SCAN-AESTHETICS: Aesthetic strategies in Scandinavian and Nordic-Baltic independent theatre and performing arts: 1960-2010Vol. 33 No. 1 (2021)
Coverphoto shows the actress Eva Vium sitting in front of the villa where the immersive production “Salò”, The 120 days of Sodom based on Pier Paolo Pasolini, by Danish director Signa, took place outside. Copenhagen in 2010.Editors-in-chief: Katri M. Tanskanen and Martynas Petrikas Guest editors: Knut Ove Arntzen and Anna Blekastad Watson
Photo: Arthur Köstler
Transnational InfluencesVol. 32 No. 2 (2020)
Vol. 32 No 2 (2020) Guest editors: Hanna Korsberg, Anneli Saro, Mikko-Olavi Seppälä
Cover Picture: Sugrierror.com. Directed by Anne Türnpu, Eva Klemets (Koldits), Mart Koldits. NO99 StrawTheatre, 2011.
Photo: Veiko Tubin.
Theatre and the AnthropoceneVol. 32 No. 1 (2020)Theatre and the Anthropocene Vol. 32 No 1 (2020) Editor-in-Chief S. E. Wilmer, co-editor Karen Vedel Cover Picture: Sun & Sea (Marina), presented at the Lithuanian Pavilion in the Venice Biennale Arte in 2019 by Rugilė Barzdžiukaitė (director), Vaiva Grainytė (librettist) and Lina Lapelytė (composer)
Photo: Andrej Vasilenko
Theatre and Memory WarsVol. 31 No. 2 (2019)
Guest editors: Edgaras Klivis and Rūta Mažeikienė.
Cover Picture: J. Balodis The Forest Brother.
Directed by Valters Silis. National Kaunas Drama Theatre, 2015.
Photo: Donatas Stankevičius. Courtesy of the National Kaunas Drama Theatre
Theatre and Continental PhilosophyVol. 31 No. 1 (2019)
Editor-in-Chief S. E. Wilmer
Co-editor Karen Vedel
Cover Picture: Silvia Costa in Ethica. Natura e origine della mente (Ethica. Nature and Origin of the Mind).
Directed by Romeo Castellucci, 2013. Photo: Guido Mencari.
Theatre Studies 3.0Vol. 30 No. 2 (2018)
Guest editors: Knut Ove Arntzen & Martynas Petrikas
Cover image: Code: HAMLET. Directed by Olga Lapina. Lithuanian Russian Drama Theatre, Vilnius 2016. Photo: Dmitrijus Matvejevas. Courtesy Lithuanian Russian Drama Theatre
Theatre and MoneyVol. 30 No. 1 (2018)
Editor-in-Chief Laura Gröndahl
Cover picture: Mistress of the North (Anneli Sauli) in The Age of Iron. Directed by Kari Heiskanen. Pyynikki Outdoor Summer Theatre, Tampere 2011. Photo Leena Klemelä
Theatre and the PopularVol. 29 No. 2 (2017)
Guest editor: Magnus Thor Thorbergsson
Cover image: Promotional picture for the performance Spectacle of the Year (2012) by the Icelandic theatre group 16 Lovers. Photo: Björn Snorri Rosdahl.
Turning Points and Continuity. Reformulating Questions to the ArchivesVol. 29 No. 1 (2017)
Special issue from the research project Turning Points and Continuity: The Changing Roles of Performance in Society 1880-1925. The issue is published with support from the Swedish Research Council.
Guest editor Erik Mattsson
Theatre and LanguageVol. 28 No. 2 (2017)
Editor-in-chief Laura Gröndahl
Co-editor Anna Blekastad Watson
Review editor Magnús Þór Þorbergsson
Crossing BordersVol. 28 No. 1 (2016)
Mapping TheatreVol. 27 No. 2 (2015)
Theatre and the Nomadic SubjectVol. 27 No. 1 (2015)
Guest editor: S. E. Wilmer
Cover image: Tragedia Endogonidia (2002-2004), directed by Romeo Castellucci, video memory by Cristiano Carloni, Stefano Franceschetti, Socìetas Raffaello Sanzio.
Theatre and TechnologyVol. 26 No. 2 (2014)
Poetics of PlayingVol. 26 No. 1 (2014)
Theatre and DemocracyVol. 25 No. 1 (2013)
Edited by Magnus Tessing Schneider and Kim Skjoldager-Nielsen. Review editor: Dirk Gindt
Cover: Election advertisment for the Icelandic party Besti flokkurinn (The Best Party), regional elections, Reykjavik 2010. Courtesy of Jón Gnarr.
Approaching PhenomenologyVol. 24 No. 1 (2012)