Autentisitet i stramme rammer
Om Rimini Protokolls Home Visit Europe
DOI:
https://doi.org/10.7146/peri.v14i27/28.110431Nøgleord:
Rimini Protokolls Home Visit Europe, teater som møde, virkelighedsteaterResumé
Essayet Autentisitet i stramme rammer. Om Rimini Protokolls Home Visit Europe af Ragnhild Gjefsen drøfter hvordan Rimini Protokolls Home Visit Europe i en stram dramaturgisk spilstruktur uden skuespillere skaber unikke møder mellem folk som ikke kender hinanden.
Referencer
Bateson, Gregory (2008) A Theory of Play and Fantasy. I: Bial, Henry (red.). The Performance Studies Reader. New York: Routledge,.
Goff man, Erving (1986) Frame analysis : an essay on the organization of experience. Boston: Northeastern University Press.
Le Roy, Frederik (2012) Rimini Protokoll’s Theatricalization of Reality. I: Debackere, Boris, Depestel,
David, Vanderbeeken, Robert, Stalpaert, Christel (red.). Bastard or Playmate? Adapting Theatre, Mutating Media and the Contemporary Performing Arts. Amsterdam: Amsterdam University Press,.
Mejlgaard, Lærke (2016) Mellem værk og virkelighed. Home Visit Europe, Peripeti 25.
Goff man, Erving (1986) Frame analysis : an essay on the organization of experience. Boston: Northeastern University Press.
Le Roy, Frederik (2012) Rimini Protokoll’s Theatricalization of Reality. I: Debackere, Boris, Depestel,
David, Vanderbeeken, Robert, Stalpaert, Christel (red.). Bastard or Playmate? Adapting Theatre, Mutating Media and the Contemporary Performing Arts. Amsterdam: Amsterdam University Press,.
Mejlgaard, Lærke (2016) Mellem værk og virkelighed. Home Visit Europe, Peripeti 25.
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Publiceret
2017-01-01
Citation/Eksport
Gjefsen, R. (2017). Autentisitet i stramme rammer: Om Rimini Protokolls Home Visit Europe. Peripeti, 14(27/28), 111–115. https://doi.org/10.7146/peri.v14i27/28.110431
Nummer
Sektion
Essays, artikler og interviews
Licens
Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
