The Future of Satellite Audio Drama
DOI:
https://doi.org/10.7146/peri.v12i22.109431Nøgleord:
audiodramaResumé
Technological advances, such as the podcast, have made the creation of audio drama easier, less expensive, and potentially more accessible and democratic in English-speaking countries such as the US, the UK, and New Zealand in the second decade of the twenty-first century. Using the case studies of Snape’s Diaries, Der Tickentocker, and Maudelayne, the article examines whether satellite audio drama will remain free to download and if so, how it will sustain momentum in an increasingly commercialized online world.
Referencer
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Riddle, Artemis [Author Unknown], 2008. Snape’s Diaries. Dir. April Sadowski. Perf. Alex Gilmour, Sophie L., Andrew Edwards, Steven Jay Cohen, Ronnie Rowlands, Stevie K. Farnaby. Misfits Audio. [Online] Available at: <http://misfitsaudio.com/comments/archives/category/snapes-diaries> [last accessed 1 March 2014]
Shanahan, Morris W, 2006. New Zealand Talk Radio: The Story. In: Broadcasting Standards Authority (ed.) Freedoms and Fetters: Broadcasting Standards in New Zealand. Wellington: Dunmore Publishing
Thraille, Fiona, 2013a. Re: Audio Question. [Email] Message to Leslie McMurtry. 22 September & 2 October. [last accessed 11 April 2014]
Thraille, Fiona, 2013b. Der Tickentocker. Dir. C.J. Brittain. Perf. David Ault, Damian Haywood, Pete Milan, Dave Morgan, Marleigh Norton, Kymm Zuckert. Cooperantem Audio. [Online] 31 October. Available at: < http://cooperantemaudio.com/cooperantem-audio-presents-der-tickentocker/> [last accessed 14 April 2014]
Wride, Elizabeth S G, 2013. Light and Sound in Darkness: Exploring Theatrical and Radiophonic Medium-Specifics in the Double Dramatisation of the Smalls Lighthouse Incident of 1780. PhD. Swansea University
Zubernis, Lynn and Katherine Larsen, 2012. Fandom at the Crossroads: Celebration, Shame, and Fan/Producer Relationships. Newcastle: Cambridge Scholars Publishing
Beattie, Melissa, 2014. A Most Peculiar Memorial: Cultural Heritage and Fiction. In: John Schofield (ed). Who Needs Experts? Counter-Mapping Cultural Heritage. Aldershot: Ashgate
Carter, Angela, 1985. Come Unto These Yellow Sands (Come Unto These Yellow Sands, The Company of Wolves, Vampirella, Puss in Boots). Newcastle: Bloodaxe Books
Chander, Anupam, and Madhari Sunder, 2007. Everyone’s a Superhero: A Cultural Theory of ‘Mary Sue’ Fan Fiction as Fair Use. California Law Review, 95, 2, p.597-626.
Cherry, Brigid, 2009. Horror. London: Routledge
Chipman, Alexa, 2007. Maudelayne series 1. Dir. Stevie K. Farnaby. Perf. David Ault, Bruce Busby, David Drage, Stevie K. Farnaby, Paeter Frandsen, Mark Kalita, David Maciver, Fiona Thraille. Broken Sea Audio Productions. [Online] Available at: <http://brokensea.com/maudelayne/2007/11/21/introduction/> [last accessed 7 April 2014]
Chipman, Alexa, Stevie K. Farnaby, and Fiona Thraille, 2008. Maudelayne: Episode 8 Behind the Scenes The Thirteenth Labour. BrokenSea Audio Productions. [Podcast] 4 September. Available at: <http://brokensea.com/maudelayne/2008/09/04/maudelayne-episode-8-behind-the-scenes-the-thirteenth-labour/> [last accessed 7 April 2014]
David, Peter, 2006. Writing for Comics with Peter David. Cincinnati: Impact Books
Derecho, Abigail, 2006. Archontic Literature: A Definition, a History, and Several Theories of Fan Fiction. In: Karen Hellekson and Kristina Busse (eds.) Fan Fiction and Fan Communities in the Age of the Internet. Jefferson, NC: McFarland
Edison Research/Triton Digital, 2014. The Infinite Dial 2014: Online Radio, Music Discovery, Social Networking, Podcasting, Smartphones, In-Car Media. Available at: < http://www.edisonresearch.com/wp-content/uploads/2014/03/The-Infinite-Dial-2014-from-Edison-Research-and-Triton-Digital.pdf > [last accessed 16 May 2014]
Eisenberg, Evan, 1987. The Recording Angel: Explorations in Phonography. New York: McGraw-Hill Book Company
Gray, Frances, 2009. The Nature of Radio Drama. In: Andrew Crisell (ed.) Radio: Critical Concepts in Media and Cultural Studies. Oxon: Routledge
Greenhalgh, Frederick, 2007. Original Drama in the 21st Century. [Online] Final Rune Productions. 4 April. Available at: <http://www.finalrune.com/original-radio-drama/ >[last accessed 7 April 2014]
Hanich, Julian, 2010. Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear. London: Routledge
Hills, Matt, 2002. Fan Cultures. London: Routledge
Hoverson, Julie, 2010. Auditions/New Producers. Audio Blogs, 19 Nocturne Boulevard. [Online] 12 January. Available at: <http://www.19nocturneboulevard.net/Julie%27s%20Blogs.htm > [last accessed 13 April 2014]
Kimber, Chris, 2012. BBC iPlayer Radio: Two Months On. BBC Internet Blog. [Online] 13 December. Available at: <http://www.bbc.co.uk/blogs/internet/posts/iplayer_radio_traffic > [last accessed 13 April 2014]
Kosslyn, Stephen Michael, 1983. Ghosts in the Mind’s Machine: Creating and Using Images in the Brain. New York: W.W. Norton & Company
Lury, Karen, 2005. Interpreting Television. London: Hodder Arnold
Mackey, M, and J.K. McKay, 2008. Pirates and Poachers: Fan Fiction and the Conventions of Reading and Writing. English In Education, 12, 2, p. 131-147.
Malpas, Simon, 2005. The Postmodern. London: Routledge
Mannering, Paul, 2012. Re: What is the Drama Scene Like in NZ? [Email] Message to Leslie McMurtry. 24 July. [Accessed 11 April 2014]
Nelson, Robin, 2007. State of Play: Contemporary “High-End” TV Drama. Manchester: Manchester University Press
Paterson, Robyn,2 008. Trading Tips: Audio Mixing Techniques. [Comment] Audio Drama Talk Forum. 14 January. Available at: <http://www.audiodramatalk.com/showthread.php?p=973&highlight=satellite#post973> [last accessed 13 April 2014]
Portela, Pedro, 2011. Portuguese Internet Radio from 2006 to 2009: Technical Readiness and Openness to Interaction. In: Angeliki Gazi, Guy Starkey, and Stanislaw Jedrzejewski (eds.) Radio Content in the Digital Age: The Evolution of a Sound Medium. Bristol: Intellect Ltd
Riddle, Artemis [Author Unknown], 2008. Snape’s Diaries. Dir. April Sadowski. Perf. Alex Gilmour, Sophie L., Andrew Edwards, Steven Jay Cohen, Ronnie Rowlands, Stevie K. Farnaby. Misfits Audio. [Online] Available at: <http://misfitsaudio.com/comments/archives/category/snapes-diaries> [last accessed 1 March 2014]
Shanahan, Morris W, 2006. New Zealand Talk Radio: The Story. In: Broadcasting Standards Authority (ed.) Freedoms and Fetters: Broadcasting Standards in New Zealand. Wellington: Dunmore Publishing
Thraille, Fiona, 2013a. Re: Audio Question. [Email] Message to Leslie McMurtry. 22 September & 2 October. [last accessed 11 April 2014]
Thraille, Fiona, 2013b. Der Tickentocker. Dir. C.J. Brittain. Perf. David Ault, Damian Haywood, Pete Milan, Dave Morgan, Marleigh Norton, Kymm Zuckert. Cooperantem Audio. [Online] 31 October. Available at: < http://cooperantemaudio.com/cooperantem-audio-presents-der-tickentocker/> [last accessed 14 April 2014]
Wride, Elizabeth S G, 2013. Light and Sound in Darkness: Exploring Theatrical and Radiophonic Medium-Specifics in the Double Dramatisation of the Smalls Lighthouse Incident of 1780. PhD. Swansea University
Zubernis, Lynn and Katherine Larsen, 2012. Fandom at the Crossroads: Celebration, Shame, and Fan/Producer Relationships. Newcastle: Cambridge Scholars Publishing
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Publiceret
2015-01-01
Citation/Eksport
McMurtry, L. (2015). The Future of Satellite Audio Drama. Peripeti, 12(22), 46–54. https://doi.org/10.7146/peri.v12i22.109431
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