesthetics and Philosophy of Culture, no. 2.
Grobmann, Yasha. J. og Neuman, Eran, 2012. Performalism Form and Performance in Digital Architecture. New York og London: Routledge.
Gurr, Andrew, 2000. Staging in Shakespeare´s Theatres. Oxford: Oxford University Press.
Hann, Rachel, 2018. Beyond Scenography. London og New York: Routledge.
Hannah, Dorita, 2018. Event-Space: Theatre Architecture and the Historical Avant-Garde. London og New York: Routledge.
Hannah, Dorita, 2011. Event-space: performance-space and spatial performativity. I J. Pitches og Sita Popat (red.): Performance Perspectives. A Critical Introduction. Basingstoke og New York: Palgrave Macmillan.
Hannah, Dorita og Harsløf, Olav (red.), 2008. Performance Design. København: Museum Tusculanum Press.
Hensel, Michael, 2013. Performance - Oriented Architecture. Rethinking Architectural Design and the Built Environment. Chichester: John Wiley and Sons Ltd.
Hinkle, Gerhard, 1979. Art as Event. Washington: University Press of Amerika.
Howard, Pamela, 2002. What is Scenography? London og new York: Routledge.
Kolarevic, Branco. og Malkawi, Ali M., 2005. Performative Architecture. Beyond Instrumentality. New York og London: Spon Press.
Krauss, Rosalind, 1979. Sculpture in the Expanded Field. October, 8 (Spring 1979: 30-44.
Latour, Bruno, 2005. Reassembling the Social. An Introduction to Actor-Network theory. Oxford: Oxford University Press.
Leatherbarrow, David, 2009. Architecture Oriented Otherwise. New York: Princeton Architecture Press.
Leatherbarrow, David, 2005. Architecture´s Unscripted Performance. In: Kolarevic, B and Malkawi, A. M. (eds.), 2005. Performative Architecture. Beyond Instrumentality. New York and London: Spon Press.
Lehmann, Steffen, 2012. Back to the City. Strategies for Informal Urban Interventions. Ostfildern: Hatje Cantz Verlag.
McAuley, Gay, 1999. Space in Performance. Making Meaning in the Theatre. Ann Arbour: The University of Michigan Press.
McKinney, Joslyn og Butterworth, Philip (red.), 2009. The Cambridge Introduction to Scenography. Cambridge: Cambridge University Press.
McKinney, Joslyn og Palmer, Scott (red.), 2016. Scenography Expanded. An Introduction to Contemporary Performance Design. London: Bloomsbury.
Meeth, L, 1978. Interdisciplinary Studies: A Matter of Definition. Change, 7: 10.
Ng, Rashida og Patel, Sneha (red.), 2013. Performative Materials in Architecture and Design. Bristol og Chicago: Intellect.
Nordahl, R., og Kofoed, L. B. (2008). Medialogy Design of a Trans-Disciplinary Education using a problem based learning approach. In: Proceedings of 36th European Society for Engineering Education (SEFI) on Quality Assessment, Employability & Innovation. Aalborg: Sense Publishers.
Rendell, Jane, 2006. Art and Architecture: A Place Between. London: I. B. Tauris.
Rendell, Jane, 2010. Site-Writing. The Architecture of Art Criticism. London: I. B. Tauris.
Salter, Cris, 2010. Entangled. Technology and the transformation of Performance. Cambridge og London: The MIT Press.
Scorzin, Pamela C, 2011. Metascenography: On the Metareferential Turn in Scenography. In: Werner Wolf (red.) The Metareferential Turn in Contemporary Arts and Media. Forms, Functions Attempts at Explanation. Amsterdam og New York: Rodopi.
Southern, Richard, 1952. Changeable Scenery: Its Origin and Development in the British Theatre. London: Faber & Faber.
Turner, Cathy, 2015. Dramaturgy and Architecture. Theatre, Utopia and the Built Environment. Basingstoke: Palgrave Macmillan.
Weinstein, Beth, 2012. Performance Space: Distributed v. Consolidated. In: Arnold Aronson (red.) The Disappearing Stage: Reflections on the 2011 Prague Quadrennial. Prague, Arts and Theatre Institute.
Wihstutz, Benjamin, 2013. Introduction. In: Erika Fischer-Lichte & Benjamin Wihstutz (red.). Performance and the Politics of space: Theatre and Topology. Abington and New York: Routledge.
Wiles, David, 2003. A Short History of Western Performance Space. Cambridge: Cambridge University Press.
Aronson, Arnold, 2018. The Routledge Companion to Scenography. London: Routledge.
Aronson, Arnold og Collins, Jane, (red.), 2015. Editors Introduction. In: Theatre and Performance Design, vol. 1, no. 1–2, side 2.
Bleeker, Maaike, 2008. Visuality in the Theatre. The Locus of Looking. Basingstoke and New York: Palgrave Macmillan.
Bourriaud, Nicolaus, 2002. Postproduction. Culture as Screenplay: How Art reprograms the World. New York: Lukas & Sternberg.
Brejzek, Thea, 2011. Expanding Scenography. Praha: The Arts and Theatre Institute.
Brejzek, Thea, 2018. The Model as Performance. Staging Space in Theatre and Architecture. London: Bloomsbury.
Carlson, Marvin, 1989. Places of Performance. The Semiotics of Theatre Architecture. Ithaca and London: Cornell University Press.
Carlson, Marvin, 2010. Space and Theatre History. In: Charlotte M. Channing & Thomas Postlewait, (red.). Representing the Past. Essays in Performance Historiography. Iowa: University of Iowa Press.
Chaudhuri, Una, 1995. Staging Place: The Geography of Modern Drama. Ann Arbor: The University of Michigan Press.
Crary, Jonathan, 1990. Techniques of the Observer. On Vision and Modernity in the Nineteenth Century. MIT: MIT Press.
Feuerstein, Marcia og Read, Gray, (red.), 2013. Architecture as a Performing Art. Fanrham: Ashgate.
Filmer, Andrew og Rufford, Juliet (red.), 2018. Performing Architectures: Projects, Practices, Pedagogies. London: Methuen Drama.
Fischer-Lichte, Erika, 2008. The Transformative Power of Performance. A New Aesthetics. London og New York: Routledge.
Foster, Hal, 1988. Vision and Visuality. New York: Dia Art Foundation.
Graffer, Sidsel, 2017. On Site. Behind Glass. In the Living. Performative Scenography and Production Axes. International Journal of Aesthetics and Philosophy of Culture, no. 2.
Grobmann, Yasha. J. og Neuman, Eran, 2012. Performalism Form and Performance in Digital Architecture. New York og London: Routledge.
Gurr, Andrew, 2000. Staging in Shakespeare´s Theatres. Oxford: Oxford University Press.
Hann, Rachel, 2018. Beyond Scenography. London og New York: Routledge.
Hannah, Dorita, 2018. Event-Space: Theatre Architecture and the Historical Avant-Garde. London og New York: Routledge.
Hannah, Dorita, 2011. Event-space: performance-space and spatial performativity. I J. Pitches og Sita Popat (red.): Performance Perspectives. A Critical Introduction. Basingstoke og New York: Palgrave Macmillan.
Hannah, Dorita og Harsløf, Olav (red.), 2008. Performance Design. København: Museum Tusculanum Press.
Hensel, Michael, 2013. Performance - Oriented Architecture. Rethinking Architectural Design and the Built Environment. Chichester: John Wiley and Sons Ltd.
Hinkle, Gerhard, 1979. Art as Event. Washington: University Press of Amerika.
Howard, Pamela, 2002. What is Scenography? London og new York: Routledge.
Kolarevic, Branco. og Malkawi, Ali M., 2005. Performative Architecture. Beyond Instrumentality. New York og London: Spon Press.
Krauss, Rosalind, 1979. Sculpture in the Expanded Field. October, 8 (Spring 1979: 30-44.
Latour, Bruno, 2005. Reassembling the Social. An Introduction to Actor-Network theory. Oxford: Oxford University Press.
Leatherbarrow, David, 2009. Architecture Oriented Otherwise. New York: Princeton Architecture Press.
Leatherbarrow, David, 2005. Architecture´s Unscripted Performance. In: Kolarevic, B and Malkawi, A. M. (eds.), 2005. Performative Architecture. Beyond Instrumentality. New York and London: Spon Press.
Lehmann, Steffen, 2012. Back to the City. Strategies for Informal Urban Interventions. Ostfildern: Hatje Cantz Verlag.
McAuley, Gay, 1999. Space in Performance. Making Meaning in the Theatre. Ann Arbour: The University of Michigan Press.
McKinney, Joslyn og Butterworth, Philip (red.), 2009. The Cambridge Introduction to Scenography. Cambridge: Cambridge University Press.
McKinney, Joslyn og Palmer, Scott (red.), 2016. Scenography Expanded. An Introduction to Contemporary Performance Design. London: Bloomsbury.
Meeth, L, 1978. Interdisciplinary Studies: A Matter of Definition. Change, 7: 10.
Ng, Rashida og Patel, Sneha (red.), 2013. Performative Materials in Architecture and Design. Bristol og Chicago: Intellect.
Nordahl, R., og Kofoed, L. B. (2008). Medialogy Design of a Trans-Disciplinary Education using a problem based learning approach. In: Proceedings of 36th European Society for Engineering Education (SEFI) on Quality Assessment, Employability & Innovation. Aalborg: Sense Publishers.
Rendell, Jane, 2006. Art and Architecture: A Place Between. London: I. B. Tauris.
Rendell, Jane, 2010. Site-Writing. The Architecture of Art Criticism. London: I. B. Tauris.
Salter, Cris, 2010. Entangled. Technology and the transformation of Performance. Cambridge og London: The MIT Press.
Scorzin, Pamela C, 2011. Metascenography: On the Metareferential Turn in Scenography. In: Werner Wolf (red.) The Metareferential Turn in Contemporary Arts and Media. Forms, Functions Attempts at Explanation. Amsterdam og New York: Rodopi.
Southern, Richard, 1952. Changeable Scenery: Its Origin and Development in the British Theatre. London: Faber & Faber.
Turner, Cathy, 2015. Dramaturgy and Architecture. Theatre, Utopia and the Built Environment. Basingstoke: Palgrave Macmillan.
Weinstein, Beth, 2012. Performance Space: Distributed v. Consolidated. In: Arnold Aronson (red.) The Disappearing Stage: Reflections on the 2011 Prague Quadrennial. Prague, Arts and Theatre Institute.
Wihstutz, Benjamin, 2013. Introduction. In: Erika Fischer-Lichte & Benjamin Wihstutz (red.). Performance and the Politics of space: Theatre and Topology. Abington and New York: Routledge.
Wiles, David, 2003. A Short History of Western Performance Space. Cambridge: Cambridge University Press.
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2019-12-02
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Graffer, S. (2019). Teatervitenskapen og det romlige. Peripeti, 16(S8), 26–43. https://doi.org/10.7146/peri.v16iS8.117588
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