It’s fucking 80 years after Duchamp

Forfattere

  • Lene Øster Larsen

DOI:

https://doi.org/10.7146/peri.v3i6.107594

Nøgleord:

Jakob Boeskov, interventionskunst, publikumsinvitation, udsigelsesposition, det moderne kunstbegreb

Resumé

Through an analysis of Danish artist Jakob Boeskovs work »My Doomsday Weapon«, Lene Øster Larsen explores the implications and possibilities of political and interventionist artistic tactics.

Downloads

Publiceret

2024-03-14

Citation/Eksport

Øster Larsen, L. (2024). It’s fucking 80 years after Duchamp. Peripeti, 3(6), 93–101. https://doi.org/10.7146/peri.v3i6.107594

Nummer

Årg. 3 Nr. 6 (2006): Performativitet

Sektion

Temaartikler

Licens

Copyright Peripeti og forfatterne - Artiklerne er tilgængelige for direkte links.