Størknet i tid
Blodets standsning og effekt i tre fotobaserede værker
Nøgleord:
Fotografi, indeksikalitet, performancefotografi, vold, materialitet, Photography, indexicality, performance photography, violence, materialityResumé
Blod som fænomen kan forstærke elementer i fotografiet, ligesom fotografiet kan være en mulighed for at reflektere over blodet og kroppen som kunstnerisk materiale. Denne artikel udfolder sine analyser af tre fotobaserede værker i mødet mellem fotografi og blod.
Referencer
Litteratur
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Meyer, Melissa M.: Thicker than Water. The Origins of Blood as Symbol and Ritual, New York og London, Routledge, 2005.
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Ronte, Dieter: “On the Aesthetics of the Photography of Actionism” in Blood Orgies. Hermann Nitsch in America, Aaron Levy (ed.), Philadelphia, Slought Books, 2008, pp. 15-28.
Salter, Gregory: “‘A Door of Hell’: Thresholds, Crisis and Morality in the Art of Gilbert and George in the 1970s” in British Art Studies, Issue 9, 2018, https://doi.org/10.17658/issn.2058-5462/issue-09/gsalter.(tilgået 28. marts 2023)
Sutton, Gloria: “Image as Action: Vienna Actionism and the Photographic Impulse” in Rite of Passage: The Early Years of Vienna Actionism, 1960-1966, Hubert Klocker (ed.), Køln, Snoeck, Hauser & Wirth, 2014, pp. 95-108.
Hjemmesider
Kapoor, Anish: Blood and Light, in conversation with Julia Kristeva, 2015 https://anishkapoor.com/4330/blood-and-light-in-conversation-with-julia-kristeva).(tilgået 2. marts 2023)
https://dictionary.cambridge.org/dictionary/english/bloody. (tilgået 31. marts 2023)
https://www.sundhed.dk/borger/patienthaandbogen/akutte-sygdomme/foerstehjaelp/saar-og-bloedninger/blaa-maerker-blodudtraedning/. (tilgået 15. marts 2023)
