Godhet og galskap

Om den frie scenekunstens legitimitet

Forfattere

  • Sigrid Røyseng

DOI:

https://doi.org/10.7146/peri.v6i12.107700

Nøgleord:

Norsk kulturpolitik, Kulturløftet, Kulturpolitik, Scenekunst, Det frie felt

Resumé

Compared to the performing arts institutions, the non-institutional performing arts have a relatively marginal position in the Norwegian public cultural policy. This article explores if the reason for this is that the non-institutional performing is associated with an amoral that does not fit well with the regime of goodness in cultural policy.

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Publiceret

2009-01-01

Citation/Eksport

Røyseng, S. (2009). Godhet og galskap: Om den frie scenekunstens legitimitet. Peripeti, 6(12), 5–18. https://doi.org/10.7146/peri.v6i12.107700