Signe Klejs Distributed Opera: new stagings, new roles
DOI:
https://doi.org/10.7146/peri.v10i20.109395Resumé
Juliana Hodkinson udforsker i sin engelsksprogede artikel, hvordan opera fungerer og opleves på internettet, og hvordan eksperimenterende kunstnere, i deres forsøg på at omforme operagenren med henblik på online-distribution, udvikler nye og anderledes former for bl.a. tilskuerdeltagelse og interaktion, der kan virker tilbage på kompositioner af live-operaer. Som eksempel stilles der undervejs i artiklen skarpt på en opera, som Signe Klejs og Niels Rønsholdt lige nu er i færd med at udvikle som applikation til tablets.
This article is developed further after a presentation entitled Contemporary opera formats and the internet at a seminar From Baroque to Internet: Gender critical perspectives on machinic music- theatre and its role-concepts, held at Kunstuniversität Graz, Institut für Elektronische Musik und Akustik, under Professor Elena Ungeheuer, in cooperation with the Musicology Department of the University of Heidelberg (Prof. Dr. Silke Leopold, Dr. Hanna Walsdorf ), Freya de Mink (musicologist, Utrecht).
Referencer
Benjamin, Walter, (1968). In: Hannah Arendt (ed.). the Work of Art in the Age of Mechanical Reproduction, Illuminations. London: Fontana. pp. 214–218.
Black, Daniel. (2006). Digital Bodies and Disembodied Voices: Virtual Idols and the Virtualised Body. The Fibreculture Journal. Issue 9, 2006.
Carbone, Alessandra & Trimarchi, Michael, 2012. Opera 2.0: Crowdsourcing the Stage. In: Enrico Eraldo Bertacchini (ed.). Cultural Commons: A New Perspective on the Production and Evolution of Cultures. Cheltenham: Edward Elgar, 2012
Debord, Guy, 1967: The society of the spectacle, trans. Donald Nicholson-Smith. New York: Zone.
Dijck, José van. (2009). Users like you? heorizing agency in user-generated content. Media Culture and Society. Vol. 31 (1), 2009, pp. 41-58.
Grau, Oliver, 2003. Virtual art: from illusion to immersion. Cambridge, Mass.: MIT Press.
Hodkinson, Juliana. (2012). ‘Grand opera i det 21. århundrede – mellem stat og ilantropi. Seismograf.org. 05.09.12
Manning, Erin, 2007: Politics of Touch; sense, movement, sovereignty. Minneapolis: University of Minnesota Press, pp. 84-109.
Schafer, Murray, 1969. The New Soundscape: a handbook for the modern music teacher. Scarborough: Berandol
Schmidt, Eric & Cohen, Jared, 2013. The new digital age: reshaping the future of people, nations and business. New York: Alfred A. Knopf.
Tiainen, Milla, 2007. Corporeal Voices, Sexual Diferentiations: New Materialist Perspectives on Music, Singing and Subjectivity. In: Sylvia Mieszkowski, Joy Smith, Marijke de Valck (ed.). Sonic Interventions.
Amsterdam: Rodopi
Zalfen, Sarah, 2011: Staats-Opern? Der Wandel von Staatlichkeit und die Opernkrisen in Berlin, London und Paris am Ende des 20. Jahrhunderts. Munich: Oldenbourg.
Downloads
Publiceret
Citation/Eksport
Nummer
Sektion
Licens
Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.
