Rammens udkrængning
Om Sasha Waltz’ teaterinstallation Insideout (2003)
DOI:
https://doi.org/10.7146/peri.v3i6.107591Nøgleord:
Sasha Waltz, performativitet, publikumsinteraktion, Martin Seel, teaterinstallation, installationsrum, rammesætningResumé
In his analysis of German choreographer Sasha Waltz’ dance performance Insideout, Mads Thygesen explores the relations between the intentions of the work and its actual, performative »doing«, specifically the way this performance draws attention to its own use of framing devices in the interaction with the audience.
Referencer
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Fischer-Lichte, Erika: Ästhetik des Performativen, Suhrkamp, Frankfurt a. M., 2004.
Heinrich, Falk: Transiente kommunikationssystemer- en systemteoretisk læsning af den interaktive digitale installationskunst, Aarhus Universitet, Århus, 2005.
Jones, Amelia: » »Presence« in Absentia: Experiencing Performance as Documentation«, i Art Journal, Vol. 56, Nr. 4, 1997.
Luhmann, Niklas: Die Kunst der Gesellschaft, Suhrkamp, Frankfurt a. M., 1999.
Luhmann, Niklas: Soziale Systeme, Suhrkamp, Frankfurt a. M., 1984 (Da. Sociale systemer, Reitzel Forlag, København, 2000).
Massumi, Brian: Parables for the Virtual, Duke University Press, Durham&London, 2002.
McLuhan, Herbert Marshal: Understanding Media, New York, 1964.
Mersch, Dieter: »Das Ereignis der Setzung« i Verkörperung, red. E. Fischer-Lichte,
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Rokeby, David, Lecture for »Info Art«, Kwangju Biennale
Rico, Pablo i ’Abramovic, Marina, The bridge: exposición retrospectiva, Charta,
1998
Rokeby, David, »The Construction of Experience: Interface as Content«, i Dodsworth, Clark Digital Illusion: entertaining the Future with High Technology, 1998, ACM
Rokeby, David, Lecture for »Info Art«, Kwangju Biennale
Clam, Jean: Was heisst, sich an Differenz statt an Identität orientieren, UVK, Konstanz, 2002.
Deleuze, Gilles og Guattari, Félix: Hvad er filosofi?, Gyldendal. København, 1996.
Dufrenne, Mikel: The phenomenology of aesthetic experience, Northwestern University Press , 1989.
Fischer-Lichte, Erika: Ästhetik des Performativen, Suhrkamp, Frankfurt a. M., 2004.
Heinrich, Falk: Transiente kommunikationssystemer- en systemteoretisk læsning af den interaktive digitale installationskunst, Aarhus Universitet, Århus, 2005.
Jones, Amelia: » »Presence« in Absentia: Experiencing Performance as Documentation«, i Art Journal, Vol. 56, Nr. 4, 1997.
Luhmann, Niklas: Die Kunst der Gesellschaft, Suhrkamp, Frankfurt a. M., 1999.
Luhmann, Niklas: Soziale Systeme, Suhrkamp, Frankfurt a. M., 1984 (Da. Sociale systemer, Reitzel Forlag, København, 2000).
Massumi, Brian: Parables for the Virtual, Duke University Press, Durham&London, 2002.
McLuhan, Herbert Marshal: Understanding Media, New York, 1964.
Mersch, Dieter: »Das Ereignis der Setzung« i Verkörperung, red. E. Fischer-Lichte,
Francke Verlag, Tübingen, Basel, 2001.
Rico, Pablo i ’Abramovic, Marina, The bridge: exposición retrospectiva, Charta, 1998
Rokeby, David, »The Construction of Experience: Interface as Content«, i Dodsworth,
Clark Digital Illusion: entertaining the Future with High Technology, 1998, ACM
Rokeby, David, Lecture for »Info Art«, Kwangju Biennale
Rico, Pablo i ’Abramovic, Marina, The bridge: exposición retrospectiva, Charta,
1998
Rokeby, David, »The Construction of Experience: Interface as Content«, i Dodsworth, Clark Digital Illusion: entertaining the Future with High Technology, 1998, ACM
Rokeby, David, Lecture for »Info Art«, Kwangju Biennale
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Publiceret
2024-03-14
Citation/Eksport
Thygesen, M. (2024). Rammens udkrængning: Om Sasha Waltz’ teaterinstallation Insideout (2003). Peripeti, 3(6), 61–70. https://doi.org/10.7146/peri.v3i6.107591
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