Vol. 29 No. 1 (2017): Turning Points and Continuity. Reformulating Questions to the Archives

Special issue from the research project Turning Points and Continuity: The Changing Roles of Performance in Society 1880-1925. The issue is published with support from the Swedish Research Council.

Guest editor Erik Mattsson

Published: 2018-01-27

Editorial

Editor’s Introduction Turning Points and Continuity: Reformulating questions to the archives

Erik Mattsson

1-5
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Turning Points and Continuity. Introducing a research project

Lena Hammergren, Willmar Sauter

6-7
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Articles thematic section

Embodied Spectatorship? Interpreting dance reviews around 1900

Lena Hammergren

8-24
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Affective Economies in the Tug of War between Idealism and Anti-idealisms. Reviewers’ reactions to Anne Charlotte Leffler’s Sanna kvinnor (True Women)

Birgitta Johansson Lindh

25-43
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Representing Pariah Femininity. Sexuality, gender, and class at the fin-de-siècle

Hélène Ohlsson

44-63
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What Do Theatre Autobiographies Conceal?

Rikard Hoogland

64-80
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The Employment Contract as the Materialization of the Social Order. Contracts at Albert Ranft’s Stockholm theatres, 1895-1926

Lovisa Näslund

81-101
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History Repeating Itself. The function of turning points and continuity in three historical narratives on operetta

Mikael Strömberg

102-116
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Activating Dance Records. Conceptualizing research into the Swedish, Nordic and global archives pertaining to the Russian dancer Anna Robenne

Astrid von Rosen

117-137
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The Performance of Pictorialist Dance Photography

Karen Arnfred Vedel

138-161
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Deconstructing Turning Points. A postscript on the canonization of the avant-garde 1900

Willmar Sauter

162-180
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Vol. 29 No. 1 (2017): Turning Points and Continuity. Reformulating Questions to the Archives

Editorial

Articles thematic section

Information