Minnesplatsen som process och performance
Det urbana konstverket
DOI:
https://doi.org/10.7146/peri.v9i18.107355Nøgleord:
Denkmal für die ermordeten Juden Europas, urban kunst, playing culture, kunst som leg, performativ hukommelse, relationel kunst, kunst som mindesmærke, byrum, Nicolas WhybrowResumé
In the article, I discuss a visit to the memorial Denkmal für die ermordeten Juden Europas in Berlin using Nicolas Whybrow’s description of his visit to the memorial, and his idea of the performative urban work in the book Art and the City (2010). I also use theatre scholar Willmar Sauter’s term ”playing culture”. My experience of the work and the reading of Whybrow’s text are intertwined in a process which is activating. I suggest that the experience of the memorial is play-like rather than performative.
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Publiceret
2012-01-01
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Neuhauser, C. (2012). Minnesplatsen som process och performance: Det urbana konstverket. Peripeti, 9(18), 34–44. https://doi.org/10.7146/peri.v9i18.107355
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