Vol. 28 No. 2 (2017): Theatre and Language

View Vol. 28 No. 2 (2017): Theatre and Language

Editor-in-chief Laura Gröndahl

Co-editor Anna Blekastad Watson

Review editor Magnús Þór Þorbergsson

Published: 2017-12-29

Editorial

Introduction: Theatre and Language

Laura Gröndahl, Anna Blekastad Watson

1-5
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Articles thematic section

Staging Cultural Identities as Political Performance: Hålogaland Teater, North Norwegian stage language and the emancipation of North Norwegian identities

Wenche Torrissen

6-35
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Dancing with the Dragon: Orality and (body) language(s) in a live performance of Beowulf

Jeff Kaplan

36-55
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Parody as Translation: Ibsen’s new woman in the pages of Punch

Rebecca Flynn

56-70
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Speaking about Reality: Verbatim techniques in contemporary Finnish documentary theatre

Laura Gröndahl

71-96
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Articles open section

Performance as Philosophy — the universal language of the theatre revisited

Daniel Meyer-Dinkgräfe, Anita S. Hammer

97-118
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Philosophical Theatricality: Castellucci’s staging of Hölderlin’s Oedipus the Tyrant

Keld Hyldig

119-145
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Searching for a Space for Conversation: A study on how environment affects the articulation of the art experience among opera audiences at The Royal Danish Theatre

Anna Lawaetz, Nina Gram, Christina Østerby

146-163
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Essays

Cross-cultural Theatre Education: Rehearsals and Performance. English as Lingua Franca, rewriting process, and poly-glottal text in psycho-physical acting practice

Lars Henning

164-183
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Reviews

Book review: S. E. Wilmer, Audronė Žukauskaitė (eds.) Deleuze and Beckett

Jurate Baranova

184-188
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