Værket på væven
Performativitet og interaktivitet i Forestillingen om Kejserens nye Klæder
DOI:
https://doi.org/10.7146/peri.v8iS3.110596Nøgleord:
interaktivitet, performativitet, corona la balance, begivenhedæstetik, værkbegrebet, systemteoriResumé
The concept of the work of art has been criticized and sometimes even rejected in relation to the study of theatre and performance art. For the critics the concept is too bound to literature and causal logic, too dependent on sender/receiver models of communication and on romantic ideas about organic wholes, and too permeated with economic reason concerning ownership and distribution to describe the dynamics of the performative event. This article counters this critique and suggests a more dynamic conception of the work of art in order to sharpen the analytical perspective instead of founding a new ontology of the theatre. The suggestion is evolved through and supported by an analysis of an interactive performance for children by Corona la Balance (2007).
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Turner, Victor (1982). From Ritual to Theatre. New York: PAJ Publications.
Barthes, Roland (1968). “The Death of the Author”. I: Bishop, Claire (red.) (2006). Participation. Whitechapel and MIT Press.
Bit, Vladimir (2001). Litteratur- und Kulturtheorie − Ein Handbuch gegenwärtiger Begriffe. Rowohlts Encyklopädie. Rowohlt Taschenbuch Verlag.
Bourriaud, Nicolas (2002). Relational Aesthetics. Paris: Presses du réel.
Christoffersen, Exe m.fl. (1989). Dramaturgisk analyse. En antologi. Aktuelle Teaterproblemer 24, Aarhus Universitet.
Christoffersen, Exe (2007). “Teatralitet, Teatralsk og Teatralisering”. I: Peripeti, 7. Afdeling for Dramaturgi, Aarhus Universitet.
Bishop, Claire (2004). “Antagonism and Relational Aesthetics”. I: Oktober, 110, Fall 2004. MIT Press Journals (www.mitpressjournals.org).
Bishop, Claire (red.) (2006). Participation. Whitechapel and MIT Press.
Bürger, Peter (1980). Theory of the Avantgarde. M. Shaw (overs.), University of Minnesota Press.
Deleuze, G. and F. Guattary (1980). “Introduction: Rhizome”. A Thousand Plateaus. Brian Massumi (overs.). London: The Athlone Press.
Eco, Umberto (1989). The Open Work. Harvard University Press.
Elias, Norbert (1970). “Universal features of human society”. What is Sociology. Columbia University Press.
Elias, N. (1988). “Game Model”. On Civilization, Power and Knowledge. University of Chicago Press.
Fischer-Lichte, Erika (2004). Ästhetik des Performativen. Frankfurt am Main: Suhrkamp Verlag.
Fischer-Lichte, Erika (2005). Theatre, Sacrifice, Ritual. London and New York: Routledge.
Foucault, Michel (1970). “What is an Author?”. Language, Counter-Memory, Practice. Donald F.
Bouchard and Sherry Simon (overs.). New York 1977: Cornell University Press.
Foucault, M. (1982). “The Subject and Power”. Beyond Structuralism and Hermeneutics. University of Chicago Press.
Hayles, N. Katherine (1999). How We Became Posthuman. Chicago University Press.
Herrmann, Max (1914). “Einleitung”. Forschungen zur deutschen Theatergeschichte des Mittelalters und der Rennaissance. Berlin.
Kjølner, Torunn (2007). “Teatralitet og Performativitet”. I: Peripeti, 7. Afdeling for Dramaturgi, Aarhus Universitet.
Krause, Detlef (2005). Luhmann – Lexicon. Lucius & Lucius
Lehmann, Niels (2000). “Demokratitis – interaktivitet uden åbenhedsfetischisme”. I: Årsberetning for Dramaturgi 2000. Aarhus Universitet.
Lehmann, Niels (2002): “Coping with Reality – Different Means for Different Purposes”. I: Bjørn Rasmussen m.fl. (red.). Playing betwixt and between. Bergen: Idea Publications.Lehmann, Niels (2007a). “Forms of Presence”. I: Nordic Theatre Studies, 19. Foreningen Nordiske Teaterforskere.
Lehmann, Niels (2007b). “The work of Art as a Network”. I: Lehmann, Qvortrup, Walther (red.). The Concept of the Network Society: Post-Ontological Reflections. København: Samfundslitteratur Press/NORDICOM.
Luhmann, Niklas (1984). Soziale Systeme. Frankfurt am Main: Suhrkamp Verlag.
Luhmann, Niklas (1995). Die Kunst, der Gesellschaft. Frankfurt am Main: Suhrkamp Verlag.
Nielsen, Thomas Rosendal (2009). “Interaktivitetsbegreber”. I: Peripeti, 11. Århus.
Nielsen, Thomas Rosendal (2010). “Replacement − interaktivitet og deltagelse i Gob Squad‘s Kitchen”. I: Fra Akademiet, 4. AÆF, Aarhus Universitet.
Ranciere, Jacques (2009). The Emancipated Spectator. Verso.
Sartre, Jean-Paul (1943). Being and Nothingness. H.E. Barnes (transl.). Routledge 2003.
Schechner, Richard (1977). Performance Theory. Routledge 2003 (1977, 1988).
Svendsen, Lars Fr. H. (2000). Kunst − en begrebsafvikling. Joachim Wrang (overs.). Klim 2003.
Turner, Victor (1982). From Ritual to Theatre. New York: PAJ Publications.
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2021-05-28
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Rosendal Nielsen, T. (2021). Værket på væven: Performativitet og interaktivitet i Forestillingen om Kejserens nye Klæder. Peripeti, 8(S3), 137–156. https://doi.org/10.7146/peri.v8iS3.110596
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