Archives

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  Theatre and Materiality

  Vol. 35 No. 2 (2023)

  Editors: Petra Dotlačilová and Martynas Petrikas

  Cover photo: Hanna Saarikoski, Performance C, 21.9.2018, the charcoal suit: 180 × 75 × 40 cm, photograph by Jussi Virkkumaa © Hanna Saarikoski and Jussi Virkkumaa, Turku, Finland

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  Performativity and Transgression

  Vol. 35 No. 1 (2023)

  Vol. 35, No. 1 (2023): Performativity and Transgression

  Cover photo: Identity Cabaret by Estonian Academy of Music and Theatre, Contemporary Physical Performance Making (CPPM) Master Programme, 2022. Lauren Grinberg. Photo by Rene Jakobson.

  Guest editors: Anneli Saro, Luule Epner, Madli Pesti

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  Utopia and Performance

  Vol. 34 No. 2 (2022)

  Cover Picture: Oratorium Dance Project, Teatr Chorea, 2011. Photo by PhotoMafia.
  Guest editor: Meike Wagner

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  Theatre and Social Responsibility

  Vol. 34 No. 1 (2022)

  Photo: Nadia Scapoli

  Group: Teater Albatross

  Production: Svarta blommor, 1985

  Performer: Robert Jakobsson

  Robert Jacobsson’s personal archive

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  Rethinking Nordic

  Vol. 33 No. 2 (2021)

  Cover picture: Toinen koti (2017), at the Finnish National Theatre, was a documentary theatre piece about asylum-seekers experiences that was devised and performed together with people from refugee backgrounds and Finnish actors. In the picture: Farqad CJ, Refat Zin eddin, Sabah Shukrallah, Youssef, Terhi Panula, Kareem Haritani, Harith Raad Salih, Bakr Hasan, Dalia Orkhan Omar, Soroush Seyedi, Haider Al-Mashhadani, Jihad Nihad, Faed Shakarchi ja Islam Al-Badri. 

  Photo: The Finnish National Theatre / Tuomo Manninen
  
  Editors: Ken Nielsen and Katri Tanskanen

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  SCAN-AESTHETICS: Aesthetic strategies in Scandinavian and Nordic-Baltic independent theatre and performing arts: 1960-2010

  Vol. 33 No. 1 (2021)

  Coverphoto shows the actress Eva Vium sitting in front of the villa where the immersive production “Salò”, The 120 days of Sodom based on Pier Paolo Pasolini, by Danish director Signa, took place outside. Copenhagen in 2010.
  
  Photo: Arthur Köstler
  
  

  Editors-in-chief: Katri M. Tanskanen and Martynas Petrikas   Guest editors: Knut Ove Arntzen and Anna Blekastad Watson

  
  
   

   

   

   

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  Transnational Influences

  Vol. 32 No. 2 (2020)

  Transnational Influences
  
  Vol. 32 No 2 (2020)   Guest editors: Hanna Korsberg, Anneli Saro, Mikko-Olavi Seppälä
  
  Cover Picture: Sugrierror.com. Directed by Anne Türnpu, Eva Klemets (Koldits), Mart Koldits. NO99 StrawTheatre, 2011.
  
  Photo: Veiko Tubin.
  
  

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  Theatre and the Anthropocene

  Vol. 32 No. 1 (2020)

  Theatre and the Anthropocene  Vol. 32 No 1 (2020)   Editor-in-Chief  S. E. Wilmer, co-editor Karen Vedel       Cover Picture: Sun & Sea (Marina), presented at the Lithuanian Pavilion in the Venice Biennale Arte in 2019 by  Rugilė  Barzdžiukaitė  (director),  Vaiva  Grainytė  (librettist)  and  Lina  Lapelytė (composer)

  Photo: Andrej Vasilenko

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  Theatre and Memory Wars

  Vol. 31 No. 2 (2019)

  Guest editors: Edgaras Klivis and Rūta Mažeikienė.

  Cover Picture: J. Balodis The Forest Brother. 

  Directed by Valters Silis. National Kaunas Drama Theatre, 2015.

  Photo: Donatas Stankevičius. Courtesy of the National Kaunas Drama Theatre

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  Theatre and Continental Philosophy

  Vol. 31 No. 1 (2019)

  Editor-in-Chief  S. E. Wilmer

  Co-editor Karen Vedel

  Cover Picture: Silvia Costa in Ethica. Natura e origine della mente (Ethica. Nature and Origin of the Mind).

  Directed by Romeo Castellucci, 2013. Photo: Guido Mencari.

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  Theatre Studies 3.0

  Vol. 30 No. 2 (2018)

  Guest editors: Knut Ove Arntzen & Martynas Petrikas

  Cover image: Code: HAMLET. Directed by Olga Lapina. Lithuanian Russian Drama Theatre, Vilnius 2016. Photo: Dmitrijus Matvejevas. Courtesy Lithuanian Russian Drama Theatre

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  Theatre and Money

  Vol. 30 No. 1 (2018)

  Editor-in-Chief Laura Gröndahl

  Co-editor S.E.Wilmer

  Cover picture: Mistress of the North (Anneli Sauli) in The Age of Iron. Directed by Kari Heiskanen. Pyynikki Outdoor Summer Theatre, Tampere 2011. Photo Leena Klemelä

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  Theatre and the Popular

  Vol. 29 No. 2 (2017)

  Guest editor: Magnus Thor Thorbergsson

  Cover image: Promotional picture for the performance Spectacle of the Year (2012) by the Icelandic theatre group 16 Lovers. Photo: Björn Snorri Rosdahl.

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  Turning Points and Continuity. Reformulating Questions to the Archives

  Vol. 29 No. 1 (2017)

  Special issue from the research project Turning Points and Continuity: The Changing Roles of Performance in Society 1880-1925. The issue is published with support from the Swedish Research Council.

  Guest editor Erik Mattsson

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  Theatre and Language

  Vol. 28 No. 2 (2017)

  Editor-in-chief Laura Gröndahl

  Co-editor Anna Blekastad Watson

  Review editor Magnús Þór Þorbergsson

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  Crossing Borders

  Vol. 28 No. 1 (2016)
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  Mapping Theatre

  Vol. 27 No. 2 (2015)
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  Theatre and the Nomadic Subject

  Vol. 27 No. 1 (2015)

  Guest editor: S. E. Wilmer

  Cover image: Tragedia Endogonidia (2002-2004), directed by Romeo Castellucci, video memory by Cristiano Carloni, Stefano Franceschetti, Socìetas Raffaello Sanzio.

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  Theatre and Technology

  Vol. 26 No. 2 (2014)
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  Poetics of Playing

  Vol. 26 No. 1 (2014)
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  Theatre and Democracy

  Vol. 25 No. 1 (2013)

  Edited by Magnus Tessing Schneider and Kim Skjoldager-Nielsen. Review editor: Dirk Gindt

  Cover: Election advertisment for the Icelandic party Besti flokkurinn (The Best Party), regional elections, Reykjavik 2010. Courtesy of Jón Gnarr.

• Approaching Phenomenology

  Vol. 24 No. 1 (2012)