Tid og temporalitet
Abstract
Tid er en af de mest kostbare ressourcer, vi har i dag, og de færreste føler, de har nok af den. Hver dag bestræber vi os på at følge med tiden i en stadig kamp for at nå opgaver, deadlines eller sociale aktiviteter. Vores døgnrytme forstyrres af et blåt skær, når endnu en e-mail, nyhedsoverskrift eller opdatering kalder på vores opmærksomhed. Teoretikere som Jonathan Crary og Hartmut Rosa har ligefrem karakteriseret vores senmoderne samfund som henholdsvis 24/7- og højhastighedssamfundet (Crary, 2014; Rosa, 2010).
References
Adorno, Theodor W.: Den ny musiks filosofi, Henning Goldbæk og Arno V. Nielsen (trans.), København: Tiderne Skifter, 1983.
Chakrabarty, Dipesh: »The Climate of History: Four Theses« in Critical Inquiry, vol. 35, nr. 2, 2009, pp. 197-222.
Cox, Geoff og Jacob Lund: The Contemporary Condition: Introductory Thoughts on Contemporaneity and Contemporary Art, Berlin: Sternberg Press, ARoS Aarhus Kunstmuseum og Aarhus Universitet, 2017.
Crary, Jonathan: 24/7: Late Capitalism and the Ends of Sleep, London og New York: Verso, 2014.
Crutzen, Paul: »Geology of Mankind« in Nature, nr. 415, vol. 23, d. 3. januar 2002.
Dohrn-van Rossum, Gerhard: History of the Hour: Clocks and Modern Temporal Orders, Chicago: The University of Chicago Press, 1996.
Ernst, Wolfgang: The Delayed Present: Media-Induced Tempor(e)Alities & Techno-Traumatic Irritations of »the Contemporary«, The Contemporary Condition book series vol. 4, Geoff Cox and Jacob Lund (eds.), Berlin: Sternberg Press, ARoS Kunstmuseum og Aarhus Universitet, 2017.
Ernst, Wolfgang: Chronopoetics: The Temporal Being and Operativity of Technological Media, London: Rowman & Littlefield, 2016.
Greenberg, Clement: »Towards a Newer Laocoon« in Art in Theory: 1900-1990, Charles Harrison og Paul Wood (eds.), Oxford & Cambridge: Blackwell, [1940] 1996, pp. 562-568.
Groom, Amelia: Time: Documents of Contemporary Art, Cambridge, MA: The MIT Press, 2013.
Hansen, Mark B. N.: Feed-Forward: On the Future of Twenty-First-Century Media, Chicago: The University of Chicago Press, 2015.
Herder, Johann Gottfried von: »Sculpture: Some Observations on Form and Shape from Pygmalion’s Creative Dream« in Art in Theory: 1900-1990, Charles Harrison og Paul Wood (eds.), Oxford & Cambridge: Blackwell, [1778] 1996, pp. 568-571.
IPCC (Intergovernmental Panel on Climate Change), 2018: Global Warming of 1.5°C, Masson-Delmotte, V., P. Zhai, H.-O. Pörtner, D. Roberts, J. Skea, P.R. Shukla, A. Pirani, W. Moufouma-Okia, C. Péan, R. Pidcock, S. Connors, J.B.R. Matthews, Y. Chen, X. Zhou, M.I. Gomis, E. Lonnoy, T. Maycock, M. Tignor, and T. Waterfield (eds.). https://www.ipcc.ch/site/assets/uploads/sites/2/2019/06/SR15_Full_Report_Low_Res.pdf
Karlholm, Dan og Keith Moxey (eds.): Time in the History of Art: Temporality, Chronology, and Anachrony, New York: Routledge, 2018.
Kern, Stephen: The Culture of Time and Space 1880-1918, Cambridge, MA: Harvard University Press, 1983.
Kittler, Friedrich A.: Gramophone, Film, Typewriter, Geoffrey Winthrop-Young og Michael Wutz (trans.), Stanford: Stanford University Press, [1986] 1999.
Lessing, Gotthold Ephraim: »Laokoon kapitel xvi« in Sansning og erkendelse: Æstetikhistoriske grundtekster, Jørn Erslev Andersen (ed.), Aarhus: Aarhus Universitetsforlag, [1766] 2012, pp. 165-170.
Lund, Jacob: Anachrony, Contemporaneity, and Historical Imagination, The Contemporary Condition book series vol. 13, Geoff Cox and Jacob Lund (eds.), Berlin: Sternberg Press, ARoS Kunstmuseum, Aarhus Universitet, 2019.
McLuhan, Marshall: Understanding Media: The Extensions of Man, Cambridge, MA: The MIT Press, [1964] 1999.
Nagel, Alexander og Christopher S. Wood: Anachronic Renaissance, New York: Zone Books, 2010.
Pedersen, Anne Ring: Installationskunsten mellem billede og scene, København: Museum Tusculanum, 2009.
Rosa, Hartmut: Alienation and Acceleration: Towards a Critical Theory of Late-Modern Temporality, NSU Summertalk vol. 3, Claus Krogsholm (ed.), Helsingfors: NSU Press, 2010.
Stiegler, Bernard: Technics and Time, 2: Disorientation, Stephen Barker (trans.), Stanford, California: Stanford University Press, 2009.
Hjemmeside
Frith Street Gallery: Raqs Media Collective: »Escapement«, 8. juli – 30. september 2009. https://www.frithstreetgallery.com/exhibitions/raqs-media-collective-escapement (tilgået 29. december 2019).
Chakrabarty, Dipesh: »The Climate of History: Four Theses« in Critical Inquiry, vol. 35, nr. 2, 2009, pp. 197-222.
Cox, Geoff og Jacob Lund: The Contemporary Condition: Introductory Thoughts on Contemporaneity and Contemporary Art, Berlin: Sternberg Press, ARoS Aarhus Kunstmuseum og Aarhus Universitet, 2017.
Crary, Jonathan: 24/7: Late Capitalism and the Ends of Sleep, London og New York: Verso, 2014.
Crutzen, Paul: »Geology of Mankind« in Nature, nr. 415, vol. 23, d. 3. januar 2002.
Dohrn-van Rossum, Gerhard: History of the Hour: Clocks and Modern Temporal Orders, Chicago: The University of Chicago Press, 1996.
Ernst, Wolfgang: The Delayed Present: Media-Induced Tempor(e)Alities & Techno-Traumatic Irritations of »the Contemporary«, The Contemporary Condition book series vol. 4, Geoff Cox and Jacob Lund (eds.), Berlin: Sternberg Press, ARoS Kunstmuseum og Aarhus Universitet, 2017.
Ernst, Wolfgang: Chronopoetics: The Temporal Being and Operativity of Technological Media, London: Rowman & Littlefield, 2016.
Greenberg, Clement: »Towards a Newer Laocoon« in Art in Theory: 1900-1990, Charles Harrison og Paul Wood (eds.), Oxford & Cambridge: Blackwell, [1940] 1996, pp. 562-568.
Groom, Amelia: Time: Documents of Contemporary Art, Cambridge, MA: The MIT Press, 2013.
Hansen, Mark B. N.: Feed-Forward: On the Future of Twenty-First-Century Media, Chicago: The University of Chicago Press, 2015.
Herder, Johann Gottfried von: »Sculpture: Some Observations on Form and Shape from Pygmalion’s Creative Dream« in Art in Theory: 1900-1990, Charles Harrison og Paul Wood (eds.), Oxford & Cambridge: Blackwell, [1778] 1996, pp. 568-571.
IPCC (Intergovernmental Panel on Climate Change), 2018: Global Warming of 1.5°C, Masson-Delmotte, V., P. Zhai, H.-O. Pörtner, D. Roberts, J. Skea, P.R. Shukla, A. Pirani, W. Moufouma-Okia, C. Péan, R. Pidcock, S. Connors, J.B.R. Matthews, Y. Chen, X. Zhou, M.I. Gomis, E. Lonnoy, T. Maycock, M. Tignor, and T. Waterfield (eds.). https://www.ipcc.ch/site/assets/uploads/sites/2/2019/06/SR15_Full_Report_Low_Res.pdf
Karlholm, Dan og Keith Moxey (eds.): Time in the History of Art: Temporality, Chronology, and Anachrony, New York: Routledge, 2018.
Kern, Stephen: The Culture of Time and Space 1880-1918, Cambridge, MA: Harvard University Press, 1983.
Kittler, Friedrich A.: Gramophone, Film, Typewriter, Geoffrey Winthrop-Young og Michael Wutz (trans.), Stanford: Stanford University Press, [1986] 1999.
Lessing, Gotthold Ephraim: »Laokoon kapitel xvi« in Sansning og erkendelse: Æstetikhistoriske grundtekster, Jørn Erslev Andersen (ed.), Aarhus: Aarhus Universitetsforlag, [1766] 2012, pp. 165-170.
Lund, Jacob: Anachrony, Contemporaneity, and Historical Imagination, The Contemporary Condition book series vol. 13, Geoff Cox and Jacob Lund (eds.), Berlin: Sternberg Press, ARoS Kunstmuseum, Aarhus Universitet, 2019.
McLuhan, Marshall: Understanding Media: The Extensions of Man, Cambridge, MA: The MIT Press, [1964] 1999.
Nagel, Alexander og Christopher S. Wood: Anachronic Renaissance, New York: Zone Books, 2010.
Pedersen, Anne Ring: Installationskunsten mellem billede og scene, København: Museum Tusculanum, 2009.
Rosa, Hartmut: Alienation and Acceleration: Towards a Critical Theory of Late-Modern Temporality, NSU Summertalk vol. 3, Claus Krogsholm (ed.), Helsingfors: NSU Press, 2010.
Stiegler, Bernard: Technics and Time, 2: Disorientation, Stephen Barker (trans.), Stanford, California: Stanford University Press, 2009.
Hjemmeside
Frith Street Gallery: Raqs Media Collective: »Escapement«, 8. juli – 30. september 2009. https://www.frithstreetgallery.com/exhibitions/raqs-media-collective-escapement (tilgået 29. december 2019).
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Published
2020-03-01
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