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Vol. 24 No. 1 (2012): Approaching Phenomenology
Vol. 24 No. 1 (2012): Approaching Phenomenology
Published:
2012-05-17
Articles thematic section
Genealogies and Methodologies of Phenomenology in Theatre and Performance Studies
Stuart Grant
8-20
What Phenomenology Can Bring to Theatre Sociology, and What It Cannot, with Reference to Radio Muezzin in Aarhus
Joshua Edelman
22-32
Orienting Towards the Phenomenal Woman
Presenting Mia Skäringer in Her Stage Show Horny as Hell and Really Holy
Ann Enström
34-43
On Multiple Appearances
An Analysis of the Performing Body in Kitt Johnson's Drift
Franziska Bork Petersen
44-53
Triple Disembodiment of Dance
The Waltz
Gediminas Karoblis
54-65
Theatre in the Postdramatic Text
A Phenomenological Approach
Luule Epner
66-75
Interference Between Present and Absent Performers
Time-Specific Performance as Phenomenal Experience
Willmar Sauter
76-84
A Play About a Play
Cartoon as an Instrument of (Theatre) Politics
Pirkko Koski
86-97
Articles open section
Flirtation and Seduction as Dramaturgical Devices in Interactive Acting
Louise Bagger
108-119
One State, Two Nations
The Idea of a National Theatre in Twenty-First-Century Latvian Theatre
Zane Radzobe
120-132
Reviews
Erik Exe Christoffersen (ed.): Odin Teatret: et Dansk Verdensteater
Ken Nielsen
134-136
Ola Johansson: Community Theatre and AIDS
Dirk Gindt
142-144
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