Archives

  • SCAN-AESTHETICS: Aesthetic strategies in Scandinavian and Nordic-Baltic independent theatre and performing arts: 1960-2010
    Vol. 33 No. 1 (2021)

    Coverphoto shows the actress Eva Vium sitting in front of the villa where the immersive production “Salò”, The 120 days of Sodom based on Pier Paolo Pasolini, by Danish director Signa, took place outside. Copenhagen in 2010.

    Photo: Arthur Köstler

    Editors-in-chief: Katri M. Tanskanen and Martynas Petrikas   Guest editors: Knut Ove Arntzen and Anna Blekastad Watson



     

     

     

     

  • Transnational Influences
    Vol. 32 No. 2 (2020)

    Transnational Influences

    Vol. 32 No 2 (2020)   Guest editors: Hanna Korsberg, Anneli Saro, Mikko-Olavi Seppälä

    Cover Picture: Sugrierror.com. Directed by Anne Türnpu, Eva Klemets (Koldits), Mart Koldits. NO99 StrawTheatre, 2011.

    Photo: Veiko Tubin.

  • Theatre and the Anthropocene
    Vol. 32 No. 1 (2020)

    Theatre and the Anthropocene  Vol. 32 No 1 (2020)   Editor-in-Chief  S. E. Wilmer, co-editor Karen Vedel       Cover Picture: Sun & Sea (Marina), presented at the Lithuanian Pavilion in the Venice Biennale Arte in 2019 by  Rugilė  Barzdžiukaitė  (director),  Vaiva  Grainytė  (librettist)  and  Lina  Lapelytė (composer)

    Photo: Andrej Vasilenko

  • Theatre and Memory Wars
    Vol. 31 No. 2 (2019)

    Guest editors: Edgaras Klivis and Rūta Mažeikienė.

    Cover Picture: J. Balodis The Forest Brother. 

    Directed by Valters Silis. National Kaunas Drama Theatre, 2015.

    Photo: Donatas Stankevičius. Courtesy of the National Kaunas Drama Theatre

  • Theatre and Continental Philosophy
    Vol. 31 No. 1 (2019)

    Editor-in-Chief  S. E. Wilmer

    Co-editor Karen Vedel

    Cover Picture: Silvia Costa in Ethica. Natura e origine della mente (Ethica. Nature and Origin of the Mind).

    Directed by Romeo Castellucci, 2013. Photo: Guido Mencari.

  • Theatre Studies 3.0
    Vol. 30 No. 2 (2018)

    Guest editors: Knut Ove Arntzen & Martynas Petrikas

    Cover image: Code: HAMLET. Directed by Olga Lapina. Lithuanian Russian Drama Theatre, Vilnius 2016. Photo: Dmitrijus Matvejevas. Courtesy Lithuanian Russian Drama Theatre

  • Theatre and Money
    Vol. 30 No. 1 (2018)

    Editor-in-Chief Laura Gröndahl

    Co-editor S.E.Wilmer

    Cover picture: Mistress of the North (Anneli Sauli) in The Age of Iron. Directed by Kari Heiskanen. Pyynikki Outdoor Summer Theatre, Tampere 2011. Photo Leena Klemelä

  • Theatre and the Popular
    Vol. 29 No. 2 (2017)

    Guest editor: Magnus Thor Thorbergsson

    Cover image: Promotional picture for the performance Spectacle of the Year (2012) by the Icelandic theatre group 16 Lovers. Photo: Björn Snorri Rosdahl.

  • Turning Points and Continuity

    Turning Points and Continuity. Reformulating Questions to the Archives
    Vol. 29 No. 1 (2017)

    Special issue from the research project Turning Points and Continuity: The Changing Roles of Performance in Society 1880-1925. The issue is published with support from the Swedish Research Council.

    Guest editor Erik Mattsson

  • Theatre and Language
    Vol. 28 No. 2 (2017)

    Editor-in-chief Laura Gröndahl

    Co-editor Anna Blekastad Watson

    Review editor Magnús Þór Þorbergsson

  • Crossing Borders
    Vol. 28 No. 1 (2016)

  • Mapping Theatre
    Vol. 27 No. 2 (2015)

  • Theatre and the Nomadic Subject
    Vol. 27 No. 1 (2015)

    Guest editor: S. E. Wilmer

    Cover image: Tragedia Endogonidia (2002-2004), directed by Romeo Castellucci, video memory by Cristiano Carloni, Stefano Franceschetti, Socìetas Raffaello Sanzio.

  • Theatre and Technology
    Vol. 26 No. 2 (2014)

  • Poetics of Playing
    Vol. 26 No. 1 (2014)

  • Theatre and Democracy
    Vol. 25 No. 1 (2013)

    Edited by Magnus Tessing Schneider and Kim Skjoldager-Nielsen. Review editor: Dirk Gindt

    Cover: Election advertisment for the Icelandic party Besti flokkurinn (The Best Party), regional elections, Reykjavik 2010. Courtesy of Jón Gnarr.

  • Approaching Phenomenology
    Vol. 24 No. 1 (2012)