Biografier på scenen
Etik og subjektivitet i virkelighedsteatret
DOI:
https://doi.org/10.7146/peri.v11i21.109416Nøgleord:
virkelighedsteater, forestillingsanalyse, dokumentarisme, poststrukturalisme, Emmanuel Lévinas, værkanalyse, hverdagseksperter, Les Ballets C de la B, scenekunst, dramaturgiResumé
Through an analysis of the performance Gardenia the article discusses the negotiation between aesthetics and ethics in contemporary documentary theatre. Gardenia is a performance with and about aging transvestites. The author combines Lévinas’ ethics with a poststructural understanding of the subject in order to methodically grasp how the performance is activating an ethical relationship between the Other on stage and the spectator.
Referencer
Judith Butler, 2005. Giving an Account of Oneself. New York: Fordham University Press.
Fischer-Lichte, Erika, 2008. The Transformative Power of Performance. London & New York: Routledge.
Foucault, Michel, 1999 [1980]. About the Beginning of the Hermeneutics of the Self. I: Religion and Culture (red. Jeremy R. Carrette). Manchester University Press.
Foucault, Michel, 2002. What is Critique? I: The Political (red: David Ingram). Massachusetts: Blackwell Publishers Ltd.
Frandsen, Miriam & Cecilie Ullerup Schmidt (red.), 2011. Who´s there? Subjects on stage in reality. Kbh.: Statens Scenekunstskole, Efteruddannelsen.
Hustvedt, Kjersti, 2011. Realitet på spill. I: Peripeti. 15.
Kearney, Richard, 1984. Dialogues with Contemporary Continental Thinkers: The Phenomenological Heritage. Manchester University Press.
Lehmann, Hans-Thies, 2006 [1999]. Postdramatic Theatre (overs. Karen Jürs-Munby). London & New York: Routledge.
Lévinas, Emmanuel 1981 [1974]. Otherwise than Being or Beyond Essence (overs. A. Lingis). The Hague; Nijhoff.
Lévinas Emmanuel, 1990 [1963]. Difficult Freedom: Essays on Judaism (overs. Sean Hand). Baltimore: The Johns Hopkins University Press.
Nielsen, Henrik Kaare, 2001. Kritisk teori og samtidsanalyse. Aarhus: Aarhus Universitetsforlag.
Rancière, Jacques, 2011 [2008]. The Emancipated Spectator (overs. Gregory Elliott). London & New York: Verso.
Schipper, Immanuel, 2012. Staging Authenticity. I: Seri Forberg og Miriam Frandsen (red). Monsters of Reality. København: Statens Scenekunstskole, Efteruddannelsen.
Schneider Rebecca, 2010. Re-Do: Performance-rester. I: Peripeti. 14.
Tranholm, Mette Risgård, 2010. Jack Smith. I: Peripeti. 14.
Fischer-Lichte, Erika, 2008. The Transformative Power of Performance. London & New York: Routledge.
Foucault, Michel, 1999 [1980]. About the Beginning of the Hermeneutics of the Self. I: Religion and Culture (red. Jeremy R. Carrette). Manchester University Press.
Foucault, Michel, 2002. What is Critique? I: The Political (red: David Ingram). Massachusetts: Blackwell Publishers Ltd.
Frandsen, Miriam & Cecilie Ullerup Schmidt (red.), 2011. Who´s there? Subjects on stage in reality. Kbh.: Statens Scenekunstskole, Efteruddannelsen.
Hustvedt, Kjersti, 2011. Realitet på spill. I: Peripeti. 15.
Kearney, Richard, 1984. Dialogues with Contemporary Continental Thinkers: The Phenomenological Heritage. Manchester University Press.
Lehmann, Hans-Thies, 2006 [1999]. Postdramatic Theatre (overs. Karen Jürs-Munby). London & New York: Routledge.
Lévinas, Emmanuel 1981 [1974]. Otherwise than Being or Beyond Essence (overs. A. Lingis). The Hague; Nijhoff.
Lévinas Emmanuel, 1990 [1963]. Difficult Freedom: Essays on Judaism (overs. Sean Hand). Baltimore: The Johns Hopkins University Press.
Nielsen, Henrik Kaare, 2001. Kritisk teori og samtidsanalyse. Aarhus: Aarhus Universitetsforlag.
Rancière, Jacques, 2011 [2008]. The Emancipated Spectator (overs. Gregory Elliott). London & New York: Verso.
Schipper, Immanuel, 2012. Staging Authenticity. I: Seri Forberg og Miriam Frandsen (red). Monsters of Reality. København: Statens Scenekunstskole, Efteruddannelsen.
Schneider Rebecca, 2010. Re-Do: Performance-rester. I: Peripeti. 14.
Tranholm, Mette Risgård, 2010. Jack Smith. I: Peripeti. 14.
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Publiceret
2014-01-01
Citation/Eksport
Byrdal Jørgensen, T. (2014). Biografier på scenen: Etik og subjektivitet i virkelighedsteatret. Peripeti, 11(21), 64–73. https://doi.org/10.7146/peri.v11i21.109416
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