At røre og blive berørt af tiden
Affekt og Antropocæn tidsforstyrrelse i Ice Watch
Abstract
Med udgangspunkt i Olafur Eliasson og Minik Rosings is-installation Ice Watch (2014/2015) diskuterer denne artikel det forhold til tid, som kendetegner vores klimaforandrede virkelighed, samt hvordan denne forandring i vores kollektive fornemmelse for tid er knyttet til affekt. Artiklen argumenterer for, at tid og affekt er afgørende for Eliasson og Rosings værk – hvor vi både kan røre og blive berørt af tiden – og således centrale for værkets intention om at skabe opmærksomhed omkring klimaforandringerne.
References
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Ahmed, Sara: The Cultural Politics of Emotion, Edinburgh: Edinburgh University Press, 2004.
Benveniste, Émile: Problèmes des Linguistique Générale, bd. 1 og 2, Paris: Gallimard, 1966 og 1974.
Bergson, Henri: Duration and Simultaneity, Manchester: Clinamen Press, 1999.
Chakrabarty, Dipesh: ‘The Climate of History: Four Theses’ in Critical Inquiry, vol. 35, nr. 2, 2009, pp. 197-222.
Crutzen, Paul: »Geology of Mankind« in Nature, nr. 415, vol. 23, d. 3. januar 2002
Crutzen, Paul og Eugene Stoermer: »The Anthropocene«, IGBP Newsletter 41, Stockholm: Royal Swedish Academy of Sciences, 2000 (tilgået april, 2016).
Davies, Heather og Eugene Turpin (eds.): Art in the Anthropocene: Encounters Among Aesthetics, Arts and Politics, Environments and Epistemologies, London: Open Humanities press, 2015.
de Duve, Thierry: Kant after Duchamp, London: MIT Press, 1996.
Demos, T.J.: Decolonizing Nature, Contemporary Art and the Politics of Ecology, Berlin: Sternberg Press, 2016.
Eliasson, Olafur: Ice Watch, hjemmeside, https://olafureliasson.net/archive/artwork/WEK109190/ice-watch (tilgået 5. november 2017), n.d.
Foster, Hal: Return of the Real, London: MIT press, 1996.
Fried, Michael: »Art and Objecthood« in Charles Harrison og Paul Wood (eds.), Art in Theory. 1900–2000. An Anthology of Changing Ideas, Oxford: Blackwell Publishing, 2003, pp. 835-846.
Genette, Gérard: Paratexts: Thresholds of Interpretation, Cambridge: Cambridge University Press, 1997.
Hamilton, Clive: Defiant Earth, Cambridge: Polity Press, 2017.
Haraway, Donna, Noboru Ishikawa, Scott F. Gilbert, Kenneth Olwig, Anna L. Tsing og Niels Bubandt: »Anthropologists Are Talking – About the Anthropocene« in Ethnos, 81:3, 2016, pp. 535-564 (tilgået maj 2017).
Heidegger, Martin: Being and Time, J. Macquarrie og E. Robinson (trans.), Oxford: Basil Blackwell, 1962.
Hornby, Louise: »Appropriating the Weather Olafur Eliasson and Climate Control« in Environmental Humanities, vol. 9, nr. 1, maj 2017, pp. 60-83.
Ingold, Tim: »Materials against materiality« in The Archaeological Dialogues vol. 14, nr. 1, 2007, pp. 16–20.
Jackson, David: »The Sonic Anthropocene: Dark Ecological Soundscapes in Chris Watson’s ‘Vatnajökull’« in Evental Aesthetics, vol. 6, 1, 2017.
Kant, Immanuel: Kritik af den rene fornuft, Claus Bratt Østergaard (trans.), København: Det lille forlag, 2002.
Kyndrup, Morten: Riften og Sløret, Aarhus: Aarhus Universitetsforlag, 1998.
KU – Københavns Universitet: »Olafur Eliasson og Minik Rosing, Ice Watch«, videointerview på videoportal, oktober 2014: www.video.ku.dk/ice-watch (tilgået 27. marts 2019).
Latour, Bruno: We Have Never been Modern, Cambridge: Harvard University Press, 1993.
Latour, Bruno: »Waiting for Gaia. Composing the common world through arts and politics«, forelæsning på the French Institute i London, november 2011: www.bruno-latour.fr (tilgået 27. marts 2019).
Latour, Bruno: »Why Has Criqique Run Out of Steam«, Critical Inquiry 30, 2004, pp. 225-248.
Moore, Jason: Anthropocene or Capitalocene? Nature, History, and the Crisis of Capitalism, Oakland, California: PM Press, 2016.
Morris, Robert: »Notes on Sculpture« in Charles Harrison og Paul Wood (eds.), Art in Theory. 1900–2000. An Anthology of Changing Ideas, Oxford: Blackwell Publishing, 2003, pp. 828-838.
Morton, Timothy: Ecology Without Nature: Rethinking Environmental Aesthetics, London: Harvard University Press, 2007.
Massumi, Brian: Parables for the Virtual: Movement, Affect, Sensation, Durham: Duke University Press, 2002.
O’Doherty, Brian: Inside the White Cube, The Ideology of the Gallery Space, San Fransisco: The Lapis Press, 1976.
Sedgwick, Eve K.: Touching Feeling: Affect, Pedagogy, Performativity, Durham: Duke University Press, 2003.
Spivak, Gayatri Chakravorty: An Aesthetic Education in the Era of Globalization, Cambridge, Mass.: Harvard University Press, 2016.
Smith, Terry: »Introduction: The Contemporaneity Question« in Terry Smith, Okwui Enwezor og Nancy Condee (eds.), Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity, Durham: Duke University Press, 2008, pp. 1-19.
Smith, Terry: »Defining Contemporaneity: Imagining Planetarity« in The Nordic Journal of Aesthetics nr. 49-50, 2015, pp. 156-174.
Seel, Martin: Aesthetics of Appearing, Stanford: Stanford University Press, 2005.
Steffen, Will, Wendy Broadgate et al.: »The trajectory of the Anthropocene: The Great Acceleration« in The Anthropocene Review, vol. 2, nr. 1, 2015, pp. 81-98.
Thorsen, Line: »Antropocæn banalitet«, online tidsskriftet Turbulens, 20. februar 2019, www. turbulens.net/antropocaen-banalitet/ (tilgået 1. 3. 2019).
Thorsen, Line og Anette Vandsø: »Hvordan genopdager vi Jorden efter naturen? En samtale med Bruno Latour« in The Garden, udstillingskatalog, Aarhus/London: ARoS/König Verlag, 2017.
Vandsø, Anette: »The Sonic Aftermath: Anthropocene and Transdiscplinarity after the Apocalypse« in Sanne Krogh Groth og Holger Schulze (eds.), Bloomsbury Handbook of Sound Art, New York: Bloomsbury Academic, 2020.
Waters, Colin og Jan Zalasiewicz et al.: »The Anthropocene is functionally and stratigraphically distinct from the Holocene« in Science, vol. 351, nr. 6269, januar 2016.
Zalasiewicz, Jan: The Earth After Us, London: Oxford University Press, 2008.
Zalasiewicz, Jan, Will Steffen et al.: »Petrifying Earth Process: The Stratigraphic Imprint of Key Earth System Parameters in the Anthropocene« in Theory, Culture & Society, vol. 34, nr. 2-3, 2017, pp. 83-104.
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2020-03-01
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