En performers død.
Funus Imaginarium som genfortryllelse af teatrale former i 2010
DOI:
https://doi.org/10.7146/peri.v8iS3.110601Nøgleord:
Funus Imaginarium, genfortryllelse, performative ritualer, performativitetsteori, værkpoetikResumé
The grave as a place of being for the identity and the national citizen in Das Beckwerk’s political performance Funus Imaginarium (2010) disposes its focus like a mise en abyme construction on the consequence of the hunger artist’s theatricalised concept of authorship, which is expressed as the death of a performer. The mimed ritual of the performance expands the notion of the relationship between participant and spectator into a dance macabre of critical and tragic-comical character. Through Funus Imaginarium the notion of mimesis has re-enchanted the performance in a new political frame with reference to Sofocle’s Antigone and the Roman funeral ritual ceremony.
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