• Transnational Influences
    Vol. 32 No. 2 (2020)

    Transnational Influences

    Vol. 32 No 2 (2020)   Guest editors: Hanna Korsberg, Anneli Saro, Mikko-Olavi Seppälä

    Cover Picture: Directed by Anne Türnpu, Eva Klemets (Koldits), Mart Koldits. NO99 StrawTheatre, 2011.

    Photo: Veiko Tubin.

  • Theatre and the Anthropocene
    Vol. 32 No. 1 (2020)

    Theatre and the Anthropocene  Vol. 32 No 1 (2020)   Editor-in-Chief  S. E. Wilmer, co-editor Karen Vedel       Cover Picture: Sun & Sea (Marina), presented at the Lithuanian Pavilion in the Venice Biennale Arte in 2019 by  Rugilė  Barzdžiukaitė  (director),  Vaiva  Grainytė  (librettist)  and  Lina  Lapelytė (composer)

    Photo: Andrej Vasilenko

  • Theatre and Memory Wars
    Vol. 31 No. 2 (2019)

    Guest editors: Edgaras Klivis and Rūta Mažeikienė.

    Cover Picture: J. Balodis The Forest Brother. 

    Directed by Valters Silis. National Kaunas Drama Theatre, 2015.

    Photo: Donatas Stankevičius. Courtesy of the National Kaunas Drama Theatre

  • Theatre and Continental Philosophy
    Vol. 31 No. 1 (2019)

    Editor-in-Chief  S. E. Wilmer

    Co-editor Karen Vedel

    Cover Picture: Silvia Costa in Ethica. Natura e origine della mente (Ethica. Nature and Origin of the Mind).

    Directed by Romeo Castellucci, 2013. Photo: Guido Mencari.

  • Theatre Studies 3.0
    Vol. 30 No. 2 (2018)

    Guest editors: Knut Ove Arntzen & Martynas Petrikas

    Cover image: Code: HAMLET. Directed by Olga Lapina. Lithuanian Russian Drama Theatre, Vilnius 2016. Photo: Dmitrijus Matvejevas. Courtesy Lithuanian Russian Drama Theatre

  • Theatre and Money
    Vol. 30 No. 1 (2018)

    Editor-in-Chief Laura Gröndahl

    Co-editor S.E.Wilmer

    Cover picture: Mistress of the North (Anneli Sauli) in The Age of Iron. Directed by Kari Heiskanen. Pyynikki Outdoor Summer Theatre, Tampere 2011. Photo Leena Klemelä

  • Theatre and the Popular
    Vol. 29 No. 2 (2017)

    Guest editor: Magnus Thor Thorbergsson

    Cover image: Promotional picture for the performance Spectacle of the Year (2012) by the Icelandic theatre group 16 Lovers. Photo: Björn Snorri Rosdahl.

  • Turning Points and Continuity

    Turning Points and Continuity. Reformulating Questions to the Archives
    Vol. 29 No. 1 (2017)

    Special issue from the research project Turning Points and Continuity: The Changing Roles of Performance in Society 1880-1925. The issue is published with support from the Swedish Research Council.

    Guest editor Erik Mattsson

  • Theatre and Language
    Vol. 28 No. 2 (2017)

    Editor-in-chief Laura Gröndahl

    Co-editor Anna Blekastad Watson

    Review editor Magnús Þór Þorbergsson

  • Crossing Borders
    Vol. 28 No. 1 (2016)

  • Mapping Theatre
    Vol. 27 No. 2 (2015)

  • Theatre and the Nomadic Subject
    Vol. 27 No. 1 (2015)

    Guest editor: S. E. Wilmer

    Cover image: Tragedia Endogonidia (2002-2004), directed by Romeo Castellucci, video memory by Cristiano Carloni, Stefano Franceschetti, Socìetas Raffaello Sanzio.

  • Theatre and Technology
    Vol. 26 No. 2 (2014)

  • Poetics of Playing
    Vol. 26 No. 1 (2014)

  • Theatre and Democracy
    Vol. 25 No. 1 (2013)

    Edited by Magnus Tessing Schneider and Kim Skjoldager-Nielsen. Review editor: Dirk Gindt

    Cover: Election advertisment for the Icelandic party Besti flokkurinn (The Best Party), regional elections, Reykjavik 2010. Courtesy of Jón Gnarr.

  • Approaching Phenomenology
    Vol. 24 No. 1 (2012)