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  3. Vol. 24 No. 1 (2012): Approaching Phenomenology

Vol. 24 No. 1 (2012): Approaching Phenomenology

Published: 2012-05-17

Articles thematic section

  • Genealogies and Methodologies of Phenomenology in Theatre and Performance Studies

    Stuart Grant
    8-20
  • What Phenomenology Can Bring to Theatre Sociology, and What It Cannot, with Reference to Radio Muezzin in Aarhus

    Joshua Edelman
    22-32
  • Orienting Towards the Phenomenal Woman Presenting Mia Skäringer in Her Stage Show Horny as Hell and Really Holy

    Ann Enström
    34-43
  • On Multiple Appearances An Analysis of the Performing Body in Kitt Johnson's Drift

    Franziska Bork Petersen
    44-53
  • Triple Disembodiment of Dance The Waltz

    Gediminas Karoblis
    54-65
  • Theatre in the Postdramatic Text A Phenomenological Approach

    Luule Epner
    66-75
  • Interference Between Present and Absent Performers Time-Specific Performance as Phenomenal Experience

    Willmar Sauter
    76-84
  • A Play About a Play Cartoon as an Instrument of (Theatre) Politics

    Pirkko Koski
    86-97

Articles open section

  • Flirtation and Seduction as Dramaturgical Devices in Interactive Acting

    Louise Bagger
    108-119
  • One State, Two Nations The Idea of a National Theatre in Twenty-First-Century Latvian Theatre

    Zane Radzobe
    120-132

Reviews

  • Erik Exe Christoffersen (ed.): Odin Teatret: et Dansk Verdensteater

    Ken Nielsen
    134-136
  • Ola Johansson: Community Theatre and AIDS

    Dirk Gindt
    142-144

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Nordic Theatre Studies is published by the Association of Nordic Theatre Scholars (ANTS).  It has been selected for inclusion in Web of Science and Scopus as well as Ebsco and Google Scholar.

ISSN 0904-6380 (Print)
ISSN 2002-3898 (Online)

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