Mapping the Skin

The Intersection of Medical Imagery, Terminology, and Art History in the Long 19th Century

Authors

Keywords:

dermatology, skin representation, race; 19th century, visual culture

Abstract

The 19th century saw significant shifts in how skin was represented in both medical and artistic contexts, influenced by evolving cultural, social, and scientific perspectives. Medical advances led to the establishment of dermatology as a distinct field, with visual documentation like Hebra’s Atlas of Skin Diseases underscoring skin’s clinical relevance. Skin began to symbolize more than mere physical boundaries; it was perceived as a social marker articulating health, morality, and class. The introduction of photography further transformed dermatology by enabling more precise documentation. The portrayal of skin as a racial or social indicator cemented colonial biases and fueled visual narratives supporting racial hierarchies. 19th-century representations of skin thus reveal a convergence of scientific and cultural attitudes, demonstrating how dermatology and art were mutually influential in shaping public perceptions of race, health, and identity.

Author Biography

David Ludwig, Wageningen University

David Ludwig is an art historian and curator. He is currently pursuing his PhD at Humboldt University in Berlin, focusing on the image in the history of sexual science. He studied art history, cultural studies, and visual history at the University of Leipzig and Humboldt University in Berlin. Previously, he worked at Kunsthaus Dahlem, Berlin, in the areas of education, research, and digital practices.

References

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Websites

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Published

2026-06-23

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Section

Artikler