Når tiden kollapser
Hodegetria-ikonets transformation
Abstract
Hodegetria-ikonet var ikke blot en byzantinsk afbildning af Jomfru Maria og Kristus, men også surrogat for dem, idet ikonet evnede at generere et tidsligt kollaps, som affødte deres guddommelige nærvær.
References
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Belting, Hans: »An Image and Its Function in the Liturgy: The Man of Sorrows in Byzantium« in Dumbarton Oaks Papers, vol. 35, 1981, pp. 1-16.
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Klein, Peter (ed.): The Catholic Source Book: A Comprehensive Collection of Information about the Catholic Church, Boston: Houghton Mifflin Harcourt Religion, 1999.
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Lidov, Alexei: »The Flying Hodegetria: The Miraculous Icon as Bearer of Sacred Space« in Erik Thunø og Gerhard Wolf (eds.), The Miraculous Image in the Late Middle Ages and Renaissance, Rom: Analecta Romana Instituti Danici nr. 35, 2004, pp. 273-304.
Majeska, George P.: Russian Travelers to Constantinople in the Fourteenth and Fifteenth Centuries, Washington: Dumbarton Oaks Research Library and Collection, 1984.
Mango, Cyril: The Art of the Byzantine Empire 312-1453, Toronto: University of Toronto Press, 1986.
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Nagel, Alexander og Christopher S. Wood: Anachronic Renaissance, New York: Zone Books, 2010.
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Peirce, Charles Sanders: Charles Sanders Peirce: Semiotik og pragmatisme, Anne Marie Dinesen og Frederik Sjernfelt (eds.), Lars Andersen (trans.), København: Samlerens Bogklub, 1994.
Pentcheva, Bissera V.: Icons and Power: The Mother of God in Byzantium, Pennsylvania: The Pennsylvania State University Press, 2006.
Pentcheva, Bissera V.: »The ‘Activated’ Icon: The Hodegetria Procession and Mary’s Eisodos« in Maria Vassilaki (ed.), Images of the Mother of God, Surry-Burlington: Ashgate Publishing, 2005.
Schopen, Gregory, »Relic« in Mark C. Taylor (ed.), Critical terms for religious studies, 1998, p. 256.
Sevcenko, Nancy Patterson: »The Celebration of the Saints in Byzantine Art and Liturgy« in Christopher Moss og Katherine Kiefer (eds.), Byzantine East and Latin West: Art Historical Studies in Honor of Kurt Weitzmann, Princeton: Princeton University Press, 1995.
Tours, Gregory af: Gregory of Tours: Glory of the Martyrs, Van Dam, Raymond (trans.), Liverpool: Liverpool University Press, 1988.
Barasch, Moshe: Icon: Studies in the History of an Idea, New York: New York University Press, 1992.
Belting, Hans: »An Image and Its Function in the Liturgy: The Man of Sorrows in Byzantium« in Dumbarton Oaks Papers, vol. 35, 1981, pp. 1-16.
Belting, Hans: Likeness and Presence: A History of the Image before the Era of Art, Edmund Jephcott (trans.), Chicago: University of Chicago Press, 1996.
Ciggaar, Krijnie N.: »Une description de Constantinople dans le Tarragonensis 55« i Revue des études byzantines, nr. 53, 1995, pp. 117-140.
Danielsen, Ane Petrea: The Medieval Icon as Body: A Study in the Perception, Iconography, and Use of the Hodegetria Icon from the Early to the Later Middle Ages, kandidatspeciale indleveret ved Institut for Kommunikation og Kultur, Aarhus Universitet, 2016.
Erdeljan, Jelena: Chosen Places: Constructing New Jerusalems in Slavia Orthodoxa, Leiden: Koninklijke Brill, 2017.
Frazer, Margaret E.: »The Christian Realm« in Kurt Weitzmann (ed.), Age of Spirituality: Late Antique and Early Christian Art, Third to Seventh Century, New York: The Metropolitan Museum of Art, 1979, pp. 513-564.
Frederiksen, Hans Jørgen: »‘Acheiropoietos:’ Ikke gjort af menneskehånd« in Passepartout, vol. 8, nr. 16, 2000, pp. 119-137.
Freedberg, David og Vittorio Gallese: »Motion, Emotion and Empathy in Esthetic Experience« in Trends in Cognitive Sciences, vol. 11, nr. 5, 2007, pp. 197-203.
Heisterbach, Caesarius af: The Dialogue on Miracles, Henry von Essen Scott og C. C. Swinton Bland (trans.), London: G. Routledge & Sons, 1929.
Jensen, J. Th. og M.J. Goldschmidt: Latinsk-dansk Ordbog. Anden udgave. København: Forlaget Gyldendal og Nordisk forlag, 1920.
Kitzinger, Ernst: »The Cult of Images in the Age before Iconoclasm« in Dumbarton Oaks Papers, vol. 8, 1954, pp. 83-150.
Klein, Peter (ed.): The Catholic Source Book: A Comprehensive Collection of Information about the Catholic Church, Boston: Houghton Mifflin Harcourt Religion, 1999.
Lakoff, George: »The Contemporary Theory of Metaphor« in Dirk Geeraerts (ed.), Cognitive Linguistics: Basic Readings, Berlin og New York: Mouton de Gruyter, 2006, pp. 185-238.
Lidov, Alexei: »The Flying Hodegetria: The Miraculous Icon as Bearer of Sacred Space« in Erik Thunø og Gerhard Wolf (eds.), The Miraculous Image in the Late Middle Ages and Renaissance, Rom: Analecta Romana Instituti Danici nr. 35, 2004, pp. 273-304.
Majeska, George P.: Russian Travelers to Constantinople in the Fourteenth and Fifteenth Centuries, Washington: Dumbarton Oaks Research Library and Collection, 1984.
Mango, Cyril: The Art of the Byzantine Empire 312-1453, Toronto: University of Toronto Press, 1986.
Migne, J. P.: Patrologiae cursus completes, series graeca, 1844-1866, 86, 165A.
Nagel, Alexander og Christopher S. Wood: Anachronic Renaissance, New York: Zone Books, 2010.
OED Online. Oxford English Dictionary, Oxford, Oxford University Press: www.oed.com (tilgået 13. marts 2019).
Peirce, Charles Sanders: Charles Sanders Peirce: Semiotik og pragmatisme, Anne Marie Dinesen og Frederik Sjernfelt (eds.), Lars Andersen (trans.), København: Samlerens Bogklub, 1994.
Pentcheva, Bissera V.: Icons and Power: The Mother of God in Byzantium, Pennsylvania: The Pennsylvania State University Press, 2006.
Pentcheva, Bissera V.: »The ‘Activated’ Icon: The Hodegetria Procession and Mary’s Eisodos« in Maria Vassilaki (ed.), Images of the Mother of God, Surry-Burlington: Ashgate Publishing, 2005.
Schopen, Gregory, »Relic« in Mark C. Taylor (ed.), Critical terms for religious studies, 1998, p. 256.
Sevcenko, Nancy Patterson: »The Celebration of the Saints in Byzantine Art and Liturgy« in Christopher Moss og Katherine Kiefer (eds.), Byzantine East and Latin West: Art Historical Studies in Honor of Kurt Weitzmann, Princeton: Princeton University Press, 1995.
Tours, Gregory af: Gregory of Tours: Glory of the Martyrs, Van Dam, Raymond (trans.), Liverpool: Liverpool University Press, 1988.
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2020-03-01
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