Vol. 34 No. 2 (2022): Utopia and Performance

View Vol. 34 No. 2 (2022): Utopia and Performance

Cover Picture: Oratorium Dance Project, Teatr Chorea, 2011. Photo by PhotoMafia.
Guest editor: Meike Wagner

Published: 2023-12-19

Editorial

Utopia and Performance An Introduction

Meike Wagner

1-5
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Articles thematic section

Speculative Geographies and the Horizons of Performance Studies

Sean Metzger

6-17
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The Magic of Presence Moments, Memories, Methods

Willmar Sauter

18-28
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When the Utopian Performative Encounters Beauty

Daria Skjoldager-Nielsen

29-41
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Cause of Death: Lähiö Stereotypes, Utopias and Dystopias in Turku City Theatre’s

Sanni Lindroos

42-54
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“Ready to fly with a lust for life” Utopian Performatives in The Cultural Schoolbag

Ragnhild Tronstad

55-65
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Building an Ideal Theatre The Case of the Theatre NO99

Anneli Saro

66-78
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Hen: Queer Puppet Cabaret, Utopian Perspectives for Sexual Bodies

Antoine Hirel

79-90
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Utopian Realism The Struggle for Positive Peace in Frida Stéenhoff’s Stridbar ungdom (1907)

Maria Mårsell

91-102
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Late Nineteenth-Century Radical Utopias in Theatre Reviews Stagings and Reception of Anne Charlotte Leffler’s Sanna kvinnor

Birgitta Lindh Estelle

103-117
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Hamlet and Its Danish Double. The Historical Performance as Medium for a Utopian Monarchy A Crooked Mirror of the Local Political Realities

Annelis Kuhlmann

118-136
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