Affect, ‘subtraction’ and ‘non-performance’
DOI:
https://doi.org/10.7146/peri.v9i17.108242Nøgleord:
Gilles Deleuze, subtraction, the performative, non-performance, Carmelo Bene, relational becoming, affect and performance, affectResumé
Deploying the concepts of affect, subtraction, and non-performance Lone Berthelsen and Andrew Murphie argue that the strategy of subtraction (as conceived by Gilles Deleuze) and applied to the performative can lead to the emergence of new potentials and worlds wihtin ethical as well as political-aesthetic fields.
Referencer
Bene, Carmelo and Deleuze, Gilles (1979) Superpositions Paris: Minuit
Bertelsen, Lone and Murphie, Andrew (2010) “An Ethics of Everyday Infinities and Powers: Félix Guattari on Affect and the Refrain” in Gregg, Melissa and Seigworth, Greg (eds.) The Affect Reader Durham: Duke University Press: 138-157
Bogue, Ronald (2003) Deleuze and Literature London: Routledge
Chiasa, Lorenzo (2009) “A Theatre of Subtractive Extinction” in Cull, Laura (ed.) Deleuze and Performance Edinburgh: Edinburgh University Press): 71-98
Cull, Laura (2009) “Introduction” in Cull, Laura (ed.) Deleuze and Performance Edinburgh: Edinburgh University Press): 1-21
Cunningham, Stuart (1987) “To go back and beyond,” Continuum: The Australian Journal of Media & Culture 2(1): 159-164
Debaise, Didier (2005) “Spéculation et dramatisation. Quelques contrastes entre Whitehead et Deleuze,” Concrescence: The Australasian Journal of Process Thought Vol. 6: 30-36
Debaise, Didier (2012) “Audio Recording of February 16th Meeting”, Phenomenology, Minds & Media Mellon Sawyer Seminar, Duke University 2011-2012, <http://phenomenologymindsmedia.wordpress.com/2012/02/23/audio-recording-of-february-16th-meeting-didier-debaise/>
Deleuze, Gilles (1990) Pourparlers Paris: Les Éditions de Minuit
Deleuze, Gilles (1993) The Deleuze Reader (ed. Constantin Boundas) New York: Columbia University Press
Deleuze, Gilles (1995) Difference and Repetition London: Continuum
Deleuze, Gilles (1997) “One Less Manifesto” in Murray, Timothy (ed.) Mimesis, Masochism, and Mime: The Politics of Theatricality in Contemporary French Thought Michigan: University of Michigan Press: 239-258
Deleuze, Gilles (2004) The Logic of Sense London: Continuum
Deleuze, Gilles and Bene, Carmelo (1979) Superpositions Paris: Minuit
Deleuze, Gilles and Guattari, Félix (1987) A Thousand Plateaus Minneapolis: University of Minnesota Press
Deleuze, Gilles and Guattari, Félix (1994) What is Philosophy? New York: Columbia University Press
Florêncio, João (2012) “Ecology Without Nature, Theatre Without Culture: Towards an Object-Oriented Ontology of Performance”, unpublished, <http://goldsmiths.academia.edu/JoaoFlorencio/Talks/74006/Ecology_Without_Nature_Theatre_Without_Culture_Towards_an_Object-Oriented_Ontology_of_Performance>
Fortier, Mark (1996) “Shakespeare as ‘Minor Theatre’: Deleuze and Guattari and the Aims of Adaptation”, Mosaic 29:1-15
Fraser, Mariam (2006) “Event,” Theory, Culture & Society 23(2-3): 129-132
Guattari, Félix (1995) Chaosmosis: An Ethico-Aesthetic Paradigm Sydney: Power Institute of Fine Arts
Guattari, Félix (1996) The Guattari Reader (ed. Gary Genosko) Oxford and Cambridge: Blackwell Publishers
Guattari, Félix (2008) The Three Ecologies London: Continuum
Klein, Naomi (2007) The Shock Doctrine: The rise of disaster capitalism New York: Metropolitan books
Klein, Naomi (2011) “Naomi Klein Speaks @ Occupy Wall Street,” YouTube, <http://www.youtube.com/watch?v=OGlzdBVLIIc>
Kowsar, Mohammad (1986) “Deleuze on Theatre: A Case Study of Carmelo Bene’s Richard III,” Theatre Journal, 38(1): 19-33
Laruelle, Francois (2010) Philosophies of Difference: A Critical Introduction to Non-Philosophy London:Continuum
Laruelle, Francois (2011) The Concept of Non-Photography Falmouth: Urbanomic/Sequence Press
Lehmann, Hans-Thies (2006) Postdramatic Theatre London: Routledge
Manning, Erin (2010) ‘Always More than One: The Collectivity of a Life’, Body & Society 16(1): 117-127
Massumi, Brian (1997) “Which came first? The Individual or Society? Which is the chicken and which is the egg?: The Political Economy of Belonging and the Logic of Relation” in Davidson, Cynthia (ed.) Anybody Cambridge: MIT Press:174-188
Massumi, Brian (2000) “Too-Blue: Colour-Patch for an Expanded Empiricism”, Cultural Studies 14(2): 177-226Massumi, Brian and Zournazi, Mary (2002) “Navigating Movements” in Zournazi, Mary (ed.) Hope: New Philosophies for Change Pluto Press: Annandale: 210-242
Massumi, Brian (2011a) “Ceci n’est pas une morsure: Animalité et abstraction chez Deleuze et Guattari,” Philosophie 4(112): 67-91
Murphie, Andrew (2005) “Vibrations in the Air: Performance and Interactive Technics,” Performance Paradigm 1, <http://www.performanceparadigm.net/journal/issue-1/articles/vibrations-in-the-air-performance-andinteractive-technics/>
Parikka, Jussi (2012) ‘Cultural Technique?’ Cartographies of Media Archaeology, March 20, <http://mediacartographies.blogspot.com.au/2012/03/cultural-technique.html>
Sánchez, José Antonio (2007) “Theatre in the Expanded Field”, lecture at MACBA, Barcelona, May 2
Stengers, Isabelle (2012) “Cosmopolitics: Learning to Think with Sciences, Peoples and Natures,” Halifax, Canada, March 5, <http://videtis.ucis.dal.ca/overflow/ims/Stengers-H.264_LAN_Streaming.mov>
Vujanović, Ana and Milohnić, Aldo (eds.) (2102) “The Politicality of Performance,” TkH, 19, <http://www.tkh-generator.net/en/casopis/tkh-19>
Whitehead, Alfred North (2007) The Concept of Nature New York: Cosimo Classics
Whitehead, Alfred North (1968) Modes of thought New York: The Free Press
Bertelsen, Lone and Murphie, Andrew (2010) “An Ethics of Everyday Infinities and Powers: Félix Guattari on Affect and the Refrain” in Gregg, Melissa and Seigworth, Greg (eds.) The Affect Reader Durham: Duke University Press: 138-157
Bogue, Ronald (2003) Deleuze and Literature London: Routledge
Chiasa, Lorenzo (2009) “A Theatre of Subtractive Extinction” in Cull, Laura (ed.) Deleuze and Performance Edinburgh: Edinburgh University Press): 71-98
Cull, Laura (2009) “Introduction” in Cull, Laura (ed.) Deleuze and Performance Edinburgh: Edinburgh University Press): 1-21
Cunningham, Stuart (1987) “To go back and beyond,” Continuum: The Australian Journal of Media & Culture 2(1): 159-164
Debaise, Didier (2005) “Spéculation et dramatisation. Quelques contrastes entre Whitehead et Deleuze,” Concrescence: The Australasian Journal of Process Thought Vol. 6: 30-36
Debaise, Didier (2012) “Audio Recording of February 16th Meeting”, Phenomenology, Minds & Media Mellon Sawyer Seminar, Duke University 2011-2012, <http://phenomenologymindsmedia.wordpress.com/2012/02/23/audio-recording-of-february-16th-meeting-didier-debaise/>
Deleuze, Gilles (1990) Pourparlers Paris: Les Éditions de Minuit
Deleuze, Gilles (1993) The Deleuze Reader (ed. Constantin Boundas) New York: Columbia University Press
Deleuze, Gilles (1995) Difference and Repetition London: Continuum
Deleuze, Gilles (1997) “One Less Manifesto” in Murray, Timothy (ed.) Mimesis, Masochism, and Mime: The Politics of Theatricality in Contemporary French Thought Michigan: University of Michigan Press: 239-258
Deleuze, Gilles (2004) The Logic of Sense London: Continuum
Deleuze, Gilles and Bene, Carmelo (1979) Superpositions Paris: Minuit
Deleuze, Gilles and Guattari, Félix (1987) A Thousand Plateaus Minneapolis: University of Minnesota Press
Deleuze, Gilles and Guattari, Félix (1994) What is Philosophy? New York: Columbia University Press
Florêncio, João (2012) “Ecology Without Nature, Theatre Without Culture: Towards an Object-Oriented Ontology of Performance”, unpublished, <http://goldsmiths.academia.edu/JoaoFlorencio/Talks/74006/Ecology_Without_Nature_Theatre_Without_Culture_Towards_an_Object-Oriented_Ontology_of_Performance>
Fortier, Mark (1996) “Shakespeare as ‘Minor Theatre’: Deleuze and Guattari and the Aims of Adaptation”, Mosaic 29:1-15
Fraser, Mariam (2006) “Event,” Theory, Culture & Society 23(2-3): 129-132
Guattari, Félix (1995) Chaosmosis: An Ethico-Aesthetic Paradigm Sydney: Power Institute of Fine Arts
Guattari, Félix (1996) The Guattari Reader (ed. Gary Genosko) Oxford and Cambridge: Blackwell Publishers
Guattari, Félix (2008) The Three Ecologies London: Continuum
Klein, Naomi (2007) The Shock Doctrine: The rise of disaster capitalism New York: Metropolitan books
Klein, Naomi (2011) “Naomi Klein Speaks @ Occupy Wall Street,” YouTube, <http://www.youtube.com/watch?v=OGlzdBVLIIc>
Kowsar, Mohammad (1986) “Deleuze on Theatre: A Case Study of Carmelo Bene’s Richard III,” Theatre Journal, 38(1): 19-33
Laruelle, Francois (2010) Philosophies of Difference: A Critical Introduction to Non-Philosophy London:Continuum
Laruelle, Francois (2011) The Concept of Non-Photography Falmouth: Urbanomic/Sequence Press
Lehmann, Hans-Thies (2006) Postdramatic Theatre London: Routledge
Manning, Erin (2010) ‘Always More than One: The Collectivity of a Life’, Body & Society 16(1): 117-127
Massumi, Brian (1997) “Which came first? The Individual or Society? Which is the chicken and which is the egg?: The Political Economy of Belonging and the Logic of Relation” in Davidson, Cynthia (ed.) Anybody Cambridge: MIT Press:174-188
Massumi, Brian (2000) “Too-Blue: Colour-Patch for an Expanded Empiricism”, Cultural Studies 14(2): 177-226Massumi, Brian and Zournazi, Mary (2002) “Navigating Movements” in Zournazi, Mary (ed.) Hope: New Philosophies for Change Pluto Press: Annandale: 210-242
Massumi, Brian (2011a) “Ceci n’est pas une morsure: Animalité et abstraction chez Deleuze et Guattari,” Philosophie 4(112): 67-91
Murphie, Andrew (2005) “Vibrations in the Air: Performance and Interactive Technics,” Performance Paradigm 1, <http://www.performanceparadigm.net/journal/issue-1/articles/vibrations-in-the-air-performance-andinteractive-technics/>
Parikka, Jussi (2012) ‘Cultural Technique?’ Cartographies of Media Archaeology, March 20, <http://mediacartographies.blogspot.com.au/2012/03/cultural-technique.html>
Sánchez, José Antonio (2007) “Theatre in the Expanded Field”, lecture at MACBA, Barcelona, May 2
Stengers, Isabelle (2012) “Cosmopolitics: Learning to Think with Sciences, Peoples and Natures,” Halifax, Canada, March 5, <http://videtis.ucis.dal.ca/overflow/ims/Stengers-H.264_LAN_Streaming.mov>
Vujanović, Ana and Milohnić, Aldo (eds.) (2102) “The Politicality of Performance,” TkH, 19, <http://www.tkh-generator.net/en/casopis/tkh-19>
Whitehead, Alfred North (2007) The Concept of Nature New York: Cosimo Classics
Whitehead, Alfred North (1968) Modes of thought New York: The Free Press
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2012-01-01
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Bertelsen, L., & Murphie, A. (2012). Affect, ‘subtraction’ and ‘non-performance’. Peripeti, 9(17), 78–87. https://doi.org/10.7146/peri.v9i17.108242
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