Teknologien som medspiller
The Wooster Groups Hamlet
DOI:
https://doi.org/10.7146/peri.v5i9.107655Nøgleord:
The Wooster Group, Hamlet, verfremdung, teknologi, massemediekultur, PrøveforløbsæstetikResumé
Under the heading »The technology as participant« Tranholm discusses the role of technology in The Wooster Group’s work with Hamlet (2007). She argues that the juxtaposition of the technological and the living sets off a critical reflection on the production of meaning and images in the performance
Referencer
Arratia, Euridice: »Island Hopping, Rehearsing the Wooster Groups Brace Up!«, The Drama Review vol. 36, nr. 4, The MIT Press, 1992
Baudrillard, Jean: Amerika, Informations forlag, 2004.
Baudrillard, Jean : Simulacra and simulation, The University of Michigan, 1994
Brecht, Bertolt: Short Description of a New Technique of Acting which Produces an Alienation Effect, http://www.english.emory.edu/DRAMA/HistDrama2/BrechtAlien.html
Callens, Johan (ed.): The Wooster Group and its Traditions, P.I.E –PETER LANG s.a., Brussels, 2004
Dunkelberg, Kermit: »Confrontation, Simulation, Admiration: The Wooster group’s Poor Theater«, The Drama Review, vol 49, nr. 3, Fall 2005
Jameson, Fredric: Postmodernism, or the Cultural Logic of Late Capitalism, London, Verso, 1991
Kramer, Jane: Interview med Elizabeth LeCompte, The New Yorker. 8. oktober, 2007.
Leffingwell, Edward (Ed.): Flaming Creatures, Jack Smith, His Amazing Life and Times, Serpent’s Tail, London, 1997. Co-publisher: The Institute for Contemporary art, P. S. 1 Museum, New York
Lehmann, Hans-Thies: Postdramatic Theatre, Routledge, 2006
Savran, David: The Wooster Group: Breaking the rules, Original titel: The Wooster Group, 1975-1985, First edition, Theatre Communications Group, New York, 1988. Fourth printing, 2005
Shakespeare, William: »Hamlet« i: The Arden Shakespeare Complete Works. Thomas Nelson and Sons Ltd, 1998
Program til The Wooster Groups Hamlet. The Public Theatre. I: Playbill, Onstage. The Wooster Groups Hamlet.
Baudrillard, Jean: Amerika, Informations forlag, 2004.
Baudrillard, Jean : Simulacra and simulation, The University of Michigan, 1994
Brecht, Bertolt: Short Description of a New Technique of Acting which Produces an Alienation Effect, http://www.english.emory.edu/DRAMA/HistDrama2/BrechtAlien.html
Callens, Johan (ed.): The Wooster Group and its Traditions, P.I.E –PETER LANG s.a., Brussels, 2004
Dunkelberg, Kermit: »Confrontation, Simulation, Admiration: The Wooster group’s Poor Theater«, The Drama Review, vol 49, nr. 3, Fall 2005
Jameson, Fredric: Postmodernism, or the Cultural Logic of Late Capitalism, London, Verso, 1991
Kramer, Jane: Interview med Elizabeth LeCompte, The New Yorker. 8. oktober, 2007.
Leffingwell, Edward (Ed.): Flaming Creatures, Jack Smith, His Amazing Life and Times, Serpent’s Tail, London, 1997. Co-publisher: The Institute for Contemporary art, P. S. 1 Museum, New York
Lehmann, Hans-Thies: Postdramatic Theatre, Routledge, 2006
Savran, David: The Wooster Group: Breaking the rules, Original titel: The Wooster Group, 1975-1985, First edition, Theatre Communications Group, New York, 1988. Fourth printing, 2005
Shakespeare, William: »Hamlet« i: The Arden Shakespeare Complete Works. Thomas Nelson and Sons Ltd, 1998
Program til The Wooster Groups Hamlet. The Public Theatre. I: Playbill, Onstage. The Wooster Groups Hamlet.
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Publiceret
2021-12-02
Citation/Eksport
Risgård Tranholm, M. (2021). Teknologien som medspiller: The Wooster Groups Hamlet. Peripeti, 5(9), 61–70. https://doi.org/10.7146/peri.v5i9.107655
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