Ingen kan gå fri av mørket
DOI:
https://doi.org/10.7146/peri.v9i17.108240Nøgleord:
SIGNA, Villa Saló, Vildanden del 2 director's cut, publikumsinvolvering, interaktivt teater, performativ æstetik, frustrationsdramaturgi, affekt og voldResumé
This article emphasizes the aesthetic and ethical dimensions of fictional violence in two contemporary Scandinavian theatre productions. I discuss and compare the performances Villa Salò by the Danish group SIGNA and The Wild Duck, Part 2 Director’s Cut by the Norwegian performing arts duo Vegard Vinge and Ida Müller, with an emphasis on their use of violence as an aesthetic strategy.
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2012-01-01
Citation/Eksport
Fossum-Kielland, V. (2012). Ingen kan gå fri av mørket. Peripeti, 9(17), 58–65. https://doi.org/10.7146/peri.v9i17.108240
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