Artificial Cheeks

Authors

Keywords:

Face, AI, Standardization, Skin, Haptic, Visuality

Abstract

The article delves into the intersection of artificial skin, visuality, and human perception through MyHeritage’s Deep Nostalgia feature, which animates old family photographs. Using autoethnography as a method, the authors analyze the affective impact of animating the faces of deceased loved ones. Central to the analysis is the concept of “haptic visuality,” as described by Laura U. Marks, where images are not only seen but also felt, engaging memory and touch. The authors compare Deep Nostalgia’s animation of a facial image – one very familiar to one of the authors – with that author’s embodied and personal experience of that face. The analysis considers two aspects of the skin: its depth and temporality – aspects that typically give rise to a personal and embodied haptic visuality in the encounter with facial images of loved ones. The authors argue that while the AI-generated animations of faces are visually engaging, they fail to capture sensory depth due to the standardization of the face and its movements. This results in what is termed a ruined haptic visuality.

Author Biographies

Lea Laura N Michelsen, Aarhus University

Lea Laura N. Michelsen was recently employed as postdoc at the research project New Visions with a sub-project called Aesthetics of Fake Faces. Based at Aarhus University (Denmark), she was part of the research center AIIM (Aesthetics of AI Images). Recent publications are “Who Sees with Machines?” (EBR), “Biometrics and Its Resistance” (PUBLIC), and “Thinking Beyond Biometrics” (APRJA). She holds a PhD in Aesthetics & Culture from Aarhus University (Thesis: The Art of Disappearing in an Age of Ubiquitous Biopolitical Surveillance). In 2019, she was a visiting researcher at the department of Visual Cultures at Goldsmiths, University of London. Earlier, she worked at the Museum of Contemporary Art and the National Gallery of Denmark.

Mette-Marie Zacher Sørensen, Aarhus University

Mette-Marie Zacher Sørensen er lektor ved Aarhus Universitet og medlem af forskningscentret AIIM (Aesthetics of AI Images). Hendes forskning fokuserer på æstetik, multimodalitet og digital kultur, med særlig vægt på forholdet mellem kunst, teknologi og sansning. Hendes seneste publikationer inkluderer “Deepfake Face-swap Animations and Affect” i Human Perception and Digital Information Technologies: Animation, the Body and Affect (Bristol University Press) og “Disjunctive Pronouns: On Multimodal Analysis of Digital Poetry” i Journal of Comparative Literature and Aesthetics.

References

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Hjemmesider

Digitalt ansvar. Website: https://www.digitaltansvar.dk/aktuelt/fremstilling-af-manipuleret-seksuelt-materiale-uden-samtykke-skal-vaere-ulovligt-i-danmark (sidst tilgået 30. oktober, 2024).

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Published

2026-06-23

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Section

Artikler